The Achievement Of Robert Weimann
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Author | : Graham Bradshaw |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 352 |
Release | : 2010 |
Genre | : Literary Criticism |
ISBN | : 9781409408581 |
This issue marks the 10th anniversary of The Shakespearean International Yearbook. On this occasion, the special section celebrates the achievement of senior Shakespearean scholar Robert Weimann, whose work on the Elizabethan theatre and early modern performance culture has so influenced contemporary scholarship. Among the contributors to this issue are Shakespearean scholars from Ireland, Japan, France, Germany, South Africa, UK, and the US.
Author | : Jeanne McCarthy |
Publisher | : Taylor & Francis |
Total Pages | : 276 |
Release | : 2016-11-25 |
Genre | : Art |
ISBN | : 1315390817 |
The Children’s Troupes and the Transformation of English Theater 1509–1608 uncovers the role of the children’s companies in transforming perceptions of authorship and publishing, performance, playing spaces, patronage, actor training, and gender politics in the sixteenth century. Jeanne McCarthy challenges entrenched narratives about popular playing in an era of revolutionary changes, revealing the importance of the children’s company tradition’s connection with many early plays, as well as to the spread of literacy, classicism, and literate ideals of drama, plot, textual fidelity, characterization, and acting in a still largely oral popular culture. By addressing developments from the hyper-literate school tradition, and integrating discussion of the children’s troupes into the critical conversation around popular playing practices, McCarthy offers a nuanced account of the play-centered, literary performance tradition that came to define professional theater in this period. Highlighting the significant role of the children’s company tradition in sixteenth-century performance culture, this volume offers a bold new narrative of the emergence of the London theater.
Author | : Robert Weimann |
Publisher | : Cambridge University Press |
Total Pages | : 0 |
Release | : 2008-08-07 |
Genre | : Literary Criticism |
ISBN | : 0521895324 |
This book demonstrates the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era.
Author | : Patrick MacDermott |
Publisher | : Peter Lang |
Total Pages | : 296 |
Release | : 2009 |
Genre | : Literary Criticism |
ISBN | : 9783039118786 |
Literary modernism and its aftermath saw few more enigmatic practitioners than Henry Green. Green was a remarkably innovative and experimental novelist, while also being a keenly perceptive observer of the turbulent times in which he wrote. With his writing spanning the high-point of modernism in the 1920s, the turn towards greater social and political engagement in the 1930s and the search for new beginnings in the post-war period, Green's texts reflect some of the most important literary developments of the twentieth century. This book takes a fresh approach to Green, one that places his work firmly in its contemporary critical context. By exploring the insights of two of the most formative critics of the period, T.S. Eliot and F.R. Leavis, the book explores how Green was able to bring about creative tension between the competing claims of formal innovation and social engagement. Through new explanations and evaluations of the texts, the author demonstrates the depth and originality of Green's achievement in tangible and specific form. The book also explores the particularly productive relationship between creative and critical endeavours that flourished in this landmark literary period.
Author | : Lena Cowen Orlin |
Publisher | : A&C Black |
Total Pages | : 302 |
Release | : 2014-04-24 |
Genre | : Literary Criticism |
ISBN | : 1408186039 |
Othello has a long history of provoking profound emotion in its audiences and readers. This 'freeze frame' volume showcases current debates and ideas about the play's provocative effects. Each chapter has been carefully selected for its originality and relevance to the needs of students, teachers, and researchers. Key issues and themes include: - Gender, Love, and Desire - Race, Ethnicity, and Difference - Social Relations, Status, and Ambition - Tragedy, Comedy, and Parody - Language, Expression, and Characterization All the essays offer new perspectives and combine to give readers an up-to-date understanding of what's exciting and challenging about Othello. The approach based on an individual play, unlike that of topic-based series, reflects how Shakespeare is most commonly studied and taught.
Author | : G. Reynolds |
Publisher | : Springer |
Total Pages | : 208 |
Release | : 1996-04-01 |
Genre | : Literary Criticism |
ISBN | : 023037624X |
Drawing on a range of material from archives in the USA and from a variety of primary historical sources, this study places Cather's major fiction in its cultural context. Reynolds explores 'progressivism', 'primitivism' and 'Americanization' in such novels as My Antonia and O Pioneers! Willa Cather in Context develops interdisciplinary readings of this important Nebraskan novelist, placing her as a writer actively engaged with many of the key debates of early twentieth-century America, from immigration to evolutionary theory.
Author | : Indira Ghose |
Publisher | : Manchester University Press |
Total Pages | : 356 |
Release | : 2013-07-19 |
Genre | : Literary Criticism |
ISBN | : 1847797040 |
This book examines laughter in the Shakespearean theatre, in the context of a cultural history of early modern laughter. Aimed at an informed readership as well as graduate students and scholars in the field of Shakespeare studies, it is the first study to focus specifically on laughter, not comedy. It looks at various strands of the early modern discourse on laughter, ranging from medical treatises and courtesy manuals to Puritan tracts and jestbook literature. It argues that few cultural phenomena have undergone as radical a change in meaning as laughter. Laughter became bound up with questions of taste and class identity. At the same time, humanist thinkers revalorised the status of recreation and pleasure. These developments left their trace on the early modern theatre, where laughter was retailed as a commodity in an emerging entertainment industry. Shakespeare ́s plays both reflect and shape these changes, particularly in his adaptation of the Erasmian wise fool as a stage figure, and in the sceptical strain of thought that is encapsulated in the laughter evoked in the plays.
Author | : Brinda Charry |
Publisher | : Bloomsbury Publishing |
Total Pages | : 361 |
Release | : 2017-10-19 |
Genre | : Literary Criticism |
ISBN | : 1472572262 |
The Arden Guide to Renaissance Drama is a single critical and contextual resource for students embarking on an in-depth exploration of early modern drama, providing both critical insight and accessible contextual information. This companion equips students with the information needed to situate the plays in their socio-political, intellectual and literary contexts. Divided into two parts, it introduces students to the major authors and significant dramatic texts of the period and emphasises the importance of both a historicist and close-reading approach to better engage with these works. The Guide offers: · primary texts from key early modern scholars such as Machiavelli, Heywood and Sidney · contextual information vital to a full understanding of the drama of the period · close readings of 14 of the most widely studied play texts by Shakespeare and his contemporaries · a single resource to accompany any study of early modern drama This is an ideal companion for students of Renaissance drama, offering students and teachers a range of primary contextual sources to illuminate their understanding alongside close critical readings of the major plays of the period.
Author | : Richard Wilson |
Publisher | : Manchester University Press |
Total Pages | : 387 |
Release | : 2016-05-16 |
Genre | : Literary Criticism |
ISBN | : 1526111047 |
Free Will: Art and power on Shakespeare’s stage is a study of theatre and sovereignty that situates Shakespeare’s plays in the contraflow between two absolutisms of early modern England: the aesthetic and the political. Starting from the dramatist’s cringing relations with his princely patrons, Richard Wilson considers the ways in which this ‘bending author’ identifies freedom in failure and power in weakness by staging the endgames of a sovereignty that begs to be set free from itself. The arc of Shakespeare’s career becomes in this comprehensive new interpretation a sustained resistance to both the institutions of sacred kingship and literary autonomy that were emerging in his time. In a sequence of close material readings, Free Will shows how the plays instead turn command performances into celebrations of an art without sovereignty, which might ‘give delight’ but ‘hurt not’, and ‘leave not a rack behind’. Free Will is a profound rereading of Shakespeare, art and power that will contribute to thinking not only about the plays, but also about aesthetics, modernity, sovereignty and violence.
Author | : P. Yachnin |
Publisher | : Springer |
Total Pages | : 266 |
Release | : 2015-12-04 |
Genre | : Literary Criticism |
ISBN | : 0230584152 |
Shakespeare and Character brings together leading scholars in theory, literary criticism, and performance studies in order to redress a serious gap in Shakespeare studies and to put character back at the centre of our understanding of Shakespeare's achievement as an artist and thinker.