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| Author | : Mark DeSaussure Mitchell |
| Publisher | : Yale University Press |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Still-life painting, American |
| ISBN | : 9780300204117 |
"Published on the occasion of the exhibition Audubon to Warhol: the art of American still life, Philadelphia Museum of Art, October 27, 2015-January 10, 2016"--Title page verso.
| Author | : Todd M. Casey |
| Publisher | : The Monacelli Press, LLC |
| Total Pages | : 321 |
| Release | : 2020-02-18 |
| Genre | : Art |
| ISBN | : 1580935486 |
A must-have reference book for today's artists and art students. Every artist needs to learn and master the still life. Written by a well-known artist and expert instructor, The Art of Still Life offers a comprehensive, contemporary approach to the subject that instructs artists on the foundation basics and advanced techniques they need for successful drawing and painting. In addition to Casey's stunning paintings, the work of over fifty past and present masters is included, so that the book will do double duty as a hardworking how-to manual and a visual treasure trove of some of the finest still life art throughout history and being created today.
| Author | : Susan Landauer |
| Publisher | : Univ of California Press |
| Total Pages | : 250 |
| Release | : 2003-11-10 |
| Genre | : Art |
| ISBN | : 9780520239388 |
"Presenting, interpreting, and celebrating the world-renowned and the lesser-known California artists who have uniquely defined and redefined the still life, this volume offers an exploration of the sensual pleasures, the aesthetic challenges, and the intellectual and perceptual associations of a century of art through the prism of a single genre."--BOOK JACKET.
| Author | : Mark DeSaussure Mitchell |
| Publisher | : |
| Total Pages | : 271 |
| Release | : 2015 |
| Genre | : Still-life painting, American |
| ISBN | : 9780876332689 |
The Art of American Still Life reconsiders the development and cultural significance of still-life painting in America, exploring renowned treasures alongside recently discovered works-some previously unpublished-in unexpected ways. Taking an innovative approach to the genre, this captivating survey newly divides American still life into four discrete eras, each characterized by a predominant form of vision: describing, indulging, discerning, and animating. Works are grouped in "conversations" and explored in accompanying texts to reveal wider cultural meaning. Introductory essays investigate the many interactions between still life and American culture, examining the close connections between still-life painting and other visual discourses, including natural history, illustration, and commercial photography; the roles objects have played in American literature and art; the Philadelphia region's defining and lasting impact on the genre; and the reception of still life in American art and art history. The first major study of American still life in a generation, The Art of American Still Life is destined to become a standard reference on the subject.
| Author | : William H. Gerdts |
| Publisher | : Museum of Fine Arts (Houston) |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : ART |
| ISBN | : 9780300225914 |
Showcasing a treasured private collection amassed over several decades, this publication represents the beauty and complexity of still-life painting in the United States. More than 65 works from the Hevrdejs collection, many of which have never been on public view, are accompanied by comprehensive and accessible explanations that contextualize their role in the ongoing development of the genre. Featuring works by prominent and diverse artists such as Raphaelle Peale, Thomas Hart Benton, Georgia O'Keeffe, and Andrew Wyeth, this study expands the overall notion of the still life by examining its use in a variety of painting styles from the 19th century to the present day. With color illustrations and an essay and entries by a distinguished scholar, this book demonstrates why the genre has been a compelling preoccupation for American artists over two centuries. Distributed for the Museum of Fine Arts, Houston Exhibition Schedule: The Museum of Fine Arts, Houston (01/14/17-04/09/17) Memphis Brooks Museum of Art (04/20/17-07/30/17) Tacoma Museum of Art (October 2017-January 2018)
| Author | : Fernando Domínguez Rubio |
| Publisher | : |
| Total Pages | : 426 |
| Release | : 2020 |
| Genre | : Art museums |
| ISBN | : 022671408X |
"Iconic works of art such as Jackson Pollock's One and Vincent van Gogh's Starry Night draw around 3 million viewers to New York's Museum of Modern Art annually. However, between the museum's permanent collection and its temporary exhibits on display, only just a fraction of MoMA's vast collection and the infrastructures that support it are visible to the public. In Still Life, Fernando Domínguez Rubio dives deep into the institutions, technologies, and histories that have made MoMA a cultural powerhouse. Domínguez Rubio seeks to uncover the considerable forces that support and sustain this growth. He shows us the veritable army of conservators, art movers, and curators who try to fend off the slow and inevitable deterioration of the works in MoMA's prestigious collection, as well as the enormous and idiosyncratic technologies they rely on, ranging from air conditioning units to specially designed storage containers. And indeed, the vast majority of MoMA's immense collection is in storage. Of the museum's 1,221 works by Picasso, only 24 are regularly on display. These works are thus not only subject to the elements, but to trends in the art world. The prestige of a museum, then, is ultimately as fragile as the works it contains: not only do works of art decay over time, their perceived importance is constantly in flux"--
| Author | : William H. Gerdts |
| Publisher | : New York : Praeger |
| Total Pages | : 300 |
| Release | : 1971 |
| Genre | : Art |
| ISBN | : |
| Author | : Sarah Winman |
| Publisher | : Penguin Group |
| Total Pages | : 465 |
| Release | : 2024-07-23 |
| Genre | : Fiction |
| ISBN | : 0735249202 |
*A GOOD MORNING AMERICA BOOK CLUB PICK* *A GLOBE AND MAIL BEST BOOK* “[A] winsome, large-hearted novel ... [Still Life] pulses from the page.” —Entertainment Weekly Set between World War II and the 1980s, Still Life is a beautiful, big-hearted story of strangers brought together by love, war, art, flood, and the ghost of E. M. Forster, from the bestselling, prize-winning author of Tin Man and When God Was a Rabbit. In the wine-cellar of a Tuscan villa, as the Allies advance and bombs fall around them, two people meet and share an extraordinary evening: Ulysses Temper is a young British soldier from London's East End; Evelyn Skinner is a worldly older art historian and possible spy. She has come to Italy to rescue paintings from the ruins and relive her memories of the time she encountered E.M. Forster and had her heart stolen by an Italian maid in a particular Florentine room with a view. Evelyn's talk of truth and beauty plants a seed in Ulysses's mind that night, one that will shape the trajectory of his life—and the lives of those who love him—for the next four decades. Moving from war-ravaged Tuscany to the boozy confines of The Stoat and Parrot pub in London and the piazzas of post-war Florence, Still Life is both sweeping and intimate, mischievous and deeply felt. It is a novel about beauty, love and fate, about the things that make life worth living, and the things we're prepared to die for.
| Author | : Norman Bryson |
| Publisher | : Reaktion Books |
| Total Pages | : 194 |
| Release | : 2013-06-01 |
| Genre | : Art |
| ISBN | : 1780232527 |
In this, the only up-to-date critical work on still life painting in any language, Norman Bryson analyzes the origins, history and logic of still life, one of the most enduring forms of Western painting. The first essay is devoted to Roman wall-painting while in the second the author surveys a major segment in the history of still life, from seventeenth-century Spanish painting to Cubism. The third essay tackles the controversial field of seventeenth-century Dutch still life. Bryson concludes in the final essay that the persisting tendency to downgrade the genre of still life is profoundly rooted in the historical oppression of women. In Looking at the Overlooked, Norman Bryson is at his most brilliant. These superbly written essays will stimulate us to look at the entire tradition of still life with new and critical eyes.
