The Aesthetics Of Marble
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Author | : Gerhard Wolf |
Publisher | : Hirmer Verlag GmbH |
Total Pages | : 0 |
Release | : 2021 |
Genre | : Marble |
ISBN | : 9783777434483 |
"Marble is a metamorphic stone that has been a material of choice and a subject of reflection for millennia. Its geology, history, and economics are well known, but its aesthetics remain understudied. This book sheds new light on the celebration and uses of marble in art and literature and on the iconic potential of the stone. Through empirical research centered on the Mediterranean from Late Antiquity to the present, it closely examines the artistic versatility of marble in its uses and re-uses, including the marble cladding of architecture, the carving of marble and painting on stone, their political and philosophical connotations, and the de- and re-materializing of marble made possible by digital technology"--
Author | : Amalie Smith |
Publisher | : |
Total Pages | : 0 |
Release | : 2020-11-12 |
Genre | : Women sculptors |
ISBN | : 9781999992873 |
Amalie Smith ignites everyday encounters into sites of revelation and metamorphosis Recently unearthed from the ground, Marble leaves her new lover in Copenhagen and travels to Athens. The city is overflowing with colour, steam and fragrance, cats cry like babies at night, the economic crisis is raging. In this volatile landscape, Marble grasps the world by exploring its immediate surfaces. Capturing specks of colour on ancient sculptures in the Acropolis Museum with an infrared camera, she simultaneously traces the pioneering sculptor Anne Marie Carl-Nielsen, who spent several months in the same place 110 years earlier. Far away from her husband and children, Carl-Nielsen showed that Archaic sculptures were originally painted in bright colours - a feat which meant defying Victorian gender roles and jeopardising her marriage. Sensuous and electric, yet admirably forensic in its approach to mineral life, Marble is a galvanizing novel about the materials life is made of, about korai and sponge diving, about looking and looking again, written in a spare and pellucid style. Praise for Marble Everything connects. In that Ali Smith/Isabel Waidner way, Amalie Smith manages to stuff a lot of topics in an economic way... Enriching and rewarding - The Bobsphere A resolute novel that, by virtue of its mix of literary suggestion, aesthetic experience and art historical insight, makes something that is simultaneously straightforwardly concrete and almost incomprehensibly abstract come alive - Jyllands-Posten Marble is not reminiscent of much else, but that does not make it odd. Just beautifully its own. It is made of the stuff art and literature is made of. In excess - Berlingske Amalie Smith brings marble to life - Politiken ♥♥♥♥ Admirably vivid - Information Marble is an artistically ambitious and original attempt at creating an open, hybrid and 'impure' strand of novel which integrates and supplements fiction with factual and documentary elements... Amalie Smith digs into the material with knowledge, sensuality, and aesthetic sensibility - Litteratursiden Marble is a novel about insisting on the significance of surfaces, about longing and absorption, about diving and becoming porous. The book thinks across disciplines and aesthetic genre conventions, and hence it is no coincidence that Amalie Smith is a practising artist as well as a writer - Vagant AMALIE SMITH (b. 1985) is a Danish writer and visual artist. A graduate from the Danish Academy of Creative Writing and the Royal Danish Academy of Fine Arts, Smith has published eight hybrid books. She has received numerous awards for her work as an artist and writer, including the Danish Arts Foundation's prestigious three-year working grant, the Danish Crown Prince Couple's Rising Star Award, and the Bodil and Jørgen Munch-Christensen Prize for emerging writers. JENNIFER RUSSELL has published translations of Amalie Smith, Christel Wiinblad, and Peter-Clement Woetmann. She was the recipient of the 2019 Gulf Coast Prize for her translation of Ursula Scavenius's 'Birdland', and in 2020 she received an American-Scandinavian Foundation Award for her co-translation of Rakel Haslund-Gjerrild's All the Birds in the Sky.
Author | : William A. P. Childs |
Publisher | : Princeton University Press |
Total Pages | : 400 |
Release | : 2018-04-10 |
Genre | : Art |
ISBN | : 0691176469 |
Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition. Another overarching theme concerns the nature of “style as a concept of expression,” an issue that becomes more important given the increasingly multiple styles and functions of fourth-century Greek art. Childs also shows how the color and form of works suggested the unseen and revealed the profound character of individuals and the physical world.
Author | : David Bindman |
Publisher | : |
Total Pages | : 0 |
Release | : 2014 |
Genre | : ART |
ISBN | : 9780300197891 |
This brilliant book focuses on the aesthetic concerns of the two most important sculptors of the early 19th century, the great Italian sculptor Antonio Canova (1757-1822) and his illustrious Danish rival Bertel Thorvaldsen (1770-1844). Rather than comparing their artistic output, the distinguished art historian David Bindman addresses the possible impact of Kantian aesthetics on their work. Both artists had elevated reputations, and their sculptures attracted interest from philosophically minded critics. Despite the sculptors' own apparent disdain for theory, Bindman argues that they were in dialogue with and greatly influenced by philosophical and critical debates, and made many decisions in creating their sculptures specifically in response to those debates. Warm Flesh, Cold Marble considers such intriguing topics as the aesthetic autonomy of works of art, the gender of the subject, the efficacy of marble as an imitative medium, the question of color and texture in relation to ideas and practices of antiquity, and the relationship between the whiteness of marble and ideas of race.
Author | : Michael Greenhalgh |
Publisher | : BRILL |
Total Pages | : 653 |
Release | : 2009 |
Genre | : History |
ISBN | : 9004170839 |
This survey and synthesis of the structural and decorative uses of Roman remains, particularly marble, throughout the mediaeval Mediterranean, deals with the Christian West - but also Byzantium and Islam, each the inheritor of much Roman territory. It includes a 5000-image DVD.
Author | : Annette Haug |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 551 |
Release | : 2021-12-31 |
Genre | : History |
ISBN | : 3110764768 |
The focus of this volume is on the aesthetics, semantics and function of materials in Roman antiquity between the 2nd century B.C. and the 2nd century A.D. It includes contributions on both architectural spaces (and their material design) and objects – types of 'artefacts' that differ greatly in the way they were used, perceived and loaded with cultural significance. With respect to architecture, the analysis of material aesthetics leads to a new understanding of the performance, imitation and transformation of surfaces, including the social meaning of such strategies. In the case of objects, surface treatments are equally important. However, object form (a specific design category), which can enter into tension with materiality, comes into particular focus. Only when materials are shaped do their various qualities emerge, and these qualities are, to a greater or lesser extent, transferred to objects. With a focus primarily on Roman Italy, the papers in this volume underscore the importance of material design and highlight the awareness of this matter in the ancient world.
Author | : Fabio Barry |
Publisher | : Yale University Press |
Total Pages | : 449 |
Release | : 2020-10-27 |
Genre | : Architecture |
ISBN | : 0300248164 |
A sweeping history of premodern architecture told through the material of stone Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.
Author | : Ellen Lupton |
Publisher | : Princeton Architectural Press |
Total Pages | : 84 |
Release | : 1996-11 |
Genre | : Architecture |
ISBN | : 9781568980966 |
Analyzes domestic consumer culture through photos and ads.
Author | : Anna Anguissola |
Publisher | : Cambridge University Press |
Total Pages | : 282 |
Release | : 2018-02-15 |
Genre | : Art |
ISBN | : 1108307922 |
Figural and non-figural supports are a ubiquitous feature of Roman marble sculpture; they appear in sculptures ranging in size from miniature to colossal and of all levels of quality. At odds with modern ideas about beauty, completeness, and visual congruence, these elements, especially non-figural struts, have been dismissed by scholars as mere safeguards for production and transport. However, close examination of these features reveals the tastes and expectations of those who commissioned, bought, and displayed marble sculptures throughout the Mediterranean in the Hellenistic and Roman periods. Drawing on a large body of examples, Greek and Latin literary sources, and modern theories of visual culture, this study constitutes the first comprehensive investigation of non-figural supports in Roman sculpture. The book overturns previous conceptions of Roman visual values and traditions and challenges our understanding of the Roman reception of Greek art.
Author | : Emily B. Stanback |
Publisher | : Springer |
Total Pages | : 340 |
Release | : 2017-10-25 |
Genre | : Literary Criticism |
ISBN | : 1137511400 |
This book argues for the importance of disability to authors of the Wordsworth-Coleridge circle. By examining texts in a variety of genres — ranging from self-experimental medical texts to lyric poetry to metaphysical essays — Stanback demonstrates the extent to which non-normative embodiment was central to Romantic-era thought and Romantic-era aesthetics. The book reassesses well-known literary and medical works by such authors as William Wordsworth, Samuel Taylor Coleridge, and Humphry Davy, argues for the importance of lesser-studied work by authors including Charles Lamb and Thomas Beddoes, and introduces significant unpublished work by Tom Wedgwood.