The Anatomy of Melancholy ... Being an Abridgment of Burton's Celebrated Work
Author | : Robert BURTON (Author of “The Anatomy of Melancholy.”.) |
Publisher | : |
Total Pages | : 380 |
Release | : 1824 |
Genre | : |
ISBN | : |
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Author | : Robert BURTON (Author of “The Anatomy of Melancholy.”.) |
Publisher | : |
Total Pages | : 380 |
Release | : 1824 |
Genre | : |
ISBN | : |
Author | : Mary Ann Lund |
Publisher | : Cambridge University Press |
Total Pages | : 271 |
Release | : 2021-02-25 |
Genre | : History |
ISBN | : 1108838847 |
400 years after The Anatomy of Melancholy, this book guides readers through Renaissance medicine's disease of the mind.
Author | : William E. Engel |
Publisher | : Cambridge University Press |
Total Pages | : 397 |
Release | : 2016-08-18 |
Genre | : Art |
ISBN | : 1107086817 |
Anthology of a selection of early modern works on memory.
Author | : David Deutsch |
Publisher | : Penguin UK |
Total Pages | : 571 |
Release | : 2011-03-31 |
Genre | : Science |
ISBN | : 0141969695 |
'Science has never had an advocate quite like David Deutsch ... A computational physicist on a par with his touchstones Alan Turing and Richard Feynman, and a philosopher in the line of his greatest hero, Karl Popper. His arguments are so clear that to read him is to experience the thrill of the highest level of discourse available on this planet and to understand it' Peter Forbes, Independent In our search for truth, how far have we advanced? This uniquely human quest for good explanations has driven amazing improvements in everything from scientific understanding and technology to politics, moral values and human welfare. But will progress end, either in catastrophe or completion - or will it continue infinitely? In this profound and seminal book, David Deutsch explores the furthest reaches of our current understanding, taking in the Infinity Hotel, supernovae and the nature of optimism, to instill in all of us a wonder at what we have achieved - and the fact that this is only the beginning of humanity's infinite possibility. 'This is Deutsch at his most ambitious, seeking to understand the implications of our scientific explanations of the world ... I enthusiastically recommend this rich, wide-ranging and elegantly written exposition of the unique insights of one of our most original intellectuals' Michael Berry, Times Higher Education Supplement 'Bold ... profound ... provocative and persuasive' Economist 'David Deutsch may well go down in history as one of the great scientists of our age' Scotsman
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 640 |
Release | : 1965 |
Genre | : English imprints |
ISBN | : |
Author | : Nicholas Carr |
Publisher | : W. W. Norton & Company |
Total Pages | : 293 |
Release | : 2011-06-06 |
Genre | : Science |
ISBN | : 0393079368 |
Finalist for the 2011 Pulitzer Prize in General Nonfiction: “Nicholas Carr has written a Silent Spring for the literary mind.”—Michael Agger, Slate “Is Google making us stupid?” When Nicholas Carr posed that question, in a celebrated Atlantic Monthly cover story, he tapped into a well of anxiety about how the Internet is changing us. He also crystallized one of the most important debates of our time: As we enjoy the Net’s bounties, are we sacrificing our ability to read and think deeply? Now, Carr expands his argument into the most compelling exploration of the Internet’s intellectual and cultural consequences yet published. As he describes how human thought has been shaped through the centuries by “tools of the mind”—from the alphabet to maps, to the printing press, the clock, and the computer—Carr interweaves a fascinating account of recent discoveries in neuroscience by such pioneers as Michael Merzenich and Eric Kandel. Our brains, the historical and scientific evidence reveals, change in response to our experiences. The technologies we use to find, store, and share information can literally reroute our neural pathways. Building on the insights of thinkers from Plato to McLuhan, Carr makes a convincing case that every information technology carries an intellectual ethic—a set of assumptions about the nature of knowledge and intelligence. He explains how the printed book served to focus our attention, promoting deep and creative thought. In stark contrast, the Internet encourages the rapid, distracted sampling of small bits of information from many sources. Its ethic is that of the industrialist, an ethic of speed and efficiency, of optimized production and consumption—and now the Net is remaking us in its own image. We are becoming ever more adept at scanning and skimming, but what we are losing is our capacity for concentration, contemplation, and reflection. Part intellectual history, part popular science, and part cultural criticism, The Shallows sparkles with memorable vignettes—Friedrich Nietzsche wrestling with a typewriter, Sigmund Freud dissecting the brains of sea creatures, Nathaniel Hawthorne contemplating the thunderous approach of a steam locomotive—even as it plumbs profound questions about the state of our modern psyche. This is a book that will forever alter the way we think about media and our minds.