Textual Formations And Reformations
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| Author | : Laurie E. Maguire |
| Publisher | : University of Delaware Press |
| Total Pages | : 324 |
| Release | : 1998 |
| Genre | : English literature |
| ISBN | : 9780874136555 |
This volume analyzes the development of textual theory and practice in the twentieth century, questioning not just the assumptions and methodologies of textual study but the very genesis of textual study and current definitions of the field. Each contributor tackles a specific theoretical or practical issue in essays that cover feminist practice, editorial procedure, political ideology, practical dramaturgy, and sixteenth- and twentieth-century history. The result is a volume at once wide-ranging and detailed, of interest and value to cultural historians as well as to textual scholars.
| Author | : Iain William Provan |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Bible |
| ISBN | : 9781481306089 |
In 1517, Luther nailed his Ninety-Five Theses to the door of Wittenberg's castle church. Luther's seemingly inconsequential act ultimately launched the Reformation, a movement that forever transformed both the Church and Western culture. The repositioning of the Bible as beginning, middle, and end of Christian faith was crucial to the Reformation. Two words alone captured this emphasis on the Bible's divine inspiration, its abiding authority, and its clarity, efficacy, and sufficiency: sola scriptura. In the five centuries since the Reformation, the confidence Luther and the Reformers placed in the Bible has slowly eroded. Enlightened modernity came to treat the Bible like any other text, subjecting it to a near endless array of historical-critical methods derived from the sciences and philosophy. The result is that in many quarters of Protestantism today the Bible as word has ceased to be the Word. In The Reformation and the Right Reading of Scripture, Iain Provan aims to restore a Reformation-like confidence in the Bible by recovering a Reformation-like reading strategy. To accomplish these aims Provan first acknowledges the value in the Church's precritical appropriation of the Bible and, then, in a chastened use of modern and postmodern critical methods. But Provan resolutely returns to the Reformers' affirmation of the centrality of the literal sense of the text, in the Bible's original languages, for a right-minded biblical interpretation. In the end the volume shows that it is possible to arrive at an approach to biblical interpretation for the twenty-first century that does not simply replicate the Protestant hermeneutics of the sixteenth, but stands in fundamental continuity with them. Such lavish attention to, and importance placed upon, a seriously literal interpretation of Scripture is appropriate to the Christian confession of the word as Word--the one God's Word for the one world.
| Author | : Suzanne Gossett |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 272 |
| Release | : 2022-02-10 |
| Genre | : Literary Criticism |
| ISBN | : 1350121266 |
There is no Shakespeare without text. Yet readers often do not realize that the words in the book they hold, like the dialogue they hear from the stage, has been revised, augmented and emended since Shakespeare's lifetime. An essential resource for the history of Shakespeare on the page, Shakespeare and Textual Theory traces the explanatory underpinnings of these changes through the centuries. After providing an introduction to early modern printing practices, Suzanne Gossett describes the original quartos and folios as well as the first collected editions. Subsequent sections summarize the work of the 'New Bibliographers' and the radical challenge to their technical analysis posed by poststructuralist theory, which undermined the presumed stability of author and text. Shakespeare and Textual Theory presents a balanced view of the current theoretical debates, which include the nature of the surviving texts we call Shakespeare's; the relationship of the author 'Shakespeare' and of authorial intentions to any of these texts; the extent and nature of Shakespeare's collaboration with others; and the best or most desirable way to present the texts - in editions or performances. The book is illustrated throughout with examples showing how theoretical decisions affect the text of Shakespeare's plays, and case studies of Hamlet and Pericles demonstrate how different theories complicate both text and meaning, whether a play survives in one version or several. The conclusion summarizes the many ways in which beliefs about Shakespeare's texts have changed over the centuries.
| Author | : Joseph Candido |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 369 |
| Release | : 2016-06-27 |
| Genre | : Literary Criticism |
| ISBN | : 1611478227 |
The purpose of this book is to honor the scholarly legacy of Charles R. Forker with a series of essays that address the problem of literary influence in original ways and from a variety of perspectives. The emphasis throughout is on the sort of careful, exhaustive, evidence-based scholarship to which Forker dedicated his entire professional life. Although wide-ranging and various by design, the essays in this book never lose sight of three discrete yet overlapping areas of literary inquiry that create a unity of perspective amid the diversity of approaches: 1) the formation of play texts, textual analysis, and editorial practice; 2) performance history and the material playing conditions from Shakespeare’s time to the present, including film as well as stage representations; and 3) the world, both cultural and literary, in which Shakespeare and his contemporaries worked and to which they bequeathed an artistic legacy that continues to be re-interpreted and re-defined by a whole new set of cultural and literary pressures. Eschewing any single, predetermined ideological perspective, the essays in this book call our attention to how the simplest questions or observations can open up provocative and unexpected scholarly vistas. In so doing, they invite us into a subtly re-configured world of literary influence that draws us into new, often unexpected, ways of seeing and understanding the familiar.
| Author | : Chanita Goodblatt |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 310 |
| Release | : 2009-01-14 |
| Genre | : Literary Criticism |
| ISBN | : 1443804223 |
This collection of essays links current research in the writings and editing of early modern women and in those women who were themselves early editors with a new methodology of editing currently titled “the new textualism.” As such, the collection seeks to solve two problems. The first concerns the difficulty of editing the works of early modern women writers for whom there is little biographical data, a challenging task when the standard “life and works” format is thus inhibited. Second, related but slightly different, occurs because, although we know that there were women who edited in the early modern and even later periods, we know little about them as well. The new textualism approach to editing, which focuses on the material properties of the manuscript or book, its print or performance history and records of its dissemination, and the sociology of texts, provides a fruitful solution to both problems by broadening the concept of agency and hence provides a richer context for the production of a given text. The collection includes two sets of essays. One set has been reprinted from seminal works in the field of new textualism. These include writings by recognized figures like Jerome McGann, Leah Marcus, and Wendy Wall, among others. As such, that set provides background for the reading of the second, a group of six original essays by scholars now working in the field of early modern women writers who directly apply aspects of the new textualism in their research. The fusion of the research field of retrieving early modern women writers with the practices of new textualist editing is thus the core of this collection of essays and is illustrative of what can be achieved in the field of editing when this new approach to texts is put into practice.
| Author | : Gordon McMullan |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 314 |
| Release | : 2015-03-20 |
| Genre | : Literary Criticism |
| ISBN | : 1474242979 |
A collection of new and specially commissioned essays by an eminent team of Shakespeare scholars, focusing on the particular issues relating to the editing of Shakespeare and other Renaissance texts. The editing of dramatic and other literary texts has always been an important aspect of literary studies. In recent years, editing and the theoretical frameworks that underlie editing practices have become a lively and controversial focus of debate, sparked both by philosophical discussions on 'the death of the author' and by the technological challenges presented by the possibilities of electronic texts. Most national and international conferences on literature and drama include sessions on textual studies and editing, and a number of monographs address particular issues relating to the editing of Shakespeare and other Renaissance texts, but this is the first overall survey of the current state of the field. The essays have been commissioned to honour Professor Richard Proudfoot, Senior General Editor of the Arden Shakespeare, and an internationally recognised authority in the field of Shakespeare textual scholarship, who retired from King's College London in 1999 after 35 years. This is a well-planned, focused and co-ordinated volume makes a significant contribution to Shakespeare studies. The contributors are a formidable and global group of scholars, representing both traditional and contemporary viewpoints. They include a number of Arden editors, past and present, as well as scholars who have edited texts for the main competitors.
| Author | : Jeffrey Masten |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 368 |
| Release | : 2016-06-10 |
| Genre | : Literary Criticism |
| ISBN | : 0812293177 |
For Jeffrey Masten, the history of sexuality and the history of language are intimately related. In Queer Philologies, he studies particular terms that illuminate the history of sexuality in Shakespeare's time and analyzes the methods we have used to study sex and gender in literary and cultural history. Building on the work of theorists and historians who have, following Foucault, investigated the importance of words like "homosexual," "sodomy," and "tribade" in a variety of cultures and historical periods, Masten argues that just as the history of sexuality requires the history of language, so too does philology, "the love of the word," require the analytical lens provided by the study of sexuality. Masten unpacks the etymology, circulation, transformation, and constitutive power of key words within the early modern discourse of sex and gender—terms such as "conversation" and "intercourse," "fundament" and "foundation," "friend" and "boy"—that described bodies, pleasures, emotions, sexual acts, even (to the extent possible in this period) sexual identities. Analyzing the continuities as well as differences between Shakespeare's language and our own, he offers up a queer lexicon in which the letter "Q" is perhaps the queerest character of all.
| Author | : Kevin Sharpe |
| Publisher | : Cambridge University Press |
| Total Pages | : 375 |
| Release | : 2003-07-10 |
| Genre | : Literary Criticism |
| ISBN | : 113943683X |
This book ranges over private and public reading, and over a variety of religious, social, and scientific communities to locate acts of reading in specific historical moments from the sixteenth through the eighteenth centuries. It also charts the changes in reading habits that reflect broader social and political shifts during the period. A team of expert contributors cover topics including the processes of book production and distribution, audiences and markets, the material text, the relation of print to performance, and the politics of acts of reception. In addition, the volume emphasises the independence of early modern readers and their role in making meaning in an age in which increased literacy equaled social enfranchisement and interpretation was power. Meaning was not simply an authorial act but the work of many hands and processes, from editing, printing, and proofing, to reproducing, distributing, and finally reading.
| Author | : M. Ichikawa |
| Publisher | : Springer |
| Total Pages | : 210 |
| Release | : 2002-10-02 |
| Genre | : Literary Criticism |
| ISBN | : 0230287905 |
Shakespearean Entrances offer a systematic study of entrances and exits on the Shakespearean stage. Elizabethan playwrights and players not only routinely handled these movements but they also used them to bring about various effects. Through analyzing the surviving play-texts, the author attempts to identify the unspoken but standard rules that lay behind the minimal and conventionalized stage directions 'Enter' and 'Exit'/'Exeunt'. The findings provide means by which to recover effects and meanings that the original audience would have appreciated.
| Author | : Harriet Phillips |
| Publisher | : Cambridge University Press |
| Total Pages | : 253 |
| Release | : 2019-06-27 |
| Genre | : Literary Criticism |
| ISBN | : 1108642934 |
For many people in early modern England the Reformation turned the past into another country: the 'merry world'. Nostalgia for this imaginary time, both widespread and widely contested, was commodified by a burgeoning entertainment industry. This book offers a new perspective on the making of 'Merry England', arguing that it was driven both by the desires of audiences and the marketing strategies of writers, publishers and playing companies. Nostalgia in Print and Performance juxtaposes plays with ballads and pamphlets, just as they were experienced by their first consumers. It argues that these commercial fictions played a central role in promoting and shaping nostalgia. At the same time, the fantasy of the merry world offered a powerfully affective language for conceptualising longing. For playwrights like Shakespeare and others writing for the commercial stage, it became a way to think through the dynamics of audience desire and the aesthetics of repetition.
