The Absent Minded Beggar
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Author | : Arthur Sullivan |
Publisher | : Read Books Ltd |
Total Pages | : 20 |
Release | : 2018-02-22 |
Genre | : Music |
ISBN | : 1528784049 |
"The Absent-Minded Beggar" is an 1899 poem by Rudyard Kipling, set to music by Sir Arthur Sullivan. Sullivan was an English composer best known for his comic musical opera collaborations with the librettist W. S. Gilbert. His works also include 23 operas, 13 major orchestral works, eight choral works and oratorios, two ballets, incidental music to several plays, and numerous hymns and church pieces. Classic Music Collection constitutes an extensive library of the most well-known and universally-enjoyed works of music ever composed, reproduced from authoritative editions for the enjoyment of musicians and music students the world over.
Author | : Rudyard Kipling |
Publisher | : |
Total Pages | : 30 |
Release | : 1900 |
Genre | : South African War, 1899-1902 |
ISBN | : |
Author | : Will Bennett |
Publisher | : Pen and Sword |
Total Pages | : 232 |
Release | : 1999-10-13 |
Genre | : History |
ISBN | : 1473811619 |
The British Army suffered one of its greatest crises when in December 1899 the Boer irregulars inflicted three reverses in South Africa in 'Black Week'. A nation grown accustomed to success was stunned. Part of the answer was a very British blend of patriotism and pragmatism. For the first time civilian volunteers and part-time soldiers were allowed to fight overseas to the horror of traditionalist professional soldiers. Yet, by the end of the Boer War, almost 90,000 men had volunteered to serve the Colours. Much of sporting high society joined the newly formed Imperial Yeomanry. The Volunteers sent infantrymen to serve alongside the regulars and the City of London financed the raising of the City Imperial Volunteers. Men also came forward from the colonies. This book tells the story of these volunteer units.
Author | : Don Gifford |
Publisher | : Univ of California Press |
Total Pages | : 700 |
Release | : 2008-01-14 |
Genre | : Fiction |
ISBN | : 9780520253971 |
Rev. ed. of: Notes for Joyce: an annotation of James Joyce's Ulysses, 1974.
Author | : Rudyard Kipling |
Publisher | : |
Total Pages | : 8 |
Release | : 1929 |
Genre | : |
ISBN | : |
Author | : Rudyard Kipling |
Publisher | : |
Total Pages | : |
Release | : 1997 |
Genre | : South African War, 1899-1902 |
ISBN | : |
Author | : Bernard Porter |
Publisher | : |
Total Pages | : 498 |
Release | : 2004 |
Genre | : History |
ISBN | : 0199299595 |
The British empire was a huge enterprise. To foreigners it more or less defined Britain in the nineteenth and early twentieth centuries. Its repercussions in the wider world are still with us today. It also had a great impact on Britain herself: for example, on her economy, security, population, and eating habits. One might expect this to have been reflected in her society and culture. Indeed, this has now become the conventional wisdom: that Britain was steeped in imperialism domestically, which affected (or infected) almost everything Britons thought, felt, and did. This is the first book to examine this assumption critically against the broader background of contemporary British society. Bernard Porter, a leading imperial historian, argues that the empire had a far lower profile in Britain than it did abroad. Many Britons could hardly have been aware of it for most of the nineteenth century and only a small number was in any way committed to it. Between these extremes opinions differed widely over what was even meant by the empire. This depended largely on class, and even when people were aware of the empire, it had no appreciable impact on their thinking about anything else. Indeed, the influence far more often went the other way, with perceptions of the empire being affected (or distorted) by more powerful domestic discourses. Although Britain was an imperial nation in this period, she was never a genuine imperial society. As well as showing how this was possible, Porter also discusses the implications of this attitude for Britain and her empire, and for the relationship between culture and imperialism more generally, bringing his study up to date by including the case of the present-day USA.
Author | : Zack R. Bowen |
Publisher | : SUNY Press |
Total Pages | : 394 |
Release | : 1974-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780873952484 |
Professor Bowen's book is more than a simple collection of musical allusions; it is an engaging discussion of how Joyce uses music to expand and orchestrate his major themes. The introductions to the separate sections, on each of Joyce's works, express a new and cohesive critical theory and reevaluate the major thematic patterns in the works. The introductory material proceeds to analyze the general workings of music in each particular book. The specific musical references follow, accompanied by their sources and an examination of the role each plays in the work. While the author considers the early works with equal care, the bulk of this volume explores the musical resonances of Ulysses, especially as they affect the style, structure, characterization, and themes. Like motifs in Wagnerian opera, some allusions introduce and later remind us of characters--bits of Molly's songs for instance constantly intrude her impending adultery on Bloom's consciousness. Other motifs are linked to concerns such as Stephen's Oedipal guilt over his mother's death, which in turn connects to his preoccupation with Shakespeare, the creator, the father, and the cuckold. Music helps create the bond which briefly joins Stephen and Bloom, and music augments the entire grand theme of consubstantiality. Professor Bowen's style is simple and clear, allowing Joycean artifice to speak for itself. The volume includes a bibliography.
Author | : Abraham T. H. Brower |
Publisher | : |
Total Pages | : 936 |
Release | : 1899 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1060 |
Release | : 1902 |
Genre | : Elocution |
ISBN | : |