The Aesthetic Subject in Contemporary Continental Philosophy and Literature

The Aesthetic Subject in Contemporary Continental Philosophy and Literature
Author: Robert Hughes
Publisher: Taylor & Francis
Total Pages: 115
Release: 2024-08-01
Genre: Literary Criticism
ISBN: 1040098207

Art makes its mark upon our flesh. It ravishes our eyes, invades our ears, and stirs our viscera; it commandeers our powers of attention and unsettles our body with its strangenesses. The event of art is thus an encounter both with a sensuous object and with ourselves, exposing us as subjects strangely susceptible to being moved. The twenty-first-century European thinkers elucidated here describe a theory of the aesthetic subject: Irigaray articulates the basic outlines of a subject ill at ease with itself. Badiou, Nancy, and Perniola theorize art as an event of deformation that befalls an aesthetic subject fundamentally invested in form. Rancière and Sloterdijk explore the figuration of the body (and its limits) in contexts closer to everyday experience and our life within modern history and politics. This study brings together feminist, psychoanalytic, and phenomenological inheritances to describe the operations of the real in art and aesthetic life.

The Aesthetic Subject in Contemporary Continental Philosophy and Literature

The Aesthetic Subject in Contemporary Continental Philosophy and Literature
Author: Robert Hughes
Publisher:
Total Pages: 0
Release: 2024-08
Genre: Literary Criticism
ISBN: 9781032749129

This book elucidates the work of 21st-century European thinkers to describe the event of art as an intuited correspondence between (a) a sensuous object grasped at its limit of form and deformation and (b) an aesthetic subject unsettlingly exposed at its own limits of form and the real.

The Kantian Subject

The Kantian Subject
Author: Tamar Japaridze
Publisher: SUNY Press
Total Pages: 188
Release: 2000
Genre: Philosophy
ISBN:

Argues that the importance of Kant's aesthetic theory must be understood in the context of a radical critique of subjectivity.

The Continental Aesthetics Reader

The Continental Aesthetics Reader
Author: Clive Cazeaux
Publisher: Routledge
Total Pages: 1560
Release: 2017-10-03
Genre: Philosophy
ISBN: 1351226363

The Continental Aesthetics Reader brings together classic and contemporary writings on art and aesthetics from the major figures in continental thought. The second edition is clearly divided into seven sections: Nineteenth-Century German Aesthetics Phenomenology and Hermeneutics Marxism and Critical Theory Excess and Affect Embodiment and Technology Poststructuralism and Postmodernism Aesthetic Ontologies. Each section is clearly placed in its historical and philosophical context, and each philosopher has an introduction by Clive Cazeaux. An updated list of readings for this edition includes selections from Agamben, Butler, Guattari, Nancy, Virilio, and iek. Suggestions for further reading are given, and there is a glossary of over fifty key terms. Ideal for introductory courses in aesthetics, continental philosophy, art, and visual studies, The Continental Aesthetics Reader provides a thorough introduction to some of the most influential writings on art and aesthetics from Kant and Hegel to Badiou and Ranci.

Aesthetic Reason and Imaginative Freedom

Aesthetic Reason and Imaginative Freedom
Author: María del Rosario Acosta López
Publisher: SUNY Press
Total Pages: 226
Release: 2018-10-01
Genre: Philosophy
ISBN: 1438472196

Shows the relevance of Schiller’s thought for contemporary philosophy, particularly aesthetics, ethics, and politics. This book seeks to draw attention to Friedrich Schiller (1759–1805) as a philosophical thinker in his own right. For too long, his philosophical contribution has been neglected in favor of his much-deserved reputation as a political playwright. The essays in this collection make two arguments. First, Schiller presents a robust philosophical program that can be favorably compared to those of his age, including Rousseau, Kant, Schelling, and Hegel, and he proves to be their equal in his thinking on morality, aesthetics, and politics. Second, Schiller can also guide us in our more contemporary philosophical concerns and approaches, such as phenomenology, hermeneutics, aesthetics, and politics. Here, Schiller instructs us in our engagement with figures such as Walter Benjamin, Michel Foucault, Jacques Rancière, Roberto Esposito, and others.

Lyrical and Ethical Subjects

Lyrical and Ethical Subjects
Author: Dennis J. Schmidt
Publisher: SUNY Press
Total Pages: 239
Release: 2005-08-25
Genre: Philosophy
ISBN: 9780791465141

A wide-ranging attempt to develop a theory of ethical life from a hermeneutic understanding of language.

Aesthetic Disinterestedness

Aesthetic Disinterestedness
Author: Thomas Hilgers
Publisher: Routledge
Total Pages: 303
Release: 2016-12-01
Genre: Philosophy
ISBN: 1317444884

The notion of disinterestedness is often conceived of as antiquated or ideological. In spite of this, Hilgers argues that one cannot reject it if one wishes to understand the nature of art. He claims that an artwork typically asks a person to adopt a disinterested attitude towards what it shows, and that the effect of such an adoption is that it makes the person temporarily lose the sense of herself, while enabling her to gain a sense of the other. Due to an artwork’s particular wealth, multiperspectivity, and dialecticity, the engagement with it cannot culminate in the construction of world-views, but must initiate a process of self-critical thinking, which is a precondition of real self-determination. Ultimately, then, the aesthetic experience of art consists of a dynamic process of losing the sense of oneself, while gaining a sense of the other, and of achieving selfhood. In his book, Hilgers spells out the nature of this process by means of rethinking Kant’s and Schopenhauer’s aesthetic theories in light of more recent developments in philosophy–specifically in hermeneutics, critical theory, and analytic philosophy–and within the arts themselves–specifically within film and performance art.

Adorno's Poetics of Form

Adorno's Poetics of Form
Author: Josh Robinson
Publisher: State University of New York Press
Total Pages: 290
Release: 2018-05-22
Genre: Philosophy
ISBN: 1438469853

Adorno's Poetics of Form is the first book-length examination of the elusive deployment of the concept of form in Adorno's writings on art and literature, and the first monograph to offer a comprehensive account of the relation of these writings to his broader philosophical project. It examines form within the constellation of concepts that exist around it, considering how it appears when seen in conjunction with and in opposition to content, expression, genre, and material. Illuminated from these angles, form is revealed as the site of a complex web of dynamic conceptual interactions. The book thus offers a resolution to a problem in Adorno's work that has remained unsolved for several decades, and in doing so sets out the consequences of Adorno's poetics for literary and critical theory today.

Aesthetics

Aesthetics
Author: David Goldblatt
Publisher: Routledge
Total Pages: 1159
Release: 2017-09-01
Genre: Philosophy
ISBN: 1315303655

Aesthetics: A Reader in Philosophy of the Arts, fourth edition, contains a selection of ninety-six readings organized by individual art forms as well as a final section of readings in philosophical aesthetics that cover multiple art forms. Sections include topics that are familiar to students such as painting, photography and movies, architecture, music, literature, and performance, as well as contemporary subjects such as mass art, popular arts, the aesthetics of the everyday, and the natural environment. Essays are drawn from both the analytic and continental traditions, and multiple others that bridge this divide between these traditions. Throughout, readings are brief, accessible for undergraduates, and conceptually focused, allowing instructors many different syllabi possibilities using only this single volume. Key Additions to the Fourth Edition The fourth edition is expanded to include a total of ninety-six essays with nineteen new essays (nine of them written exclusively for this volume), updated organization into new sections, revised introductions to each section, an increased emphasis on contemporary topics, such as stand-up comedy, the architecture of museums, interactivity and video games, the ethics of sexiness, trans/gendered beauty, the aesthetics of junkyards and street art, pornography, and the inclusion of more diverse philosophical voices. Nevertheless, this edition does not neglect classic writers in the traditional aesthetics: Plato, Aristotle, Hume, Kant, Hegel, Heidegger, Collingwood, Bell, and writers of similar status in aesthetics. The philosophers writing new chapters exclusively for this fourth edition are: • Sondra Bacharach on street art • Aili Bresnahan on appreciating dance • Hina Jamelle on digital architecture • Jason Leddington on magic • Sheila Lintott on stand-up comedy • Yuriko Saito on everyday aesthetics • Larry Shiner on art spectacle museums in the twenty-first century • Peg Brand Weiser on how beauty matters • Edward Winters on the feeling of being at home in vernacular architecture, as in such urban places as bars.

The Tragedy of Philosophy

The Tragedy of Philosophy
Author: Andrew Cooper
Publisher: State University of New York Press
Total Pages: 318
Release: 2016-08-30
Genre: Philosophy
ISBN: 1438461909

In The Tragedy of Philosophy Andrew Cooper challenges the prevailing idea of the death of tragedy, arguing that this assumption reflects a problematic view of both tragedy and philosophy—one that stifles the profound contribution that tragedy could provide to philosophy today. To build this case, Cooper presents a novel reading of Immanuel Kant's Critique of Judgment. Although this text is normally understood as the final attempt to seal philosophy from the threat of tragedy, Cooper argues that Kant's project is rather a creative engagement with a tragedy that is specific to philosophy, namely, the inevitable failure of attempts to master nature through knowledge. Kant's encounter with the tragedy of philosophy turns philosophy's gaze from an exclusive focus on knowledge to matters of living well in a world that does not bend itself to our desires. Tracing the impact of Kant's Critique of Judgment on some of the most famous theories of tragedy, including those of G. W. F. Hegel, Friedrich Nietzsche, Martin Heidegger, and Cornelius Castoriadis, Cooper demonstrates how these philosophers extend the project found in both Kant and the Greek tragedies: the attempt to grasp nature as a domain hospitable to human life.