The 60s The Story Of A Decade
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| Author | : |
| Publisher | : Random House |
| Total Pages | : 722 |
| Release | : 2016-11-03 |
| Genre | : Social Science |
| ISBN | : 1448151279 |
The next instalment in the acclaimed New Yorker 'decades' series featuring an all-star line-up of historical pieces from the 1960s alongside new pieces by current New Yorker staffers. The 1960s, the most tumultuous decade of the twentieth century, were a time of tectonic shifts in all aspects of society – from the March on Washington and the Second Vatican Council to the Summer of Love and Woodstock. No magazine chronicled the immense changes of the period better than The New Yorker. This capacious volume includes historic pieces from the magazine’s pages that brilliantly capture the sixties, set alongside new assessments by some of today’s finest writers. Here are real-time accounts of these years of turmoil: Calvin Trillin reports on the integration of Southern universities, E. B. White and John Updike wrestle with the enormity of the Kennedy assassination and Jonathan Schell travels with American troops into the jungles of Vietnam. The murder of Martin Luther King, Jr., the fallout of the 1968 Democratic Convention, the Soviet invasion of Czechoslovakia, the Six-Day War: all are brought to immediate and profound life in these pages. The New Yorker of the 1960s was also the wellspring of some of the truly timeless works of American journalism. Truman Capote’s In Cold Blood, Rachel Carson’s Silent Spring, Hannah Arendt’s Eichmann in Jerusalem and James Baldwin’s The Fire Next Time all first appeared in The New Yorker and are featured here. The magazine also published such indelible short story masterpieces as John Cheever’s ‘The Swimmer’ and John Updike’s ‘A & P’, alongside poems by Sylvia Plath and Anne Sexton. The arts underwent an extraordinary transformation during the decade, one mirrored by the emergence in The New Yorker of critical voices as arresting as Pauline Kael and Kenneth Tynan. Among the crucial cultural figures profiled here are Simon & Garfunkel, Tom Stoppard, Bob Dylan, Allen Ginsberg, Cassius Clay (before he was Muhammad Ali), and Mike Nichols and Elaine May. The assembled pieces are given fascinating contemporary context by current New Yorker writers, including Jill Lepore, Malcolm Gladwell and David Remnick. The result is an incomparable collective portrait of a truly galvanising era. With contributions from: Truman Capote, John Updike, E.B. White, Rachel Carson, James Baldwin, Jonathan Schell, Dwight Macdonald, Renata Adler, Hannah Arendt, Pauline Kael, AJ Liebling, Nat Hentoff, Calvin Trillin, Xavuer Rynne, John McPhee, Anthony Hiss and more.
| Author | : The New Yorker Magazine |
| Publisher | : Random House |
| Total Pages | : 786 |
| Release | : 2015-10-27 |
| Genre | : History |
| ISBN | : 0679644814 |
This engrossing anthology assembles classic New Yorker pieces from a complex era enshrined in the popular imagination as the decade of poodle skirts and Cold War paranoia—featuring contributions from Philip Roth, John Updike, Nadine Gordimer, and Adrienne Rich, along with fresh analysis of the 1950s by some of today’s finest writers. The New Yorker was there in real time, chronicling the tensions and innovations that lay beneath the era’s placid surface. In this thrilling volume, classic works of reportage, criticism, and fiction are complemented by new contributions from the magazine’s present all-star lineup of writers. The magazine’s commitment to overseas reporting flourished in the 1950s, leading to important dispatches from East Berlin, the Gaza Strip, and Cuba during the rise of Castro. Closer to home, the fight to break barriers and establish a new American identity led to both illuminating coverage, as in a portrait of Thurgood Marshall at an NAACP meeting in Atlanta, and trenchant commentary, as in E. B. White’s blistering critique of Senator Joe McCarthy. The arts scene is recalled in critical writing rarely reprinted, including Wolcott Gibbs on My Fair Lady, Anthony West on Invisible Man, and Philip Hamburger on Candid Camera. Also featured are great early works from Philip Roth and Nadine Gordimer, as well as startling poems by Theodore Roethke and Anne Sexton, among others. Completing the panoply are insightful and entertaining new pieces by present-day New Yorker contributors examining the 1950s through contemporary eyes. The result is a vital portrait of American culture as only one magazine in the world could do it. Including contributions by Elizabeth Bishop • Truman Capote • John Cheever • Roald Dahl • Janet Flanner • Nadine Gordimer • A. J. Liebling • Dwight Macdonald • Joseph Mitchell • Marianne Moore • Vladimir Nabokov • Sylvia Plath • V. S. Pritchett • Adrienne Rich • Lillian Ross • Philip Roth • Anne Sexton • James Thurber • John Updike • Eudora Welty • E. B. White • Edmund Wilson And featuring new perspectives by Jonathan Franzen • Malcolm Gladwell • Adam Gopnik • Elizabeth Kolbert • Jill Lepore • Rebecca Mead • Paul Muldoon • Evan Osnos • David Remnick Praise for The 50s “Superb: a gift that keeps on giving.”—Kirkus Reviews (starred review) “[A] magnificent anthology.”—Literary Review
| Author | : Gerard J. DeGroot |
| Publisher | : Harvard University Press |
| Total Pages | : 523 |
| Release | : 2009-01-01 |
| Genre | : History |
| ISBN | : 0674034635 |
ÒIf you remember the Sixties,Ó quipped Robin Williams, Òyou werenÕt there.Ó That was, of course, an oblique reference to the mind-bending drugs that clouded perceptionÑyet time has proven an equally effective hallucinogen. This book revisits the Sixties we forgot or somehow failed to witness. In a kaleidoscopic global tour of the decade, Gerard DeGroot reminds us that the ÒBallad of the Green BeretÓ outsold ÒGive Peace a Chance,Ó that the Students for a Democratic Society were outnumbered by Young Americans for Freedom, that revolution was always a pipe dream, and that the Sixties belong to Reagan and de Gaulle more than to Kennedy and Dubcek. The Sixties Unplugged shows how opportunity was squandered, and why nostalgia for the decade has obscured sordidness and futility. DeGroot returns us to a time in which idealism, tolerance, and creativity gave way to cynicism, chauvinism, and materialism. He presents the Sixties as a drama acted out on stages around the world, a theater of the absurd in which ChinaÕs Cultural Revolution proved to be the worst atrocity of the twentieth century, the Six-Day War a disaster for every nation in the Middle East, and a million slaughtered Indonesians martyrs to greed. The Sixties Unplugged restores to an era the prevalent disorder and inconvenient truths that longing, wistfulness, and distance have obscured. In an impressionistic journey through a tumultuous decade, DeGroot offers an object lesson in the distortions nostalgia can create as it strives to impose order on memory and value on mayhem.
| Author | : Richard Webber |
| Publisher | : |
| Total Pages | : 192 |
| Release | : 2006 |
| Genre | : Popular culture |
| ISBN | : 9781843171249 |
The sixties was the decade when television took its place at the forefront of popular culture. At the end of the fifties, owning a television seemed a far-off aspiration for many families; but within a few short years almost every household in Britain could boast of having 'the box' in the corner of the living room, and certain shows became regular events that were simply not to be missed. In That Was The Decade That Was, Richard Webber takes a nostalgic stroll through a decade of innovation in entertainment, reviewing comedy classics such as Dad's Army and The Likely Lads as well as popular drama; the new breed of soap operas; and children's programmes like Trumpton and Tales of the River Bank - not to mention brilliantly innovative programmes such as That Was The Week That Was, which launched a host of household names.
| Author | : Bernard von Bothmer |
| Publisher | : |
| Total Pages | : 310 |
| Release | : 2010 |
| Genre | : Biography & Autobiography |
| ISBN | : |
"Over the past quarter century, American liberals and conservatives alike have invoked memories of the 1960s to define their respective ideological positions and to influence voters. Liberals recall the positive associations of what might be called the "good Sixties" - the "Camelot" years of JFK, the early civil rights movement, and the dreams of the Great Society - while conservatives conjure images of the "bad Sixties" - a time of urban riots, antiwar protests, and countercultural revolt." "In Framing the Sixties, Bernard von Bothmer examines this battle over the collective memory of the decade primarily through the lens of presidential politics. He shows how four presidents - Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush - each sought to advance his political agenda by consciously shaping public understanding of the meaning of "the Sixties." He compares not only the way that each depicted the decade as a whole, but also their commentary on a set of specific topics: the presidency of John F. Kennedy, Lyndon Johnson's "Great Society" initiatives, the civil rights movement, and the Vietnam War." "In addition to analyzing the pronouncements of the presidents themselves, von Bothmer draws on interviews he conducted with more than one hundred and twenty cabinet members, speechwriters, advisers, strategists, historians, journalists, and activists from across the political spectrum - from Julian Bond, Daniel Ellsberg, Todd Gitlin, and Arthur Schlesinger to James Baker, Robert Bork, Phyllis Schlafly, and Paul Weyrich."--BOOK JACKET.
| Author | : The New Yorker Magazine |
| Publisher | : Random House |
| Total Pages | : 722 |
| Release | : 2016-10-25 |
| Genre | : History |
| ISBN | : 0679644849 |
This fascinating anthology collects notable New Yorker pieces from the most tumultuous years of the twentieth century—including work by James Baldwin, Pauline Kael, Sylvia Plath, Roger Angell, and Muriel Spark—alongside new assessments of the 1960s by some of today’s finest writers. Here are real-time accounts of these years, brought to immediate and profound life: Calvin Trillin reports on the integration of Southern universities, E. B. White and John Updike wrestle with the enormity of the Kennedy assassination, and Jonathan Schell travels with American troops into the jungles of Vietnam. Some of the truly timeless works of American journalism came out of The New Yorker that decade, including Truman Capote’s In Cold Blood, Rachel Carson’s Silent Spring, and James Baldwin’s The Fire Next Time, all excerpted here. The arts, too, underwent an extraordinary transformation, with the magazine publishing such indelible short story masterpieces as John Cheever’s “The Swimmer” and John Updike’s “A & P”; iconic poems by Sylvia Plath and Anne Sexton; and in-depth profiles of crucial cultural figures like Bob Dylan, Allen Ginsberg, Mike Nichols and Elaine May, and Muhammad Ali (when he was still Cassius Clay). This collection of groundbreaking pieces is also given contemporary context by current New Yorker writers, resulting in an incomparable portrait of a truly galvanizing era. Including contributions by Renata Adler • Roger Angell • Hannah Arendt • James Baldwin • Truman Capote • Rachel Carson • John Cheever • Mavis Gallant • Pauline Kaell • Jane Kramer • John McPhee • Sylvia Plath • Muriel Spark • Calvin Trillin • John Updike • E. B. White And featuring new perspectives by Jennifer Egan • Malcolm Gladwell • Dana Goodyear • Adam Gopnik • Jill Lepore • Larissa MacFarquhar • Evan Osnos • George Packer • Kelefa Sanneh Praise for The 60s: The Story of a Decade “The third installment in the esteemed magazine’s superb decades series . . . The contributor list is an embarrassment of riches. . . . The hits continue. Bring on the '70s.”—Kirkus Reviews (starred review) “[The 60s] deserves a lasting place on one’s shelves. Like its predecessors in the series, this collection is a time capsule and a keeper.”—Booklist
| Author | : Henry Finder |
| Publisher | : |
| Total Pages | : 722 |
| Release | : 2016 |
| Genre | : History |
| ISBN | : 0679644830 |
Introduction / David Remnick -- Part I. Reckonings -- Part II. American scenes -- Part III. New arrivals -- Part IV. Youth in revolt -- Part V. Civil rights -- Part VI. Shots were fired -- Part VII. Farther shores -- Part VIII. Artists & athletes -- Part IX. Comic turns -- Part X. Critics -- Part XI. Fiction
| Author | : The New Yorker Magazine |
| Publisher | : Modern Library |
| Total Pages | : 722 |
| Release | : 2017-07-11 |
| Genre | : History |
| ISBN | : 0812983319 |
This fascinating anthology collects notable New Yorker pieces from the most tumultuous years of the twentieth century—including work by James Baldwin, Pauline Kael, Sylvia Plath, Roger Angell, and Muriel Spark—alongside new assessments of the 1960s by some of today’s finest writers. Here are real-time accounts of these years, brought to immediate and profound life: Calvin Trillin reports on the integration of Southern universities, E. B. White and John Updike wrestle with the enormity of the Kennedy assassination, and Jonathan Schell travels with American troops into the jungles of Vietnam. Some of the truly timeless works of American journalism came out of The New Yorker that decade, including Truman Capote’s In Cold Blood, Rachel Carson’s Silent Spring, and James Baldwin’s The Fire Next Time, all excerpted here. The arts, too, underwent an extraordinary transformation, with the magazine publishing such indelible short story masterpieces as John Cheever’s “The Swimmer” and John Updike’s “A & P”; iconic poems by Sylvia Plath and Anne Sexton; and in-depth profiles of crucial cultural figures like Bob Dylan, Allen Ginsberg, Mike Nichols and Elaine May, and Muhammad Ali (when he was still Cassius Clay). This collection of groundbreaking pieces is also given contemporary context by current New Yorker writers, resulting in an incomparable portrait of a truly galvanizing era. Including contributions by Renata Adler • Roger Angell • Hannah Arendt • James Baldwin • Truman Capote • Rachel Carson • John Cheever • Mavis Gallant • Pauline Kaell • Jane Kramer • John McPhee • Sylvia Plath • Muriel Spark • Calvin Trillin • John Updike • E. B. White And featuring new perspectives by Jennifer Egan • Malcolm Gladwell • Dana Goodyear • Adam Gopnik • Jill Lepore • Larissa MacFarquhar • Evan Osnos • George Packer • Kelefa Sanneh Praise for The 60s: The Story of a Decade “The third installment in the esteemed magazine’s superb decades series . . . The contributor list is an embarrassment of riches. . . . The hits continue. Bring on the '70s.”—Kirkus Reviews (starred review) “[The 60s] deserves a lasting place on one’s shelves. Like its predecessors in the series, this collection is a time capsule and a keeper.”—Booklist
| Author | : Brian Brown |
| Publisher | : Twelve |
| Total Pages | : 536 |
| Release | : 2019-11-05 |
| Genre | : Social Science |
| ISBN | : 1538700239 |
From UFOs to Dr. Strangelove, LSD experiments to Richard Nixon, author Brian Brown investigates the paranoid, panicked history of the Cold War. In Someone Is Out to Get Us, Brian T. Brown explores the delusions, absurdities, and best-kept secrets of the Cold War, during which the United States fought an enemy of its own making for over forty years -- and nearly scared itself to death in the process. The nation chose to fear a chimera, a rotting communist empire that couldn't even feed itself, only for it to be revealed that what lay behind the Iron Curtain was only a sad Potemkin village. In fact, one of the greatest threats to our national security may have been our closest ally. The most effective spy cell the Soviets ever had was made up of aristocratic Englishmen schooled at Cambridge. Establishing a communist peril but lacking proof, J. Edgar Hoover became our Big Brother, and Joseph McCarthy went hunting for witches. Richard Nixon stepped into the spotlight as an opportunistic, ruthless Cold Warrior; his criminal cover-up during a dark presidency was exposed by a Deep Throat in a parking garage. Someone Is Out to Get Us is the true and complete account of a long-misunderstood period of history during which lies, conspiracies, and paranoia led Americans into a state of madness and misunderstanding, too distracted by fictions to realize that the real enemy was looking back at them in the mirror the whole time.
| Author | : Brian Hannan |
| Publisher | : McFarland |
| Total Pages | : 284 |
| Release | : 2022-06-06 |
| Genre | : Performing Arts |
| ISBN | : 147664506X |
Hollywood in the 1960s walked a tightrope between boom and bust. Yet the decade spawned many of the greatest films ever made, saw the advent of the spy thriller, the revival of science fiction and horror, and represented the Golden Era of the 70mm roadshow. Blockbusters like Lawrence of Arabia and The Sound of Music shared marquees with low-budget hits such as Lilies of the Field and Easy Rider. New stars emerged--Steve McQueen, Sidney Poitier, Barbra Streisand, Sean Connery, Faye Dunaway, Clint Eastwood and Dustin Hoffman. Veteran directors like Billy Wilder and William Wyler were joined by the post-war generation of Robert Aldrich and Stanley Kramer, and the new wave of Stanley Kubrick and John Schlesinger. This book explores a period when filmmakers embraced revolutionary attitudes to sexuality, violence and racism, and produced a bewildering list of critically acclaimed classics that remain audience favorites.
