The American Chronicles of José Marti
Author | : Susana Rotker |
Publisher | : UPNE |
Total Pages | : 164 |
Release | : 2000 |
Genre | : Biography & Autobiography |
ISBN | : 9780874519020 |
A study of a key Latin American writer and thinker.
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Author | : Susana Rotker |
Publisher | : UPNE |
Total Pages | : 164 |
Release | : 2000 |
Genre | : Biography & Autobiography |
ISBN | : 9780874519020 |
A study of a key Latin American writer and thinker.
Author | : Susana Rotker |
Publisher | : UPNE |
Total Pages | : 164 |
Release | : 2000 |
Genre | : Biography & Autobiography |
ISBN | : 9780874519020 |
A study of a key Latin American writer and thinker.
Author | : Alfred J. Lopez |
Publisher | : Gale, Cengage Learning |
Total Pages | : 15 |
Release | : |
Genre | : Study Aids |
ISBN | : 1535848138 |
Gale Researcher Guide for: José Martí and the Reshaping of the American Literary Canon is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.
Author | : Mauricio A. Font |
Publisher | : Lexington Books |
Total Pages | : 278 |
Release | : 2006 |
Genre | : Biography & Autobiography |
ISBN | : 9780739112250 |
Jose Marti contributed greatly to Cuba's struggle for independence from Spain with words as well as revolutionary action. Although he died before the formation of an independent republic, he has since been hailed as a heroic martyr inspiring Cuban republican traditions.
Author | : Lillian Guerra |
Publisher | : Univ of North Carolina Press |
Total Pages | : 325 |
Release | : 2006-03-13 |
Genre | : History |
ISBN | : 0807876380 |
Focusing on a period of history rocked by four armed movements, Lillian Guerra traces the origins of Cubans' struggles to determine the meaning of their identity and the character of the state, from Cuba's last war of independence in 1895 to the consolidation of U.S. neocolonial hegemony in 1921. Guerra argues that political violence and competing interpretations of the "social unity" proposed by Cuba's revolutionary patriot, Jose Marti, reveal conflicting visions of the nation--visions that differ in their ideological radicalism and in how they cast Cuba's relationship with the United States. As Guerra explains, some nationalists supported incorporating foreign investment and values, while others sought social change through the application of an authoritarian model of electoral politics; still others sought a democratic government with social and economic justice. But for all factions, the image of Marti became the principal means by which Cubans attacked, policed, and discredited one another to preserve their own vision over others'. Guerra's examination demonstrates how competing historical memories and battles for control of a weak state explain why polarity, rather than consensus on the idea of the "nation" and the character of the Cuban state, came to define Cuban politics throughout the twentieth century.
Author | : Anne Fountain |
Publisher | : University Press of Florida |
Total Pages | : 160 |
Release | : 2017-05-02 |
Genre | : Literary Criticism |
ISBN | : 0813063205 |
"Essential reading for those who increasingly appreciate the enormous importance of Martí as one of the nineteenth century's most influential and most original thinkers."--John Kirk, coeditor of Redefining Cuban Foreign Policy "Fountain's wide-ranging, keen-eyed, and meticulously researched analysis covers the gamut of race relations that Martí's work probed."--Esther Allen, translator of José Martí: Selected Writings "An engaging, comprehensive, and well-balanced book on Cuba's national hero José Martí. Anne Fountain's chapters on Martí's vision of blacks are an indispensable source of information for anyone interested in the topic."--Jorge Camacho, author of José Martí: las máscaras del escritor A national hero in Cuba and a champion of independence across Latin America, José Martí produced a body of writing that has been theorized, criticized, and politicized. However, one of the most understudied aspects of his work is how his time in the United States affected what he wrote about race and his attitudes toward racial politics. In the United States Martí encountered European immigrants and the labor politics that accompanied them and became aware of the hardships experienced by Chinese workers. He read in newspapers and magazines about the oppression of Native Americans and the adversity faced by newly freed black citizens. Although he'd first witnessed the mistreatment of slaves in Cuba, it was in New York City, near the close of the century, where he penned his famous essay "My Race," declaring that there was only one race, the human race. Anne Fountain argues that it was in the United States that Martí--confronted by the forces of manifest destiny, the influence of race in politics, the legacy of slavery, and the plight and promise of the black Cuban diaspora--fully engaged with the specter of racism. Examining Martí's complete works with a focus on key portions, Fountain reveals the evolution of his thinking on the topic, indicating the significance of his sources, providing a context for his writing, and offering a structure for his works on race. Anne Fountain is professor of Spanish and Latin American studies at San José State University and the author of José Martí and U.S. Writers.
Author | : Patricia Lapolla Swier |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 230 |
Release | : 2009 |
Genre | : Biography & Autobiography |
ISBN | : 0838642098 |
This book is an interdisciplinary study that addresses the critical role that gender plays in the formation of national identities in Latin America that are negotiated and challenged within extreme struggles for power. This study, which traverses the national landscapes of Argentina, Cuba, Venezuela, and Guatemala and covers the time span between 1837 and 1946, is linked by the author's common strategy of employing gender codes in order to challenge overtly masculinist hegemonic political orders. One of the goals of this investigation is to explore the fissures that surface as a result of the ongoing fluctuations of gender codes, due in part to the diverse shifting of institutions of power during the late nineteenth and early twentieth century. By disturbing deleterious conceptualizations associated with femininity and masculinity, one can embark upon new and open-ended readings of these historical national texts, and appreciate the groundbreaking strides of early revolutionary Latin American writers. -- Publisher description.
Author | : Russell Crandall |
Publisher | : Rowman & Littlefield |
Total Pages | : 585 |
Release | : 2023-08-29 |
Genre | : Biography & Autobiography |
ISBN | : 1538183331 |
A sweeping yet intimate exploration of Latin America’s political history, Forging Latin America profiles fifty-two of the region’s most influential figures—from dictators and reformers to artists and priests—who, for better or worse, have shaped its character and destiny from the Spanish Conquest to the present day.
Author | : Peter Hulme |
Publisher | : Liverpool University Press |
Total Pages | : 473 |
Release | : 2011-01-01 |
Genre | : Literary Criticism |
ISBN | : 1846317487 |
As a whole, Cuban history, culture, and art are often misconstrued with a heritage specific to Havana. In Cuba's Wild East, Peter Hulme attempts to right this wrong, focusing on the eastern region of the island and the specific fictions, poetries, locations, and histories that constitute a specific eastern culture. Examining a region with a rich insurgent and revolutionary history, Peter Hulme examines the stories of rebellion, heroism, and sacrifice that are so intimately tied to the places and sites that have now become part of a national pantheon, at the same time showing the international influence of US journalists and novelists whose presence in Cuban literature alongside native Cuban writers further defines the region as a place of encounter.
Author | : Laura Lomas |
Publisher | : Duke University Press |
Total Pages | : 400 |
Release | : 2009-01-02 |
Genre | : Literary Criticism |
ISBN | : 082238941X |
In Translating Empire, Laura Lomas uncovers how late nineteenth-century Latino migrant writers developed a prescient critique of U.S. imperialism, one that prefigures many of the concerns about empire, race, and postcolonial subjectivity animating American studies today. During the 1880s and early 1890s, the Cuban journalist, poet, and revolutionary José Martí and other Latino migrants living in New York City translated North American literary and cultural texts into Spanish. Lomas reads the canonical literature and popular culture of the United States in the Gilded Age through the eyes of Martí and his fellow editors, activists, orators, and poets. In doing so, she reveals how, in the process of translating Anglo-American culture into a Latino-American idiom, the Latino migrant writers invented a modernist aesthetics to criticize U.S. expansionism and expose Anglo stereotypes of Latin Americans. Lomas challenges longstanding conceptions about Martí through readings of neglected texts and reinterpretations of his major essays. Against the customary view that emphasizes his strong identification with Ralph Waldo Emerson and Walt Whitman, the author demonstrates that over several years, Martí actually distanced himself from Emerson’s ideas and conveyed alarm at Whitman’s expansionist politics. She questions the association of Martí with pan-Americanism, pointing out that in the 1880s, the Cuban journalist warned against foreign geopolitical influence imposed through ostensibly friendly meetings and the promotion of hemispheric peace and “free” trade. Lomas finds Martí undermining racialized and sexualized representations of America in his interpretations of Buffalo Bill and other rituals of westward expansion, in his self-published translation of Helen Hunt Jackson’s popular romance novel Ramona, and in his comments on writing that stereotyped Latino/a Americans as inherently unfit for self-government. With Translating Empire, Lomas recasts the contemporary practice of American studies in light of Martí’s late-nineteenth-century radical decolonizing project.