The American Dream In 20th Century American Drama
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Author | : Nadja Klopsch |
Publisher | : GRIN Verlag |
Total Pages | : 85 |
Release | : 2009-11 |
Genre | : Biography & Autobiography |
ISBN | : 3640471105 |
Bachelor Thesis from the year 2008 in the subject American Studies - Literature, grade: 1,7, Ernst Moritz Arndt University of Greifswald (Department of English and American Studies), language: English, abstract: Every year thousands of people from all over the world migrate to the United States of America. For most people escaping war, poverty, ecological destruction and other dangers, the United States constitute a safe harbor where their hopes of a better life come true. Ever since the settling of what is today the US, people came to live in the New World and to lead a better life than in their countries of origin. The hopes connected with this better and happier live are all joined in the concept of the "American Dream", which became one of most powerful creation myths of a country. People migrating to the United States have certain dreams or hopes of a better life but in reality these promises often turn out to be not as strong as people originally believed them to be. Only a very small amount of people achieve the famous idea of "rising from rags to riches" whereas many people fail to attain their goal of a better life. Hence it is not surprising that the American culture not only is shaped by the glorious American Dream but also by the grim truth of its failing or being flunked. Of course, such an important concept deeply influences American culture. Continuously the ideas of the American Dream can be found in television, movies, literature, and arts for instance in F. Scott Fitzgerald's The Great Gatsby or Gabriele Muccino's film The Pursuit of Happiness. This paper aims to examine the presentment and importance of the American Dream for twentieth century American drama. Drama in general was selected because of its importance as one of the three main literary genres. Temporal narrowing in form of 20th century was chosen because drama as a literary genre is characterized by experimentation with form and content in this period. Furthermore, some of the be
Author | : David Krasner |
Publisher | : Wiley-Blackwell |
Total Pages | : 224 |
Release | : 2006-08-11 |
Genre | : Literary Criticism |
ISBN | : 9781405120876 |
This concise introduction to American drama gives readers an overview of how American drama developed from the end of the Second World War to the turn of the twenty-first century. Provides a balanced assessment of the major plays and playwrights of the period. Shows how these dramatists broke new ground in their contribution to political, economic, social and cultural debates, as well as in their dramaturgical strategies. Organized chronologically, with plays, playwrights and movements clustered around different movements such as realism and experimentalism. Gives readers a sense of the development of American drama over time.
Author | : Edward Albee |
Publisher | : Turtleback Books |
Total Pages | : 127 |
Release | : 1997-10-01 |
Genre | : Drama |
ISBN | : 9781417654833 |
For use in schools and libraries only. American Dream and Zoo story: two plays
Author | : David Krasner |
Publisher | : John Wiley & Sons |
Total Pages | : 600 |
Release | : 2008-04-15 |
Genre | : Literary Criticism |
ISBN | : 1405137347 |
This Companion provides an original and authoritative surveyof twentieth-century American drama studies, written by some of thebest scholars and critics in the field. Balances consideration of canonical material with discussion ofworks by previously marginalized playwrights Includes studies of leading dramatists, such as TennesseeWilliams, Arthur Miller, Eugene O'Neill and Gertrude Stein Allows readers to make new links between particular plays andplaywrights Examines the movements that framed the century, such as theHarlem Renaissance, lesbian and gay drama, and the soloperformances of the 1980s and 1990s Situates American drama within larger discussions aboutAmerican ideas and culture
Author | : Thaddeus Wakefield |
Publisher | : Peter Lang Incorporated, International Academic Publishers |
Total Pages | : 138 |
Release | : 2003 |
Genre | : Drama |
ISBN | : |
The central subject of American drama is, arguably, the American family. From Royall Tyler's colonial comedy The Contrast (1787) to August Wilson's King Hedley II (2000), relationships between husbands, wives, and their children have been used consistently by American playwrights to explore and illuminate the American experience. This study of the family in twentieth-century American drama explores how filial relationships are affected by the capitalistic culture of consumption that permeates twentieth-century American society. By analyzing relationships within both traditional and nontraditional families, this book examines how family members in American plays perceive themselves and others as «things» in American twentieth-century capitalistic society.
Author | : C. W. E. Bigsby |
Publisher | : Cambridge University Press |
Total Pages | : 368 |
Release | : 1984-11-15 |
Genre | : Drama |
ISBN | : 9780521277174 |
Dr Bigsby analyses the early unpublished plays and the major works of Tennessee Williams, Arthur Miller and Edward Albee.
Author | : C. W. E. Bigsby |
Publisher | : Cambridge University Press |
Total Pages | : 500 |
Release | : 1985-05-02 |
Genre | : Drama |
ISBN | : 9780521278966 |
The final volume of Christopher Bigsby's critical account of American drama in the twentieth century.
Author | : Susan C. W. Abbotson |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 238 |
Release | : 2005-09-30 |
Genre | : Literary Criticism |
ISBN | : 0313027234 |
American playwrights have made enormous contributions to world drama during the last century, and their works are widely read and performed. This reference conveniently introduces 10 of the most important modern American plays read by students. An introductory essay concisely overviews modern American drama, and each of the chapters that follow examines a particular play. Among the plays discussed are Thornton Wilder's Our Town, Arthur Miller's Death of a Salesman, Lorraine Hansberry's A Raisin in the Sun, and August Wilson's The Piano Lesson. Each chapter includes a biography, a plot summary, an analysis of the play's themes, characters, and dramatic art, and a review of its historical background and reception. Chapters list works for further reading, and the volume closes with a selected, general bibliography.
Author | : M. Malburne-Wade |
Publisher | : Springer |
Total Pages | : 220 |
Release | : 2016-01-12 |
Genre | : Performing Arts |
ISBN | : 1137441615 |
American dramas consciously rewrite the past as a means of determined criticism and intentional resistance. While modern criticism often sees the act of revision as derivative, Malburne-Wade uses Victor Turner's concept of the social drama and the concept of the liminal to argue for a more complicated view of revision.
Author | : Gerald M. Berkowitz |
Publisher | : Routledge |
Total Pages | : 299 |
Release | : 2014-07-15 |
Genre | : Literary Criticism |
ISBN | : 131790172X |
In this book Professor Berkowitz studies the diversity of American drama from the stylistic, experimental plays of O'Neill, through verse, tragedy and community theatre, to the theatre of the 1990s. The discussions range through dramatists, plays, genres and themes, with full supporting appendix material. It also examines major dramatists such as Eugene O'Neill, Arthur Miller, Sam Shephard, Tennessee Williams and August Wilson and covers not only the Broadway scene but also off Broadway movements and fringe theatres and such subjects as women's and African-American drama.