The American Legion Weekly [Volume 1, No. 19 (November 7, 1919)]; 1, No 19

The American Legion Weekly [Volume 1, No. 19 (November 7, 1919)]; 1, No 19
Author: American Legion National Headquarters
Publisher: Legare Street Press
Total Pages: 68
Release: 2021-09-09
Genre:
ISBN: 9781014502629

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Hollywood on the Hudson

Hollywood on the Hudson
Author: Richard Koszarski
Publisher: Rutgers University Press
Total Pages: 592
Release: 2008
Genre: Motion picture industry
ISBN: 9780813542935

Thomas Edison invented his motion picture system in New Jersey in the 1890s, and within a few years most American filmmakers could be found within a mile or two of the Hudson River. They planted themselves here because they needed the artistic and entrepreneurial energy that D. W. Griffith realized New York had in abundance. But as the going rate for land and labor skyrocketed and their business grew more industrialized, most of them moved out. The way most historians explain it, the role of New York in the development of American film ends here. In Hollywood on the Hudson, Richard Koszarski rewrites an important part of the history of American cinema. During the 1920s and 1930s, film industry executives had centralized the mass production of feature pictures in a series of gigantic film factories scattered across Southern California, while maintaining New York as the economic and administrative center. But as Koszarski reveals, many writers, producers, and directors also continued to work here, especially if their independent vision was too big for the Hollywood production line. East Coast filmmakers-Oscar Micheaux, Rudolph Valentino, Ben Hecht, Charles MacArthur, Paul Robeson, Gloria Swanson, Max Fleischer, and others-quietly created a studio system without back-lots, long-term contracts or seasonal production slates. They substituted "newsreel photography" for Hollywood glamour, targeted niche audiences instead of middle-American families, ignored accepted dramatic conventions, and pushed the boundaries of motion picture censorship. Rebellious and unconventional, they saw the New York studios as laboratories, not factories-and used them to pioneer the development of new technologies (from talkies to television), new genres, new talent, and ultimately, an entirely new vision of commercial cinema.

Remembering World War I in America

Remembering World War I in America
Author: Kimberly J. Lamay Licursi
Publisher: U of Nebraska Press
Total Pages: 291
Release: 2018-03-01
Genre: History
ISBN: 0803290853

State war histories: an atom of interest in an ocean of apathy -- War memoirs: they pour from the presses daily -- War stories: fiction cannot ignore the greatest adventure in a man's life -- War films: shootin' and kissin'

That Knock at the Door

That Knock at the Door
Author: Holly S. Fenelon
Publisher: iUniverse
Total Pages: 416
Release: 2012
Genre: Biography & Autobiography
ISBN: 1475925379

A blue star for each family member serving in America's military... a gold star if that life was lost in defense of the nation's freedom. IN WORLD WAR I, the American tradition of the service flag began. Families displayed a simple fabric banner with a blue star for each family member serving in the U.S. Armed Forces. If a family member died in the nation's service, a gold star covered that individual's blue star on the family service flag. Not a symbol of mourning, the gold star represented the family's pride and the honor and glory accorded to that individual for making the supreme sacrifice in defense of the America's freedom. Soon, the term "gold star mother" came to be used to identify and honor women who had lost a son or daughter in wartime military service. Following the war, as the nation focused its attention on those veterans who had returned whole in mind and body, gold star mothers served as a constant reminder of the true cost of war. In 1928, a group of these women formed American Gold Star Mothers, Inc., an organization created to honor those who had died by being of service to veterans and their families in need, supporting gold star families, and caring for veterans who had returned with physical, emotional and psychological wounds. From that humble beginning, American Gold Star Mothers, Inc. has become an icon of national service, opening its membership time and again to gold star mothers of later wars and conflicts, including Iraq and Afghanistan. Their amazing legacy of service is an important yet largely unknown chapter in American history. This book presents the story of gold star mothers in America and the first comprehensive history of American Gold Star Mothers, Inc., drawn from nearly a century of archival materials. The fascinating story of the strong women who honored their fallen sons and daughters by dedicating themselves to the service of veterans and peace is both compelling and inspiring.