The Art And Science Of Street Photography
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| Author | : Ivan Kuznetsov |
| Publisher | : Panoramica |
| Total Pages | : 145 |
| Release | : 2024-08-01 |
| Genre | : Photography |
| ISBN | : |
“The art and science of street photography” is a collection of interviews with well-known and recognized masters of the genre and advanced amateurs from around the world, at once an uplifting and practical book. Among the interviewees are Eric Kogan, USA; Gustavo Minas, Brazil; Richard Bram, USA — UK; Tavepong Pratoomwong, Thailand; Julie Hrudová, the Netherlands; Mathias Wasik, Poland — USA; Angelo Ferrillo, Italy; Marcin Ryczek, Poland, and others. In total, there are more than 20 photographers from more than 15 countries mostly in America, Europe, and Asia. They will share their inspiring stories, useful tips, and life philosophy with you in a variety of formats that will keep you engaged while reading. These are Q&As on portfolios, behind-the-scenes narratives of the best shots, examples of photo projects, essay on repetition, NYC collective profile, advice, and long-form interviews. The book will be useful for beginners and advanced amateurs, as well as anyone who wants to master one of the easiest and most popular genres of photography. It will spark your photographic creativity and help you to get first shots in your portfolio. “I would add something very important to the rule of 10 percent talent and 90 percent hard work, like knowing myself and recognizing what I want to do and why. It concerns everything in our lives, not just photography.” — Marcin Ryczek, photographer, Kraków, Poland
| Author | : Dan Winters |
| Publisher | : Pearson Education |
| Total Pages | : 350 |
| Release | : 2014 |
| Genre | : Computers |
| ISBN | : 0321886399 |
After beginning his career as a photojournalist for a daily newspaper in southern California, Dan Winters moved to New York to begin a celebrated career that has since led to more than one hundred awards, including the Alfred Eisenstaedt Award for Magazine Photography. An immensely respected portrait photographer, Dan is well known for an impeccable use of light, colour, and depth in his evocative images. In Road to Seeing, Dan shares his journey to becoming a photographer, as well as key moments in his career that have influenced and informed the decisions he has made and the path he has taken. Though this book appeals to the broader photography audience, it speaks primarily to the student of photography--whether enrolled in school or not--and addresses such topics as creating a visual language; the history of photography; the portfolio; street photography; personal projects; his portraiture work; and the need for key characteristics such as perseverance, awareness, curiosity, and reverence. By relaying both personal experiences and a kind of philosophy on photography, Road to Seeing tells the reader how one photographer carved a path for himself, and in so doing, helps equip the reader to forge his own.
| Author | : Gordon Lewis |
| Publisher | : Rocky Nook, Inc. |
| Total Pages | : 209 |
| Release | : 2015-03-25 |
| Genre | : Photography |
| ISBN | : 1457188996 |
Since the advent of the camera, there have been photographers whose mission is to record and interpret the public sphere in all its aspects. Eugene Atget documented evidence of everyday life in the streets as well as the buildings and monuments of Paris. Henri Cartier-Bresson pursued what he called "The Decisive Moment," the moment in which the meaning of an event was most clearly captured in a photograph. Their work, and that of many other masters, has inspired generations of photographers to wander public spaces, camera in hand, searching for meaningful moments in time. Success requires the street photographer to be proficient with their equipment, to be constantly aware of their surroundings, and to have a keen eye. Quick reflexes and self-confidence are essential: Street photographers know from experience that hesitation or procrastination could mean missing a once-in-a-lifetime shot. The adage "it's better to ask for forgiveness than permission" was probably coined by a street photographer. In Street Photography: The Art of Capturing the Candid Moment, Gordon Lewis helps readers understand and conquer the challenging yet rewarding world of street photography. The book includes discussions of why photographers are drawn to street photography, the different styles of street photography, and what makes a great street photograph. Lewis then goes on to explore how the choice of location can change a photographer's approach to image capture: from city streets to fairs to beaches, Lewis discusses the impact different environments have on the process of street photography. Another crucial element to becoming a good street photographer is learning to travel light, with minimal equipment. Lewis gives readers practical advice on everything from cameras and lenses to camera bags and clothing. Lewis also delves into the techniques and approaches that will help novices master the art of street photography. Whether your style is to engage your subjects or to remain unnoticed and take candid portraits, Lewis offers ideas on how to capture fascinating moments in time: a gesture, expression, or composition that may exist for only a fraction of a second, but can leave a lasting impression of the wonders, challenges, and absurdities of modern life.
| Author | : Alex Webb |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Photography |
| ISBN | : 9781597111737 |
Review The images - rich in color and visual rhythm - span 30 years and several continents. Of course, Haiti and the Mexican border are well represented, locales that opened up a new way to see. He has been able to render Haiti - a place often depicted for its chaos - with a precise eye, finding personal moments that are as still as they are complex. He can use shadows as skillfully as a be-bop musician to set the tempo. The people in his frames can look like dwarfs being stomped on by giant, disembodied feet. He can make an American street seem far more foreboding than any Third World slum. (David Gonzalez The New York Times 2011-12-18) A 30-year retrospective of a great, and often overlooked, American pioneer of colour photography who pays scant regard to genre boundaries, merging art photography, photojournalism and often complex street photographs. (Sean O'Hagan The Guardian 2011-12-13) In far-flung corners of the globe, Webb captures glimpses of beauty in impoverished lives and stoicism in the face of strife. (Jack Crager American Photo 2011-12-01).
| Author | : |
| Publisher | : Amherst Media |
| Total Pages | : 128 |
| Release | : 2016-10-17 |
| Genre | : Photography |
| ISBN | : 1682030946 |
Photography is a lie. Just think about it: photographers create two-dimensional images that sometimes even lack color and then expect everyone who views the image to believe that this is how the subject and scene appeared in front of the lens, in real life. What is truly amazing is that people fall for the visual trickery readily, almost as if they want to be deceived. It gets better: people still believe that one can photograph only what is really there. In this book, Irakly Shanidze reveals the smoke and mirrors that the best photographers use to surprise, entertain, and inspire viewers. He explains that the individual features of photographer’s perception and technical limitations of his equipment make him do things that may eventually make a picture look very different from how a viewer would see the same scene with a naked eye and can lead to a ruined picture. Conversely, photographers who understand these phenomena can use the aforementioned “constraints” to deliberately adjust the level of truthfulness in their pictures. In each beautifully illustrated chapter, Shanidze discloses the photographic tools that enterprising photographers can use to create visual deception (e.g., to create a sense of dimension, create day-for-night effects, establish mood, simulate candid photographs, and generally suspend disbelief—without the time-consuming post-processing!). In doing so, he describes the image objectives (in other words, defines the image concepts) and introduces the tools needed to achieve them—whether a lens of a certain focal length, a light of a specific wattage, or a given shutter speed. He also deconstructs some of his favorite images to show readers how he was able to create a chiseled deception of his own. Armed with this book, photographers will learn to truly take the reins in their photographic pursuits and deliver supercharged, iconic, storytelling images.
| Author | : Colin Westerbeck |
| Publisher | : Laurence King Publishing |
| Total Pages | : 0 |
| Release | : 2017-11-07 |
| Genre | : Photography |
| ISBN | : 9781786270665 |
In this book, the authors explore and discuss the development of one of the most interesting and dynamic of photographic genres. Hailed as a landmark work when it was first published in 1994, Bystander is widely regarded by street photographers as the "bible" of street photography. It covers an incredible array of talent, from the unknowns of the late 19th century to the acknowledged masters of the 20th, such as Atget, Stieglitz, Strand, Cartier-Bresson, Brassai, Kertesz, Frank, Arbus, Winogrand, and Levitt to name just a few. In this new and fully revised edition, the story of street photography is brought up to date with a re-evaluation of some historical material, the inclusion of more contemporary photographers, and a discussion of the ongoing rise of digital photography.
| Author | : Gulnara Samoilova |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2021-03-02 |
| Genre | : Photography |
| ISBN | : 3791387405 |
With a rising number of women throughout the world picking up their cameras and capturing their surroundings, this book explores the work of 100 women and the experiences behind their greatest images. Traditionally a male-dominated field, street photography is increasingly becoming the domain of women. This fantastic collection of images reflects that shift, showcasing 100 contemporary women street photographers working around the world today, accompanied by personal statements about their work. Variously joyful, unsettling and unexpected, the photographs capture a wide range of extraordinary moments. The volume is curated by Gulnara Samoilova, founder of the Women Street Photographers project: a website, social media platform and annual exhibition. Photographer Melissa Breyer's introductory essay explores how the genre has intersected with gender throughout history, looking at how cultural changes in gender roles have overlapped with technological developments in the camera to allow key historical figures to emerge. Her text is complemented by a foreword by renowned photojournalist Ami Vitale, whose career as a war photographer and, later, global travels with National Geographic have allowed a unique insight into the realities of working as a woman photographer in different countries. In turns intimate and candid, the photographs featured in this book offer a kaleidoscopic glimpse of what happens when women across the world are behind the camera.
| Author | : David Campany |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : Photography |
| ISBN | : 9780500545065 |
Gain a new perspective on photography in this personally guided introduction to photographic images and what they mean by one of the leading writers and curators of our time On Photographs is destined to become an instant classic of photography writing. Rejecting the conventions of chronology and the heightened status afforded to 'classics' in traditional accounts of the history of the medium, Campany's selection of photographs is an expertly curated and personal one - mixing fine art prints, film stills, documentary photographs, fashion editorials and advertisements. In this playful new take on the history of photography, anonymous photographers stand alongside photography pioneers, 20th-century talents and contemporary practitioners. Each photograph is accompanied by Campany's highly readable commentary. Putting the sacred status of authorship to one side, he strives to guide the reader in their own interpretation and understanding of the image itself. In a visual culture in which we have become accustomed to not looking, Campany helps us see, in what is both an accessible introduction for newcomers and a must-have for photography aficionados.
| Author | : Joel Meyerowitz |
| Publisher | : Laurence King Publishing |
| Total Pages | : 0 |
| Release | : 2018-03-13 |
| Genre | : Photography |
| ISBN | : 9781786271860 |
Where I Find Myself is the first major single book retrospective of one of America's leading photographers. It is organized in inverse chronological order and spans the photographer's whole career to date: from Joel Meyerowitz's most recent picture all the way back to the first photograph he ever took. The book covers all of Joel Meyerowitz's great projects: his work inspired by the artist Morandi, his work on trees, his exclusive coverage of Ground Zero, his trips in the footsteps of Robert Frank across the US, his experiments comparing color and black and white pictures, and of course his iconic street photography work. Joel Meyerovitz is incredibly eloquent and candid about how photography works or doesn't, and this should be an inspiration to anyone interested in photography.
| Author | : Andrew Dewdney |
| Publisher | : MIT Press |
| Total Pages | : 276 |
| Release | : 2021-10-19 |
| Genre | : Photography |
| ISBN | : 1912685817 |
Why we must forget photography and reject the frame of reality it prescribes and delineates. The central paradox this book explores is that at the moment of photography's replacement by the algorithm and data flow, photographic cultures proliferate as never before. The afterlife of photography, residual as it may technically be, maintains a powerful cultural and representational hold on reality, which is important to understand in relationship to the new conditions. Forgetting photography is a strategy to reveal the redundant historicity of the photographic constellation and the cultural immobility of its epicenter. It attempts to liberate the image from these historic shackles, forged by art history and photographic theory. More important, perhaps, forgetting photography also entails rejecting the frame of reality it prescribes and delineates, and in doing so opens up other relationships between bodies, times, events, materials, memory, representation and the image. Forgetting photography attempts to develop a systematic method for revealing the limits and prescriptions of thinking with photography, which no amount of revisionism of post-photographic theory can get beyond. The world urgently needs to unthink photography and go beyond it in order to understand the present constitution of the image as well as the reality or world it shows. Forgetting photography will require a different way of organizing knowledge about the visual in culture that involves crossing different knowledges of visual culture, technologies, and mediums. It will also involve thinking differently about routine and creative labor and its knowledge practices within the institutions and organization of visual reproduction.
