The A Z Of Science Fiction Fantasy Films
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Author | : Howard Maxford |
Publisher | : B. T. Batsford Limited |
Total Pages | : 308 |
Release | : 1997 |
Genre | : Fiction |
ISBN | : |
This A-Z of science fiction films includes entries on individual films, actors, directors, screenwriters and studios, as well as information on national traits and themes, and the novels and stories that have formed the basis of the genre. As well as dealing with blockbusters such as Independence Day and Mars Attacks, the text also looks at early big budget productions such as When Worlds Collide and 2001, the inept classics of Ed Wood, Hammer films and the early work of John Carpenter.
Author | : Michael R. Pitts |
Publisher | : McFarland |
Total Pages | : 0 |
Release | : 2011-03-31 |
Genre | : Performing Arts |
ISBN | : 9780786460465 |
Between 1952 and 1977, Allied Artists Pictures Corporation released over 80 feature films with horror, science fiction and fantasy themes, several of them featuring such genre stars as Vincent Price, Boris Karloff, John Carradine and Lon Chaney, Jr. Among Allied Artists' contributions are the classic Invasion of the Body Snatchers and the William Castle productions House on Haunted Hill and Macabre. Allied also released the camp favorites Frankenstein Meets the Space Monster, From Hell It Came and Queen of Outer Space, and imported European efforts such as Blood and Black Lace and Caltiki the Immortal Monster. Included here are detailed plot synopses and critical analyses of all of the films. Also covered are 22 features, including Little Shop of Horrors, made by other companies and released to television by Allied, and the studio's theatrical double-feature reissue of Paramount's The Blob and Universal's Dinosaurus!
Author | : John T. Soister |
Publisher | : McFarland |
Total Pages | : 831 |
Release | : 2014-01-10 |
Genre | : Performing Arts |
ISBN | : 0786487909 |
During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.
Author | : John Stanley |
Publisher | : Berkley |
Total Pages | : 612 |
Release | : 2000-08 |
Genre | : Performing Arts |
ISBN | : |
Updated to include the most movie mega-hits, this sci-fi, fantasy, and horror movie guide has it all--the shockers, schlockers, blockbusters, bombs, cult faves, rare gems, classics, groundbreakers, gorefests, space operas, sorcery, Euro-splatter, and everything in between.
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Author | : Rob Latham |
Publisher | : Oxford University Press |
Total Pages | : 641 |
Release | : 2014-09-01 |
Genre | : Literary Criticism |
ISBN | : 0199838852 |
The excitement of possible futures found in science fiction has long fired the human imagination, but the genre's acceptance by academe is relatively recent. No longer marginalized and fighting for respectability, science-fictional works are now studied alongside more traditional art forms. Tracing the capacious genre's birth, evolution, and impact across nations, time periods, subgenres, and media, The Oxford Handbook of Science Fiction offers an in-depth, comprehensive assessment of this robust area of scholarly inquiry and considers the future directions that will dictate the terms of the scholarly discourse. The Handbook begins with a focus on questions of genre, covering topics such as critical history, keywords, narrative, the fantastic, and fandom. A subsequent section on media engages with film, television, comics, architecture, music, video games, and more. The genre's role in the convergence of art and everyday life animates a third section, which addresses topics such as UFOs,
Author | : Michael R. Pitts |
Publisher | : McFarland |
Total Pages | : 406 |
Release | : 2015-03-27 |
Genre | : Performing Arts |
ISBN | : 1476616833 |
King Kong and The Thing from Another World are among the most popular horror and science fiction films of all time and both were made by RKO Radio Pictures. Between 1929 and 1956, RKO released more than 140 genre features, including The Most Dangerous Game, The Phantom of Crestwood, Before Dawn, The Monkey's Paw, The Hunchback of Notre Dame, You'll Find Out, The Spiral Staircase, The Enchanted Cottage, It's a Wonderful Life, Captive Women and Killers from Space. RKO is remembered for its series of psychological horror movies produced by Val Lewton, including Cat People, I Walked with a Zombie, The Seventh Victim and The Body Snatcher. The studio also produced films in the adventure, comedy, fantasy, mystery and western genres. They released many Walt Disney classics--Snow White and the Seven Dwarfs, Fantasia, Pinocchio, Cinderella, Peter Pan--as well as several "Tarzan" features. This volume covers these movies in detail with critical and historical analysis, in-depth plot synopsis and numerous contemporary reviews.
Author | : Michael R. Pitts |
Publisher | : McFarland |
Total Pages | : 389 |
Release | : 2014-01-10 |
Genre | : Performing Arts |
ISBN | : 078645766X |
From 1928 through 1982, when Columbia Pictures Corporation was a traded stock company, the studio released some of the most famous and popular films dealing with horror, science fiction and fantasy. This volume covers more than 200 Columbia feature films within these genres, among them Close Encounters of the Third Kind, The 7th Voyage of Sinbad, Earth vs. the Flying Saucers and The Revenge of Frankenstein. Also discussed in depth are the vehicles of such horror icons as Boris Karloff, Bela Lugosi, and John Carradine. Additionally highlighted are several of Columbia's lesser known genre efforts, including the Boston Blackie and Crime Doctor series, such individual features as By Whose Hand?, Cry of the Werewolf, Devil Goddess, Terror of the Tongs and The Creeping Flesh, and dozens of the studio's short subjects, serials and made-for-television movies.
Author | : Brian Stableford |
Publisher | : Scarecrow Press |
Total Pages | : 568 |
Release | : 2009-08-13 |
Genre | : Literary Criticism |
ISBN | : 0810863456 |
Once upon a time all literature was fantasy, set in a mythical past when magic existed, animals talked, and the gods took an active hand in earthly affairs. As the mythical past was displaced in Western estimation by the historical past and novelists became increasingly preoccupied with the present, fantasy was temporarily marginalized until the late 20th century, when it enjoyed a spectacular resurgence in every stratum of the literary marketplace. Stableford provides an invaluable guide to this sequence of events and to the current state of the field. The chronology tracks the evolution of fantasy from the origins of literature to the 21st century. The introduction explains the nature of the impulses creating and shaping fantasy literature, the problems of its definition and the reasons for its changing historical fortunes. The dictionary includes cross-referenced entries on more than 700 authors, ranging across the entire historical spectrum, while more than 200 other entries describe the fantasy subgenres, key images in fantasy literature, technical terms used in fantasy criticism, and the intimately convoluted relationship between literary fantasies, scholarly fantasies, and lifestyle fantasies. The book concludes with an extensive bibliography that ranges from general textbooks and specialized accounts of the history and scholarship of fantasy literature, through bibliographies and accounts of the fantasy literature of different nations, to individual author studies and useful websites.
Author | : Kim R. Holston |
Publisher | : McFarland |
Total Pages | : 375 |
Release | : 2018-01-12 |
Genre | : Performing Arts |
ISBN | : 1476629854 |
Science fiction, fantasy and horror movies have spawned more sequels and remakes than any other film genre. Following Volume I, which covered 400 films made 1931-1995, Volume II analyzes 334 releases from 1996 through 2016. The traditional cinematic monsters are represented--Dracula, Frankenstein, the Wolf Man, a new Mummy. A new wave of popular series inspired by comics and video games, as well as The Lord of the Rings trilogy, could never have been credibly produced without the advances in special effects technology. Audiences follow the exploits of superheroes like Captain America, Iron Man, Spider-Man and Thor, and such heroines as the vampire Selene, zombie killer Alice, dystopian rebels Katniss Everdeen and Imperator Furiosa, and Soviet spy turned American agent Black Widow. The continuing depredations of Jason Voorhees, Freddy Krueger and Michael Myers are described. Pre-1996 movies that have since been remade are included. Entries features cast and credits, detailed synopsis, critics' reviews, and original analysis.