The Age of Beethoven, 1790-1830

The Age of Beethoven, 1790-1830
Author: Gerald Abraham
Publisher:
Total Pages: 774
Release: 1982
Genre: Music
ISBN: 9780193163089

Covers forty years which saw profound changes in music, most of them dominated by Beethoven. Provides a detailed, scholarly critical survey of the music of the period with chapters on French, Italian and German opera and on opera in other countries, on Beethoven's orchestral and chamber music and of his contemporaries on the concerto, on piano music, on solo song and on choral music, as well as an introductory chapter on general musical conditions of the time.

The Invention of Beethoven and Rossini

The Invention of Beethoven and Rossini
Author: Nicholas Mathew
Publisher: Cambridge University Press
Total Pages: 399
Release: 2013-11-07
Genre: Music
ISBN: 1107651239

Beethoven and Rossini have always been more than a pair of famous composers. Even during their lifetimes, they were well on the way to becoming 'Beethoven and Rossini' – a symbolic duo, who represented a contrast fundamental to Western music. This contrast was to shape the composition, performance, reception and historiography of music throughout the nineteenth and twentieth centuries. The Invention of Beethoven and Rossini puts leading scholars of opera and instrumental music into dialogue with each other, with the aim of unpicking the origins, consequences and fallacies of the opposition between the two composers and what they came to represent. In fifteen chapters, contributors explore topics ranging from the concert lives of early nineteenth-century capitals to the mythmaking of early cinema, and from the close analysis of individual works by Beethoven and Rossini to the cultural politics of nineteenth-century music histories.

Sourcebook for Research in Music

Sourcebook for Research in Music
Author: Phillip Crabtree
Publisher: Indiana University Press
Total Pages: 258
Release: 1993
Genre: Bibliographical literature
ISBN: 9780253213235

This bibliography of bibliographies lists and describes sources, from basic references to highly specialized materials. Valuable as a classroom text and as a research tool for scholars, librarians, performers, and teachers.

Choral Music

Choral Music
Author: James Michael Floyd
Publisher: Routledge
Total Pages: 600
Release: 2019-05-23
Genre: Music
ISBN: 0429012632

Choral Music: A Research and Information Guide, Third Edition, offers a comprehensive guide to the literature on choral music in the Western tradition. Clearly annotated bibliographic entries guide readers to resources on key topics within choral music, individual choral composers, regional and sacred choral traditions, choral techniques, choral music education, genre studies, and more, providing an essential reference for researchers and practitioners. Covering monographs, bibliographies, selected dissertations, reference works, journals, electronic databases, and websites, this research guide makes it easy to locate relevant sources. Comprehensive indices of authors, titles, and subjects keep the volume user-friendly. The new edition has been brought up to date with entries encompassing the latest scholarship, and updated references and annotations throughout, capturing the continued growth of literature on choral music since the publication of the second edition.

A Companion to European Romanticism

A Companion to European Romanticism
Author: Michael Ferber
Publisher: John Wiley & Sons
Total Pages: 602
Release: 2008-04-15
Genre: Literary Criticism
ISBN: 1405154535

This companion is the first book of its kind to focus on the whole of European Romanticism. Describes the way in which the Romantic Movement swept across Europe in the early nineteenth century. Covers the national literatures of France, Germany, Italy, Poland, Russia and Spain. Addresses common themes that cross national borders, such as orientalism, Napoleon, night, nature, and the prestige of the fragment. Includes cross-disciplinary essays on literature and music, literature and painting, and the general system of Romantic arts. Features 35 essays in all, from leading scholars in America, Australia, Britain, France, Italy, and Switzerland.

Music, Performance, Meaning

Music, Performance, Meaning
Author: Nicholas Cook
Publisher: Routledge
Total Pages: 378
Release: 2017-07-05
Genre: History
ISBN: 135155705X

This selection of sixteen of Nicholas Cook's essays covers the period from 1987 to 2004 and brings out the development of the author's ideas over these years. In particular the two keywords of the title -Meaning and Performance- represent critical directions that expand to the point that, by the end of the book, they become coextensive: music is seen as social action and meaning as created by that action. Within this overall direction, a wide variety of topics is explored, ranging from Beethoven to Schenker, from Chinese qin music to jazz and rock, from perceptual psychology to sketch studies and analysis of record sleeves. A substantial introduction draws out the links (and differences) between the essays, sometimes critiquing them and always setting them into the developing context of the author's work as a whole.

2000 Lectures and Memoirs

2000 Lectures and Memoirs
Author: British Academy
Publisher: Proceedings of the British Aca
Total Pages: 736
Release: 2001
Genre: Biography & Autobiography
ISBN: 9780197262597

Volume 111 of the Proceedings of the British Academy contains 12 British Academy lectures and 17 obituaries of Fellows of the British Academy.

National Traditions in Nineteenth-Century Opera, Volume II

National Traditions in Nineteenth-Century Opera, Volume II
Author: Michael C. Tusa
Publisher: Routledge
Total Pages: 376
Release: 2017-03-02
Genre: Music
ISBN: 1351915827

This volume offers a cross-section of English-language scholarship on German and Slavonic operatic repertories of the "long nineteenth century," giving particular emphasis to four areas: German opera in the first half of the nineteenth century; the works of Richard Wagner after 1848; Russian opera between Glinka and Rimsky-Korsakov; and the operas of Richard Strauss and Janácek. The essays reflect diverse methods, ranging from stylistic, philological, and historical approaches to those rooted in hermeneutics, critical theory, and post-modernist inquiry.

Reader's Guide to Music

Reader's Guide to Music
Author: Murray Steib
Publisher: Routledge
Total Pages: 2624
Release: 2013-12-02
Genre: Music
ISBN: 1135942692

The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).

Political Censorship of the Arts and the Press in Nineteenth-Century

Political Censorship of the Arts and the Press in Nineteenth-Century
Author: Robert Justin Goldstein
Publisher: Springer
Total Pages: 268
Release: 1989-08-14
Genre: Political Science
ISBN: 1349201286

Political Censorship of the Arts and the Press in Nineteenth-Century Europe presents a comprehensive account of the attempts by authorities throughout Europe to stifle the growth of political opposition during the nineteenth-century by censoring newspapers, books, caricatures, plays, operas and film. Appeals for democracy and social reform were especially suspect to the authorities, so in Russia cookbooks which refered to 'free air' in ovens were censored as subversive, while in England in 1829 the censor struck from a play the remark that 'honest men at court don't take up much room'. While nineteenth-century European political censorship blocked the open circulation of much opposition writing and art, it never succeeded entirely in its aim since writers, artists and 'consumers' often evaded the censors by clandestine circulation of forbidden material and by the widely practised skill of 'reading between the lines'.