The American Civil War On Film And Tv
Download The American Civil War On Film And Tv full books in PDF, epub, and Kindle. Read online free The American Civil War On Film And Tv ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Douglas Brode |
| Publisher | : |
| Total Pages | : 271 |
| Release | : 2017 |
| Genre | : Social Science |
| ISBN | : 9781498566889 |
Whether on the big screen or small, films featuring the American Civil War have provided the setting, ideologies, and character archetypes for cinematic narratives of morality, race, gender, and nation. Nineteen essays explore all these issues; spanning a wide range of films, from the silent era to the present, as well as several television mini-series, this volume provides a critical conversation about the Civil War on film.
| Author | : Bruce Chadwick |
| Publisher | : Vintage |
| Total Pages | : 384 |
| Release | : 2009-08-19 |
| Genre | : Performing Arts |
| ISBN | : 0307490084 |
During the late nineteenth century, magazines, newspapers, novelists, and even historians presented a revised version of the Civil War that, intending to reconcile the former foes, downplayed the issues of slavery and racial injustice, and often promoted and reinforced the worst racial stereotypes. The Reel Civil War tells the history of how these misrepresentations of history made their way into movies. More than 800 films have been made about the Civil War. Citing such classics as Birth of a Nation and Gone With the Wind as well as many other films, Bruce Chadwick shows how most of them have, until recently, projected an image of gallant soldiers, beautiful belles, sprawling plantations, and docile or dangerous slaves. He demonstrates how the movies aided and abetted racism and an inaccurate view of American history, providing a revealing and important account of the power of cinema to shape our understanding of historical truth.
| Author | : Peg A. Lamphier |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 212 |
| Release | : 2020-10-01 |
| Genre | : History |
| ISBN | : |
The Civil War on Film will inform high school and college readers interested in Civil War film history on issues that arise when film viewers confuse entertainment with historical accuracy. The nation's years of civil war were painful, destructive, and unpleasant. Yet war films tend to embrace mythologies that erase that historical reality, romanticizing the Civil War. The editors of this volume have little patience for any argument that implies race-based slavery isn't an entirely repugnant economic, political, and cultural institution and that the people who fought to preserve slavery were fighting for a glorious and admirable cause. To that end, The Civil War on Film will open with a timeline and introduction and then explore ten films across decades of cinema history in ten chapters, from Birth of a Nation, which debuted in 1915, to The Free State of Jones, which debuted one hundred and one years later. It will also analyze and critique the myriad of mythologies and ideologies which appear in American Civil War films, including Lost Cause ideation, Black Confederate fictions, Northern Aggression mythologies, and White Savior tropes. It will also suggest the way particular films mirror the time in which they were written and filmed. Further resources will close the volume.
| Author | : Peg A. Lamphier |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 216 |
| Release | : 2020-10-01 |
| Genre | : History |
| ISBN | : 1440866635 |
The Civil War on Film will inform high school and college readers interested in Civil War film history on issues that arise when film viewers confuse entertainment with historical accuracy. The nation's years of civil war were painful, destructive, and unpleasant. Yet war films tend to embrace mythologies that erase that historical reality, romanticizing the Civil War. The editors of this volume have little patience for any argument that implies race-based slavery isn't an entirely repugnant economic, political, and cultural institution and that the people who fought to preserve slavery were fighting for a glorious and admirable cause. To that end, The Civil War on Film will open with a timeline and introduction and then explore ten films across decades of cinema history in ten chapters, from Birth of a Nation, which debuted in 1915, to The Free State of Jones, which debuted one hundred and one years later. It will also analyze and critique the myriad of mythologies and ideologies which appear in American Civil War films, including Lost Cause ideation, Black Confederate fictions, Northern Aggression mythologies, and White Savior tropes. It will also suggest the way particular films mirror the time in which they were written and filmed. Further resources will close the volume.
| Author | : Douglas Brode |
| Publisher | : Lexington Books |
| Total Pages | : 295 |
| Release | : 2017-10-05 |
| Genre | : Social Science |
| ISBN | : 1498566898 |
Whether on the big screen or small, films featuring the American Civil War are among the most classic and controversial in motion picture history. From D. W. Griffith’s Birth of a Nation (1915) to Free State of Jones (2016), the war has provided the setting, ideologies, and character archetypes for cinematic narratives of morality, race, gender, and nation, as well as serving as historical education for a century of Americans. In The American Civil War on Film and TV: Blue and Gray in Black and White and Color, Douglas Brode, Shea T. Brode, and Cynthia J. Miller bring together nineteen essays by a diverse array of scholars across the disciplines to explore these issues. The essays included here span a wide range of films, from the silent era to the present day, including Buster Keaton’s The General (1926), Red Badge of Courage (1951), Glory (1989), Gettysburg (1993), and Cold Mountain (2003), as well as television mini-series The Blue and The Gray (1982) and John Jakes’ acclaimed North and South trilogy (1985-86). As an accessible volume to dedicated to a critical conversation about the Civil War on film, The American Civil War on Film and TV will appeal to not only to scholars of film, military history, American history, and cultural history, but to fans of war films and period films, as well.
| Author | : Brian Steel Wills |
| Publisher | : Rowman & Littlefield Publishers |
| Total Pages | : 257 |
| Release | : 2011-10-16 |
| Genre | : History |
| ISBN | : 1461739578 |
From Birth of a Nation to Cold Mountain, hundreds of directors, actors, and screenwriters have used the Civil War to create compelling cinema. However, each generation of moviemakers has resolved the tug of war between entertainment value and historical accuracy differently. Historian Brian Steel Wills takes readers on a journey through the portrayal of the war in film, exploring what Hollywood got right and wrong, how the films influenced each other, and, ultimately, how the movies reflect America's changing understandings of the conflict and of the nation.
| Author | : Chris Mackowski |
| Publisher | : Southern Illinois University Press |
| Total Pages | : 274 |
| Release | : 2020-01-13 |
| Genre | : History |
| ISBN | : 0809337576 |
Popular media can spark the national consciousness in a way that captures people’s attention, interests them in history, and inspires them to visit battlefields, museums, and historic sites. This lively collection of essays and feature stories celebrates the novels, popular histories, magazines, movies, television shows, photography, and songs that have enticed Americans to learn more about our most dramatic historical era. From Ulysses S. Grant’s Memoirs to Abraham Lincoln: Vampire Hunter, from Roots to Ken Burns’s The Civil War, from “Dixie” to “Ashokan Farewell,” and from Civil War photography to the Gettysburg Cyclorama, trendy and well-loved depictions of the Civil War are the subjects of twenty contributors who tell how they and the general public have been influenced by them. Sarah Kay Bierle examines the eternal appeal of Gone with the Wind and asks how it is that a protagonist who so opposed the war has become such a figurehead for it. H. R. Gordon talks with New York Times–bestselling novelist Jeff Shaara to discuss the power of storytelling. Paul Ashdown explores ColdMountain’s value as a portrait of the war as national upheaval, and Kevin Pawlak traces a shift in cinema’s depiction of slavery epitomized by 12 Years a Slave. Tony Horwitz revisits his iconic Confederates in the Attic twenty years later. The contributors’ fresh analysis articulates a shared passion for history’s representation in the popular media. The variety of voices and topics in this collection coalesces into a fascinating discussion of some of the most popular texts in the genres. In keeping with the innovative nature of this series, web-exclusive material extends the conversation beyond the book.
| Author | : John Trafton |
| Publisher | : Springer |
| Total Pages | : 197 |
| Release | : 2016-04-29 |
| Genre | : Social Science |
| ISBN | : 1137497025 |
Throughout film history, war films have been in constant dialogue with both previous depictions of war and contemporary debates and technology. War films remember older war film cycles and draw upon the resources of the present day to say something new about the nature of war. The American Civil War was viscerally documented through large-scale panorama paintings, still photography, and soldier testimonials, leaving behind representational principles that would later inform the development of the war film genre from the silent era up to the present. This book explores how each of these representational modes cemented different formulas for providing war stories with emotional content.
| Author | : MacKinlay Kantor |
| Publisher | : Macmillan + ORM |
| Total Pages | : 99 |
| Release | : 2001-11-03 |
| Genre | : Fiction |
| ISBN | : 1466841613 |
Just a touch here and a tweak there . . . . MacKinlay Kantor, Pulitzer Prize-winning author, master storyteller, shows us how the South could have won the Civil War, how two small shifts in history (as we know it) in the summer of 1863 could have turned the tide for the Confederacy. What would have happened: to the Union, to Abraham Lincoln, to the people of the North and South, to the world? If the South Had Won the Civil War originally appeared in Look Magazine nearly half a century ago. It immediately inspired a deluge of letters and telegrams from astonished readers and became an American classic overnight. Published in book form soon after, Kantor's masterpiece has been unavailable for a decade. Now, this much requested classic is once again available for a new generation of readers and features a stunning cover by acclaimed Civil War artist Don Troiani, a new introduction by award-winning alternate history author Harry Turtledove, and fifteen superb illustrations by the incomparable Dan Nance. It all begins on that fateful afternoon of Tuesday, May 12, 1863, when a deplorable equestrian accident claims the life of General Ulysses S. Grant . . . . At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
| Author | : Edward L. Ayers |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 140 |
| Release | : 2006-08-17 |
| Genre | : History |
| ISBN | : 0393285154 |
“An extremely good writer, [Ayers] is well worth reading . . . on the South and Southern history.”—Stephen Sears, Boston Globe The Southern past has proven to be fertile ground for great works of history. Peculiarities of tragic proportions—a system of slavery flourishing in a land of freedom, secession and Civil War tearing at a federal Union, deep poverty persisting in a nation of fast-paced development—have fed the imaginations of some of our most accomplished historians. Foremost in their ranks today is Edward L. Ayers, author of the award-winning and ongoing study of the Civil War in the heart of America, the Valley of the Shadow Project. In wide-ranging essays on the Civil War, the New South, and the twentieth-century South, Ayers turns over the rich soil of Southern life to explore the sources of the nation's and his own history. The title essay, original here, distills his vast research and offers a fresh perspective on the nation's central historical event.
