The Art History Of The Yuan Dynasty
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Author | : James C. Y. Watt |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 362 |
Release | : 2010 |
Genre | : Art and society |
ISBN | : 0300166567 |
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2010-Jan. 2, 2011.
Author | : Li Shi |
Publisher | : DeepLogic |
Total Pages | : 200 |
Release | : |
Genre | : History |
ISBN | : |
The book is the volume of “The Art History of the Yuan Dynasty” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millennia before the Shang. With thousands of years of continuous history, China is one of the world's oldest civilizations, and is regarded as one of the cradles of civilization.The Zhou dynasty (1046–256 BC) supplanted the Shang and introduced the concept of the Mandate of Heaven to justify their rule. The central Zhou government began to weaken due to external and internal pressures in the 8th century BC, and the country eventually splintered into smaller states during the Spring and Autumn period. These states became independent and warred with one another in the following Warring States period. Much of traditional Chinese culture, literature and philosophy first developed during those troubled times.In 221 BC Qin Shi Huang conquered the various warring states and created for himself the title of Huangdi or "emperor" of the Qin, marking the beginning of imperial China. However, the oppressive government fell soon after his death, and was supplanted by the longer-lived Han dynasty (206 BC – 220 AD). Successive dynasties developed bureaucratic systems that enabled the emperor to control vast territories directly. In the 21 centuries from 206 BC until AD 1912, routine administrative tasks were handled by a special elite of scholar-officials. Young men, well-versed in calligraphy, history, literature, and philosophy, were carefully selected through difficult government examinations. China's last dynasty was the Qing (1644–1912), which was replaced by the Republic of China in 1912, and in the mainland by the People's Republic of China in 1949.Chinese history has alternated between periods of political unity and peace, and periods of war and failed statehood – the most recent being the Chinese Civil War (1927–1949). China was occasionally dominated by steppe peoples, most of whom were eventually assimilated into the Han Chinese culture and population. Between eras of multiple kingdoms and warlordism, Chinese dynasties have ruled parts or all of China; in some eras control stretched as far as Xinjiang and Tibet, as at present. Traditional culture, and influences from other parts of Asia and the Western world (carried by waves of immigration, cultural assimilation, expansion, and foreign contact), form the basis of the modern culture of China.
Author | : Shane McCausland |
Publisher | : University of Hawaii Press |
Total Pages | : 0 |
Release | : 2015-02-28 |
Genre | : History |
ISBN | : 9780824851453 |
The Mongol Century explores the visual world of China's Yuan dynasty (1271–1368), the spectacular but relatively short-lived regime founded by Khubilai Khan, regarded as the pre-eminent khanate of the Mongol empire. This book illuminates the Yuan era – full of conflicts and complex interactions between Mongol power and Chinese heritage – by delving into the visual history of its culture, considering how Mongol governance and values imposed a new order on China's culture and how a sedentary, agrarian China posed specific challenges to the Mongols' militarist and nomadic lifestyle. Shane McCausland explores how an unusual range of expectations and pressures were placed on Yuan culture: the idea that visual culture could create cohesion across a diverse yet hierarchical society, while balancing Mongol desires for novelty and display with Chinese concerns about posterity. Although in recent years exhibitions have begun to open up the inherent paradoxes of Yuan culture, this is the first book in English to adopt a comprehensive approach. It incorporates a broad range of visual media of the East Asia region to reconsider the impact Mongol culture had in China, from urban architecture and design to tomb murals and porcelain, and from calligraphy and printed paper money to stone sculpture. Fresh and invigorating, The Mongol Century explores, in fascinating detail, the visual culture of this brief but captivating era of East Asian history.
Author | : Wen Fong |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 571 |
Release | : 1992 |
Genre | : Calligraphy, Chinese |
ISBN | : 0300057016 |
Beyond Representation surveys Chinese painting and calligraphy from the eighth to the fourteenth century, a period during which Chinese society and artistic expression underwent profound changes. A fourteenth-century Yuan dynasty (1279 - 1368) literati landscape painting presents a world that is totally different from that portrayed in the monumental landscape images of the early Sung dynasty (960 - 1279). To chronicle and explain the evolution from formal representation to self-expression is the purpose of this book. Wen C. Fong, one of the world's most eminent scholars of Chinese art, takes the reader through this evolution, drawing on the outstanding collection of Chinese painting and calligraphy in The Metropolitan Museum of Art, New York. Focusing on 118 works, each illustrated in full color, the book significantly augments the standard canon of images used to describe the period, enhancing our sense of the richness and complexity of artistic expression during this six-hundred-year era.
Author | : Sherman E. Lee |
Publisher | : |
Total Pages | : 426 |
Release | : 1965 |
Genre | : Art |
ISBN | : |
Author | : Linda Komaroff |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 338 |
Release | : 2002 |
Genre | : Art, Ilkhanid |
ISBN | : 1588390713 |
Komaroff (curator of Islamic Art, Los Angeles County Museum of Art) and Carboni (curator of Islamic Art, Metropolitan Museum of Art) produced this fine catalog to accompany a major show of Ilkhanid (as the Mongol dynasty was called after conversion to Islam) art exhibited at the authors' museums in New York and Los Angeles in 2002-2003. Most of the manuscripts, metalwork, textiles, ceramics, and other finely decorated objects were created in Iran. Many objects are also included from the Yuan Dynasty in China, during which the Mongols ruled. Eight full-length essays are built around the objects of the exhibition and other works, all depicted in color. The essays describe the history, culture, courtly life, artistic exchanges, religious art, arts of the book, and creation of a new visual language. Distributed by Yale U. Press. Annotation copyrighted by Book News, Inc., Portland, OR
Author | : Reuven Amitai |
Publisher | : University of Hawaii Press |
Total Pages | : 362 |
Release | : 2014-12-31 |
Genre | : History |
ISBN | : 082484789X |
Since the first millennium BCE, nomads of the Eurasian steppe have played a key role in world history and the development of adjacent sedentary regions, especially China, India, the Middle East, and Eastern and Central Europe. Although their more settled neighbors often saw them as an ongoing threat and imminent danger—“barbarians,” in fact—their impact on sedentary cultures was far more complex than the raiding, pillaging, and devastation with which they have long been associated in the popular imagination. The nomads were also facilitators and catalysts of social, demographic, economic, and cultural change, and nomadic culture had a significant influence on that of sedentary Eurasian civilizations, especially in cases when the nomads conquered and ruled over them. Not simply passive conveyors of ideas, beliefs, technologies, and physical artifacts, nomads were frequently active contributors to the process of cultural exchange and change. Their active choices and initiatives helped set the cultural and intellectual agenda of the lands they ruled and beyond. This volume brings together a distinguished group of scholars from different disciplines and cultural specializations to explore how nomads played the role of “agents of cultural change.” The beginning chapters examine this phenomenon in both east and west Asia in ancient and early medieval times, while the bulk of the book is devoted to the far flung Mongol empire of the thirteenth and fourteenth centuries. This comparative approach, encompassing both a lengthy time span and a vast region, enables a clearer understanding of the key role that Eurasian pastoral nomads played in the history of the Old World. It conveys a sense of the complex and engaging cultural dynamic that existed between nomads and their agricultural and urban neighbors, and highlights the non-military impact of nomadic culture on Eurasian history. Nomads as Agents of Cultural Change illuminates and complicates nomadic roles as active promoters of cultural exchange within a vast and varied region. It makes available important original scholarship on the new turn in the study of the Mongol empire and on relations between the nomadic and sedentary worlds.
Author | : Martin Bauch |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 420 |
Release | : 2019-12-16 |
Genre | : Literary Criticism |
ISBN | : 3110657961 |
Pre-modern critical interactions of nature and society can best be studied during the so-called "Crisis of the 14th Century". While historiography has long ignored the environmental framing of historcial processes and scientists have over-emphasized nature's impact on the course of human history, this volume tries to describe the at times complex modes of the late-medieval relationship of man and nature. The idea of 'teleconnection', borrowed from the geosciences, describes the influence of atmospheric circulation patterns often over long distances. It seems that there were 'teleconnections' in society, too. So this volumes aims to examine man-environment interactions mainly in the 14th century from all over Europe and beyond. It integrates contributions from different disciplines on impact, perception and reaction of environmental change and natural extreme events on late Medieval societies. For humanists from all historical disciplines it offers an approach how to integrate written and even scientific evidence on environmental change in established and new fields of historical research. For scientists it demonstrates the contributions scholars from the humanities can provide for discussion on past environmental changes.
Author | : Richard M. Barnhart |
Publisher | : Yale University Press |
Total Pages | : 422 |
Release | : 1997-01-01 |
Genre | : Art |
ISBN | : 0300094477 |
Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.
Author | : Katharine Persis Burnett |
Publisher | : |
Total Pages | : |
Release | : 2019 |
Genre | : Aesthetics, Chinese |
ISBN | : 9781604979916 |
"Pang Yuanji (1864-1949) was the collector from China with not only the largest number of high-quality antique paintings but also the most comprehensive and scholarly record of his collection. This is the first study that takes the innovative and unique approach to collection analysis by quantifying Pang's collection and comparing it to a selection of contemporaneous private collectors. In doing so, it shows how their tastes and interests were all shaped by the same Qing canon. More broadly, it explains that Pang did not merely absorb this canon, but then also purposefully and systematically used it and his collection to protect China's traditions into an uncertain future"--