Painting and Sculpture in Europe, 1880-1940

Painting and Sculpture in Europe, 1880-1940
Author: George Heard Hamilton
Publisher: Yale University Press
Total Pages: 628
Release: 1993-01-01
Genre: Art
ISBN: 9780300056495

This new edition of 'a book that offers the best available grounding in its huge subject,' as the Sunday Times called it, includes color plates and a revised and expanded bibliography. Professor Hamilton traces the origins and growth of modern art, assessing the intrinsic qualities of individual works and describing the social forces in play. The result is an authoritative guide through the forest of artistic labels-Impressionism and Expressionism, Symbolism, Cubism, Constructivism, Surrealism, etc.-and to the achievements of Degas and Cezanne, Ensor and Munch, Matisse and Kandinsky, Picasso, Braque, and Epstein, Mondrian, Dali, Modigliani, Utrillo and Chagall, Klee, Henry Moore, and many other artists in a revolutionary age.

The Power of Color

The Power of Color
Author: Marcia B. Hall
Publisher: Yale University Press
Total Pages: 305
Release: 2019-01-01
Genre: Art
ISBN: 0300237197

This beautifully illustrated volume explores the history of color across five centuries of European painting, unfolding layers of artistic, cultural, and political meaning through a deep understanding of technique.

Laugh Lines

Laugh Lines
Author: Julia Langbein
Publisher: Bloomsbury Publishing
Total Pages: 297
Release: 2022-02-24
Genre: Art
ISBN: 1350186872

Laugh Lines: Caricaturing Painting in Nineteenth-Century France is the first major study of Salon caricature, a kind of graphic art criticism in which press artists drew comic versions of contemporary painting and sculpture for publication in widely consumed journals and albums. Salon caricature began with a few tentative lithographs in the 1840s and within a few decades, no Parisian exhibition could open without appearing in warped, incisive, and hilarious miniature in the pages of the illustrated press. This broad survey of Salon caricature examines little-known graphic artists and unpublished amateurs alongside major figures like Édouard Manet, puts anonymous jokesters in dialogue with the essays of Baudelaire, and holds up the material qualities of a 10-centime album to the most ambitious painting of the 19th-century. This archival study unearths colorful caricatures that have not been reproduced until now, drawing back the curtain on a robust culture of comedy around fine art and its reception in 19th-century France.

Modern Art

Modern Art
Author: Pam Meecham
Publisher: Psychology Press
Total Pages: 284
Release: 2000
Genre: Art
ISBN: 9780415172356

This textbook provides a comprehensive guide to modern and post-modern art. The authors bring together history, theory and the art works themselves to help students understand how and why art has developed during the 20th century.

The Great War and the Death of God

The Great War and the Death of God
Author: Charles A. O'Connor
Publisher: New Acdemia+ORM
Total Pages: 385
Release: 2014-04-07
Genre: Philosophy
ISBN: 1955835268

A compelling analysis of how World War I spurred the rise of atheism and the subsequent effect on Western theology, philosophy, literature, and art. The catastrophic Great War left humanity in a world no longer trustworthy and reassuring but seemingly meaningless and indifferent. Instead of redressing humanity’s cosmic alienation, postwar Western culture abandoned its concern for cosmic meaning, lost its confidence in human reason, and enabled the scientific worldview of neo-Darwinian materialism to emerge and eventually dominate the Western mind. According to the proponents of that worldview, science is the only source of genuine truth, nature is the product of a blind evolutionary process, and reality at bottom is just physics and chemistry. Thus, God is dead and continued belief in a transcendently purposeful universe is intellectually indefensible and either disingenuous or delusional. By turning away from the eternal questions about the nature of reality, Western culture effectively ceded unwarranted credibility and prominence to neo-Darwinian materialism, including its recently strident New Atheism. “O’Connor revisits the 20th century’s journey from Nietzsche’s declaration of the ‘death of God’ to the rise of materialism as the dominant worldview of western intelligentsia. We live in a world that has largely expelled both mind and meaning from the citadels of serious intellectual pursuit, and O’Connor’s book is a fascinating and scholarly expedition into the ‘how’ and ‘why’ of that troubling development.” —Carter Phipps, author of Evolutionaries “I found this topic to be top-rate. The book is well researched and conceived, nicely narrated and analyzed, and an original body of inquiry into a challenging, fascinating intellectual tradition.” —Ronald M. Johnson, Professor Emeritus of American History, Georgetown University

The Annual of Psychoanalysis, V. 22

The Annual of Psychoanalysis, V. 22
Author: Jerome A. Winer
Publisher: Routledge
Total Pages: 309
Release: 2013-05-13
Genre: Psychology
ISBN: 1134885504

Volume 22 of The Annual of Psychoanalysis begins with the provocative reflections of Jane Flax and Robert Michels on the current status and future prospects of psychoanalysis a century after Freud. Flax believes that analysis will not survive in the postmodern West if analysts cling to the medical model and the notion of analysis as a clinical science; Michels believes analysis will be revivified in the next century by reorganizing its training institutes within universities. A section on "Psychoanalysis and the Visual Arts" includes John Gedo's probing examination of the inner world of Paul Gauguin and William Meissner's reflections on Vincent van Gogh as artist. Johann Michael Rotmann's examination of the transferential meanings of third-party payment within Germany's health insurance system is a timely consideration of issues that are increasingly salient for American analysts and therapists. A rich harvest of theoretical and clinical papers rounds out this volume of The Annual. In "A Time of Questioning," Leon Wurmser responds to the inner and outer challenges before analysis in a closely reasoned defense of the applicability of classical analytic technique to severely disturbed patients. Michael Hoit examines the noninterpretive, interactive aspects of the analytic relationship, arguing that the analyst's noninterpretive activities are intrinsic to treatment and must be incorporated into the theory of therapeutic action. In "Fables as Psychoanalytic Metaphors," Elaine Caruth describes some psychoanalytic metaphors contained within the lessons of the Aesopian fables, proposing that the fables address interpersonal and group conflicts that often involve moral issues. Wilma Bucci offers her "multiple code theory" as a new model of emotion and mind, based on current theory and research in cognitive science, that can account for clinical concepts and provide coherent framework for empirical research. And Ralph Roughton uses the case history of Laura to underscore the central role of repetition and interaction in the analytic process. Volume 22 will not disappoint readers of this distinguished continuing series. Like its predecessors, it is a thoroughly assembled collection responsive to the conceptual, clinical, and institutional challenges now before the field.

Conceptual Revolutions in Twentieth-Century Art

Conceptual Revolutions in Twentieth-Century Art
Author: David W. Galenson
Publisher: Cambridge University Press
Total Pages: 460
Release: 2009-09-28
Genre: Art
ISBN: 052111232X

Galenson combines social scientific methods with qualitative analysis to produce a new interpretation of modern art.