The Architectural Network Of The Van Neurenberg Family In The Low Countries 1480 1640
Download The Architectural Network Of The Van Neurenberg Family In The Low Countries 1480 1640 full books in PDF, epub, and Kindle. Read online free The Architectural Network Of The Van Neurenberg Family In The Low Countries 1480 1640 ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : G. van Tussenbroek |
Publisher | : Brepols Publishers |
Total Pages | : 276 |
Release | : 2006 |
Genre | : Architecture |
ISBN | : |
Stone traders initially based in the Meuse valley, the Van Neurenberg family expanded northwards to Nijmegen and Dordrecht from 1530 on, becoming an international trading company in the process. Their subsequent activities reflect the huge changes the Dutch building sector underwent during the 17th century. They cooperated with the most famous artists of their time, such as Hendrick de Keyser in Amsterdam, and were involved in the most modern building projects of the Dutch Golden Age, such as Frederik Hendrik of Orange's Honselaarsdijk Palace. This study offers new insights into a relatively neglected aspect of Netherlandish building history in the 16th and 17th century. Dr. Gabri van Tussenbroek (1969) studied art history and medieval history at Utrecht University. Since 1 January 2006 he has worked as municipal building archaeologist in Amsterdam.
Author | : |
Publisher | : BRILL |
Total Pages | : 275 |
Release | : 2010-12-07 |
Genre | : Business & Economics |
ISBN | : 9004189351 |
It seems undeniable that Jan de Vries has cast an indelible impression upon the field of early modern economic history. With his rejection of traditional models that left pre-industrial Europe with little to no role to play in modern development, de Vries’ work has laid claim to the rich significance of the early modern period as the birth of the contemporary West. Culminating in The Industrious Revolution: Consumer Behavior and the Household Economy 1650 to the Present (2008), his work has changed the way scholars conceptualize and study this dynamic period, as the contributors in this volume attest. Utilizing the methods and concepts pioneered by de Vries, these authors display the depth and breadth of his influence, with applications ranging from trade to architecture, from the Netherlands to China, and from the 1400s to the present day.
Author | : Hentie Louw |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 620 |
Release | : 2024-06-05 |
Genre | : Architecture |
ISBN | : 1036402487 |
This book explores the transformation of the window during the Early Modern Period in Europe. Following the Italian Renaissance, new stylistic norms for modern ‘classical windows’ had to be invented. Building a new classical repertoire drew on existing traditions in fenestration as local builders throughout Europe struggled with the constraints of varying climatic conditions, customs and physical resources in pursuit of a broader vision of an international classical revival. With the Renaissance, the architectural emphasis shifted towards secular design and, as the classical revival gained momentum, a quest for a cultured lifestyle commensurate with the new architecture increased demand for sophisticated fenestration systems in civil architecture. The movement coincided with a period of dramatic climate change, the so-called Little Ice Age (c. 1450 – c.1850), adding urgency to the campaign for transforming fenestration practice. By the late seventeenth century, Northern European builders had developed appropriate indigenous ‘classical’ window forms for their respective societies – functional products sophisticated enough to form the basis of new architectural styles: northern classical traditions that rivalled (and in some respects, surpassed) those created in Italy. Their achievement was embodied in the two flagships of the movement: the Franco-Italian folding casement (the ‘French window’), and the English mechanical sliding window (the ‘sash window’).
Author | : Koen Ottenheym |
Publisher | : Brepols Publishers |
Total Pages | : 532 |
Release | : 2013 |
Genre | : Architecture |
ISBN | : |
This book focuses on the diffusion of architectural inventions from the Low Countries to other parts of Europe from the late fifteenth until the end of the seventeenth century. Multiple pathways connected the architecture of the Low Countries with the world, but a coherent analysis of the phenomenon is still missing. Written by an international team of specialists, the book offers case-studies illustrating various mechanisms of transmission, such as the migration of building masters and sculptors who worked as architects abroad, networks of foreign patrons inviting Netherlandish artists, printed models and the role of foreign architects who visited the Low Countries for professional reasons. Its geographical scope is as broad as the period under review and includes all European regions where Netherlandish elements were found: from Spain to Scandinavia and from Scotland to Transylvania.
Author | : Karl A.E. Enenkel |
Publisher | : BRILL |
Total Pages | : 443 |
Release | : 2019-09-16 |
Genre | : History |
ISBN | : 9004410651 |
This monograph studies the constructions of ‘impressive’ historical descent manufactured to create ‘national’, regional, or local antiquities in early modern Europe (1500-1700), especially the Netherlands. This was a period characterised by important political changes and therefore by an increased need for legitimation; a need which was met using historical claims. Literature, scholarship, art and architecture were pivotal media that were used to furnish evidence of the impressively old lineage of states, regions or families. These claims related not only to Classical antiquity (in the generally-known sense) but also to other periods that were regarded as periods of antiquity, such as the chivalric age. The authors of this volume analyse these intriguing early modern constructions of appropriate “antiquities” and investigate the ways in which they were applied in political, intellectual and artistic contexts in Europe, especially in the Northern Low Countries. This book is a revised and augmented translation of Oudheid als ambitie: De zoektocht naar een passend verleden, 1400–1700 (Nijmegen: Vantilt, 2017).
Author | : Douglas Brine |
Publisher | : BRILL |
Total Pages | : 342 |
Release | : 2015-03-10 |
Genre | : Art |
ISBN | : 9004288341 |
Wall-mounted memorials (or ‘epitaphs’) enjoyed great popularity across the Burgundian Netherlands. Usually installed in churches above graves, they combine images with inscriptions and take the form of sculpted reliefs, brass plaques, or panel paintings. They preserved the memory of the dead and reminded the living to pray for their souls. On occasions, renowned artists like Jan van Eyck and Rogier van der Weyden were closely involved in memorials’ creation. In Pious Memories Douglas Brine examines the wall-mounted memorial as a distinct category of funerary monument and shows it to be a significant, if overlooked, aspect of fifteenth-century Netherlandish art. The patronage, functions, and meanings of these objects are considered in the context of contemporary commemorative practices and the culture of memoria. For sample pages click on Google Books button. Brine received the 2015 Arthur Kingsley Porter Prize, for an earlier version of Chapter 5 of Pious Memories, his article, “Jan van Eyck, Canon Joris van der Paele, and the Art of Commemoration,” published in the September 2014 issue of The Art Bulletin.
Author | : Christy Anderson |
Publisher | : Oxford University Press, USA |
Total Pages | : 273 |
Release | : 2013-02-28 |
Genre | : Architecture |
ISBN | : 0192842277 |
A completely new approach to the history of Renaissance architecture, encompassing the entire continent and dealing with the work of well-known architects such as Michelangelo and Andrea Palladio alongside lesser known though no less innovative designers such as Juan Guas in Portugal and Benedikt Ried in Prague and Eastern Europe.
Author | : Gabri Van Tussenbroek |
Publisher | : |
Total Pages | : 260 |
Release | : 2006 |
Genre | : |
ISBN | : 9782503556260 |
Author | : Piet Lombaerde |
Publisher | : Brepols Publishers |
Total Pages | : 270 |
Release | : 2008 |
Genre | : Architecture |
ISBN | : |
During the sixteenth century Antwerp was at the forefront of the Renaissance north of the Alps. Not only a new architectural style flourished in the Antwerp metropolis, but at the end of the sixteenth century sciences such as mathematics, optics, geometry and perspective became more and more important. They helped to redefine architecture and the other fine arts on a more scientific base. Their introduction in the arts at the beginning of the seventeenth century lead to new experiences, applications and even innovations in architecture. The Jesuit Order played a very crucial rule in this process. The realization of their new church in the centre of the city of Antwerp became one of the first attempts to bring together the applications of all those new ideas in one total project. Paintings by Peter Paul Rubens and sculptures by Hieronymus Duquenoy, Artus Quellinus etc. were participating in one of the first Early Baroque architectural realizations in the Low Countries. The Jesuit Church of Antwerp, actually the St Carolus Borromeus Church, was designed by Francois d'Aguilon, a scientist and architect of the Jesuit Order. His publication Opticorum Libri sex on optics and on the reflection of light was edited by the Officina Plantiniana in 1613, the same year he started his project for the church. This scientific and theoretical work helps us to understand the new experiences with light and space he experimented with. It is the aim of this publication to bring together researchers to confront the results of their studies about the interpretation of the facade of this Counter-Reformation church, the phenomenon of diffuse light created by reflection and refraction on marble statues, pillars and multiple ornaments, the combination of linear and parallel perspective applications, the sacral and social use of space, the signification of the facade and towers as parts of a perspective scene in the city landscape and the relationship of Rubens's paintings with the Baroque interior. Special attention is also devoted to the School of Mathematics, installed in Antwerp by the Jesuits at that time. The central question will be whether we can conclude that at the beginning of the seventeenth century the innovative sense of creating a new architecture, so typical for the sixteenth century in Antwerp, still persisted in this city during the early seventeenth century, and even lead to a new interpretation of architectural space in European context."
Author | : |
Publisher | : Book News Inc. |
Total Pages | : 130 |
Release | : |
Genre | : |
ISBN | : 160585087X |