The Album of the Tibetan Art Collections
Author | : Suniti Kumar Pathak |
Publisher | : |
Total Pages | : 118 |
Release | : 1986 |
Genre | : Art, Buddhist |
ISBN | : |
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Author | : Suniti Kumar Pathak |
Publisher | : |
Total Pages | : 118 |
Release | : 1986 |
Genre | : Art, Buddhist |
ISBN | : |
Author | : K.R. van Kooij |
Publisher | : BRILL |
Total Pages | : 224 |
Release | : 2023-08-07 |
Genre | : History |
ISBN | : 9004658645 |
What was the function of Buddhist art at the time Buddhism was a major religion in large areas of South, East, and South-East Asia? Can we establish what these sculptures and paintings meant to Buddhist believers living at a time when this art fulfilled important religious needs? These questions are discussed, not answered, in a volume about ‘Function and Meaning of Buddhist Art’ which contains the papers of a workshop on this theme held at Leiden University in 1991. While dealing with a variety of themes and subject-matter, sometimes in great detail, sixteen specialists focus on ritual and semantic aspects of Buddhist works of art from countries such as India, China, Japan, Tibet, Thailand, and Indonesia. Recent non-western art-historical publications show an increasing tendency to work with methodological frameworks developed by specialists on western art. Moreover, there are more similarities between Buddhist and other religious art ‘than, literally, meet the eye’. For this reason, two comparative studies are included in which parallels and universals are brought forward. Two main lines emerge in the results offered in this book, the one indicating a tendency to focus on intended meanings; the other concentrating on more than one level of reception of Buddhist art in a liturgical context.
Author | : Jinah Kim |
Publisher | : Univ of California Press |
Total Pages | : 406 |
Release | : 2013-04-12 |
Genre | : Art |
ISBN | : 0520273869 |
In considering medieval illustrated Buddhist manuscripts as sacred objects of cultic innovation, Receptacle of the Sacred explores how and why the South Asian Buddhist book-cult has survived for almost two millennia to the present. A book “manuscript” should be understood as a form of sacred space: a temple in microcosm, not only imbued with divine presence but also layered with the memories of many generations of users. Jinah Kim argues that illustrating a manuscript with Buddhist imagery not only empowered it as a three-dimensional sacred object, but also made it a suitable tool for the spiritual transformation of medieval Indian practitioners. Through a detailed historical analysis of Sanskrit colophons on patronage, production, and use of illustrated manuscripts, she suggests that while Buddhism’s disappearance in eastern India was a slow and gradual process, the Buddhist book-cult played an important role in sustaining its identity. In addition, by examining the physical traces left by later Nepalese users and the contemporary ritual use of the book in Nepal, Kim shows how human agency was critical in perpetuating and intensifying the potency of a manuscript as a sacred object throughout time.
Author | : Chandra L. Reedy |
Publisher | : Associated University Presse |
Total Pages | : 348 |
Release | : 1997 |
Genre | : Art |
ISBN | : 9780874135701 |
Himalayan Bronzes focuses on a complete study of 340 medieval-period copper alloy sculptures from the Himalayan regions of Afghanistan, northern Pakistan, Kashmir, Himachal Pradesh, Nepal, and Tibet. For more than 1,500 years, artists in isolated valleys in and adjacent to the mountains of the Himalayas have created magnificent copper-based statues representing deities and spiritual leaders of the Hindu, Buddhist and Bon-Po religions. Author Chandra L. Reedy's multidisciplinary approach to the study of these statues integrates methods and techniques from art history, art conservation, geology, chemistry, statistics, archaeology, and ethnography to answer art historical and anthropological questions. Her guiding premise is that gathering and combining several types of information will result in more and better answers than any one type alone.
Author | : Jinah Kim |
Publisher | : University of California Press |
Total Pages | : 349 |
Release | : 2021-02-16 |
Genre | : Art |
ISBN | : 0520343212 |
Garland of Visions explores the generative relationships between artistic intelligence and tantric vision practices in the construction and circulation of visual knowledge in medieval South Asia. Shifting away from the traditional connoisseur approach, Jinah Kim instead focuses on the materiality of painting: its mediums, its visions, and especially its colors. She argues that the adoption of a special type of manuscript called pothi enabled the material translation of a private and internal experience of "seeing" into a portable device. These mobile and intimate objects then became important conveyors of many forms of knowledge—ritual, artistic, social, scientific, and religious—and spurred the spread of visual knowledge of Indic Buddhism to distant lands. By taking color as the material link between a vision and its artistic output, Garland of Visions presents a fresh approach to the history of Indian painting.
Author | : Jörg Heimbel |
Publisher | : Jörg Heimbel |
Total Pages | : 708 |
Release | : 2017 |
Genre | : Religion |
ISBN | : 9937028493 |
The present book presents a detailed study of the life and times of the tantric expert Ngorchen Kunga Zangpo (Ngor chen Kun dga’ bzang po, 1382–1456), who was one of the most outstanding and influential Sakya masters of fifteenth-century Tibet. Among his many influential activities, Ngorchen is best remembered for his founding of the monastery of Ngor Ewam Choden (Ngor E waṃ chos ldan) in 1429. Withdrawing from the worldly distractions of the bustling town of Sakya (Sa skya) and sectarian conflicts, he left his traditional alma mater, the monastery of Sakya, and established his own monastic seat in the remote Ngor valley, some 30 kilometres southwest of modern Shigatse (gZhis ka rtse) in the central Tibetan province of Tsang (gTsang). There, based on the observance of a strict monastic discipline, Ngorchen hoped to return to traditional Sakya teaching and practice in a more supportive environment. Ngor immediately became a new centre for tantric training within the monastic circles of the Sakya school. As the leading tantric expert, Ngorchen trained a whole new generation of young students, producing some of the brightest minds of the Sakya school. At his monastic seat, Ngorchen and his abbatial successors established one of the most prominent subdivisions of the Sakya school, the Ngor tradition (ngor lugs), based on Ngorchen’s distinctive understanding of tantric ritual and practice. The religious influence of Ngor and its abbots extended to far-western Tibet (mNga’ ris), including Mustang (Glo bo), Purang (sPu hrang), Guge (Gu ge), Spiti (sPyi ti), and Ladakh (La dwags). In the following centuries, Ngor’s influence also extended eastwards to Khams, where the tradition became very influential in Derge (sDe dge), Lingtsang (Gling tshang), and Gapa (sGa pa). From the 17th century onward, the Ngorpa enjoyed the patronage of the ruling house of Derge, whose successive kings called upon retired abbots of Ngor to serve as their court chaplains (dbu bla).
Author | : John C. Huntington |
Publisher | : Serindia Publications, Inc. |
Total Pages | : 616 |
Release | : 2003 |
Genre | : Art, Tantric-Buddhist |
ISBN | : 1932476016 |
Published in conjunction with a 2003 exhibition co-organized by the Columbus Museum of Art and the Los Angeles County Museum of Art, this hefty, oversize (10x13 catalogue features approximately 160 powerful masterpieces of Indian, Nepalese, Tibetan, Chinese, and Mongolian art produced over the pa
Author | : Pratapaditya Pal |
Publisher | : |
Total Pages | : 216 |
Release | : 1991 |
Genre | : Art |
ISBN | : |
A millennium of paintings, textiles, metal sculptures, ritual objects; aesthetic, religious contexts.
Author | : International Association for Tibetan Studies. Seminar |
Publisher | : Austrian Academy of Sciences Press |
Total Pages | : 192 |
Release | : 1998 |
Genre | : History |
ISBN | : |
Table of Contents: KLIMBURG-SALTER, Deborah E.: Is there an Inner Asian International Style 12th to 14th Centuries? Definition of the Problem and Present State of Research; BAUTZE-PICRON, Claudine: The Elaboration of a Style: Eastern Indian Motifs and Forms in Early Tibetan (?) and Burmese Painting; TOYKA-FUONG, Ursula: The Influence of Pala Art on 11th-century Wall-paintings of Grotto 76 in Dunhuang; SAMOSSIUK, Kira: Two Tibetan Style thangkas from Khara Khoto; ALLINGER, Eva: The Green Tara in the Ford-Collection: Some Stylistic Remarks; STODDARD, Heather: The Indian Style rGya lugs on an Early Tibetan Book Cover; HELLER, Amy: The Caves of gNas mjal che mo; LUCZANITS, Christian: On an Unusual Painting Style in Ladakh.