Text Editing, Print and the Digital World

Text Editing, Print and the Digital World
Author: Kathryn Sutherland
Publisher: Routledge
Total Pages: 240
Release: 2016-04-01
Genre: Language Arts & Disciplines
ISBN: 1317045750

Traditional critical editing, defined by the paper and print limitations of the book, is now considered by many to be inadequate for the expression and interpretation of complex works of literature. At the same time, digital developments are permitting us to extend the range of text objects we can reproduce and investigate critically - not just books, but newspapers, draft manuscripts and inscriptions on stone. Some exponents of the benefits of new information technologies argue that in future all editions should be produced in digital or online form. By contrast, others point to the fact that print, after more than five hundred years of development, continues to set the agenda for how we think about text, even in its non-print forms. This important book brings together leading textual critics, scholarly editors, technical specialists and publishers to discuss whether and how existing paradigms for developing and using critical editions are changing to reflect the increased commitment to and assumed significance of digital tools and methodologies.

Text Editing, Print and the Digital World

Text Editing, Print and the Digital World
Author: Professor Kathryn Sutherland
Publisher: Ashgate Publishing, Ltd.
Total Pages: 230
Release: 2012-10-01
Genre: Language Arts & Disciplines
ISBN: 1409485889

Traditional critical editing, defined by the paper and print limitations of the book, is now considered by many to be inadequate for the expression and interpretation of complex works of literature. At the same time, digital developments are permitting us to extend the range of text objects we can reproduce and investigate critically - not just books, but newspapers, draft manuscripts and inscriptions on stone. Some exponents of the benefits of new information technologies argue that in future all editions should be produced in digital or online form. By contrast, others point to the fact that print, after more than five hundred years of development, continues to set the agenda for how we think about text, even in its non-print forms. This important book brings together leading textual critics, scholarly editors, technical specialists and publishers to discuss whether and how existing paradigms for developing and using critical editions are changing to reflect the increased commitment to and assumed significance of digital tools and methodologies.

Among Digitized Manuscripts. Philology, Codicology, Paleography in a Digital World

Among Digitized Manuscripts. Philology, Codicology, Paleography in a Digital World
Author: L.W.C. van Lit
Publisher: BRILL
Total Pages: 345
Release: 2019-10-29
Genre: Reference
ISBN: 9004400354

Working with manuscripts has become a digital affair. But, are there downsides to digital photos? And how can you take advantage of the incredible computing power you have literally at your fingertips? Cornelis van Lit explains in detail what happens when manuscript studies meets digital humanities. In Among Digitized Manuscripts you will learn why it is important to include a note on the photo quality in your codicological description, how to draw, collect, and publish glyphs of paleographic interest, what standards (such as TEI and IIIF) to abide by when transcribing a text, how to write custom software for image recognition, and much more. The leading principle is that learning a little about computers will already be of great benefit.

Print Is Dead

Print Is Dead
Author: Jeff Gomez
Publisher: Macmillan
Total Pages: 257
Release: 2009-06-09
Genre: Computers
ISBN: 0230614469

For over 1500 years books have weathered numerous cultural changes remarkably unaltered. Through wars, paper shortages, radio, TV, computer games, and fluctuating literacy rates, the bound stack of printed paper has, somewhat bizarrely, remained the more robust and culturally relevant way to communicate ideas. Now, for the first time since the Middle Ages, all that is about to change. Newspapers are struggling for readers and relevance; downloadable music has consigned the album to the format scrap heap; and the digital revolution is now about to leave books on the high shelf of history. In Print Is Dead, Gomez explains how authors, producers, distributors, and readers must not only acknowledge these changes, but drive digital book creation, standards, storage, and delivery as the first truly transformational thing to happen in the world of words since the printing press.

The Craft of Text Editing

The Craft of Text Editing
Author: Craig Finseth
Publisher: Lulu.com
Total Pages: 238
Release: 2006-03
Genre: Computers
ISBN: 1411682971

This book covers all aspects of creating a character-based text editor. In the process, it discusses many aspects of creating a large application program including user interface, speed/memory/I/O tradeoffs, and many other considerations.

Editors, Scholars, and the Social Text

Editors, Scholars, and the Social Text
Author: Darcy Cullen
Publisher: University of Toronto Press
Total Pages: 313
Release: 2012-01-01
Genre: Literary Criticism
ISBN: 1442610395

Explores the theories and practices of editing, the processes of production and reproduction, and the relationships between authors and texts as well as that between manuscripts and books to offer insight into the past and future of academic communication.

Digital Scholarly Editing

Digital Scholarly Editing
Author: Elena Pierazzo
Publisher: Routledge
Total Pages: 367
Release: 2016-03-16
Genre: Language Arts & Disciplines
ISBN: 131715066X

This book provides an up-to-date, coherent and comprehensive treatment of digital scholarly editing, organized according to the typical timeline and workflow of the preparation of an edition: from the choice of the object to edit, the editorial work, post-production and publication, the use of the published edition, to long-term issues and the ultimate significance of the published work. The author also examines from a theoretical and methodological point of view the issues and problems that emerge during these stages with the application of computational techniques and methods. Building on previous publications on the topic, the book discusses the most significant developments in digital textual scholarship, claiming that the alterations in traditional editorial practices necessitated by the use of computers impose radical changes in the way we think and manage texts, documents, editions and the public. It is of interest not only to scholarly editors, but to all involved in publishing and readership in a digital environment in the humanities.

The Nineteenth-Century Press in the Digital Age

The Nineteenth-Century Press in the Digital Age
Author: J. Mussell
Publisher: Springer
Total Pages: 250
Release: 2012-02-07
Genre: History
ISBN: 0230365469

James Mussell provides an accessible account of the digitization of nineteenth-century newspapers and periodicals. As studying this material is essential to understand the period, he argues that we have no choice but to engage with the new digital resources that have transformed how we access the print archive.

Text Comparison and Digital Creativity

Text Comparison and Digital Creativity
Author: Willem Th. van Peursen
Publisher: BRILL
Total Pages: 346
Release: 2010-10-29
Genre: Language Arts & Disciplines
ISBN: 9004190074

In fourteen thoughtful essays this book reports and reflects on the many changes that a digital workflow brings to the world of original texts and textual scholarship, and the effect on scholarly communication practices. The spread of digital technology across philology, linguistics and literary studies suggests that text scholarship is taking on a more laboratory-like image. The ability to sort, quantify, reproduce and report text through computation would seem to facilitate the exploration of text as another type of quantitative scientific data. However, developing this potential also highlights text analysis and text interpretation as two increasingly separated sub-tasks in the study of texts. The implied dual nature of interpretation as the traditional, valued mode of scholarly text comparison, combined with an increasingly widespread reliance on digital text analysis as scientific mode of inquiry raises the question as to whether the reflexive concepts that are central to interpretation – individualism, subjectivity – are affected by the anonymised, normative assumptions implied by formal categorisations of text as digital data.

A New Companion to Digital Humanities

A New Companion to Digital Humanities
Author: Susan Schreibman
Publisher: John Wiley & Sons
Total Pages: 594
Release: 2016-01-26
Genre: Literary Criticism
ISBN: 1118680642

This highly-anticipated volume has been extensively revised to reflect changes in technology, digital humanities methods and practices, and institutional culture surrounding the valuation and publication of digital scholarship. A fully revised edition of a celebrated reference work, offering the most comprehensive and up-to-date collection of research currently available in this rapidly evolving discipline Includes new articles addressing topical and provocative issues and ideas such as retro computing, desktop fabrication, gender dynamics, and globalization Brings together a global team of authors who are pioneers of innovative research in the digital humanities Accessibly structured into five sections exploring infrastructures, creation, analysis, dissemination, and the future of digital humanities Surveys the past, present, and future of the field, offering essential research for anyone interested in better understanding the theory, methods, and application of the digital humanities