Counterpoint in Composition

Counterpoint in Composition
Author: Felix Salzer
Publisher: Columbia University Press
Total Pages: 504
Release: 1989
Genre: Composition (Music)
ISBN: 023107039X

-- Stanley Persky, City University of New York

A Geometry of Music

A Geometry of Music
Author: Dmitri Tymoczko
Publisher: OUP USA
Total Pages: 469
Release: 2011-03-21
Genre: Mathematics
ISBN: 0195336674

In this groundbreaking book, Tymoczko uses contemporary geometry to provide a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz.

The Cambridge History of Western Music Theory

The Cambridge History of Western Music Theory
Author: Thomas Christensen
Publisher: Cambridge University Press
Total Pages: 1033
Release: 2006-04-20
Genre: Music
ISBN: 1316025489

The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.

Contemporary Counterpoint

Contemporary Counterpoint
Author: Beth Denisch
Publisher: Hal Leonard Corporation
Total Pages: 184
Release: 2017-09-01
Genre: Music
ISBN: 1540012239

(Berklee Guide). Use counterpoint to make your music more engaging and creative. Counterpoint the relationship between musical voices is among the core principles for writing music, and it has been central to the study of composition for many centuries. Whether you are a composer, arranger, film composer, orchestrator, music director, bandleader, or improvising musician, this book will help hone your craft, gain control, and lead you to new creative possibilities. You will learn "tricks of the trade" from the masters and apply these skills to contemporary styles. Online audio examples illustrate the principles being discussed, and many recommended listening lists point you to additional examples of how these principles have been used in music over the past thousand years.

The Craft of Tonal Counterpoint

The Craft of Tonal Counterpoint
Author: Thomas Benjamin
Publisher: Routledge
Total Pages: 429
Release: 2004-03
Genre: Art
ISBN: 1135946639

First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

Counterpoint

Counterpoint
Author: Knud Jeppesen
Publisher: Courier Corporation
Total Pages: 322
Release: 2013-04-15
Genre: Music
ISBN: 0486318877

First paperback edition of classic introductory text features history of contrapuntal theory, technical features, "species" exercises in 2-, 3- and 4-part counterpoint; canon, motet, Mass, more. Includes many musical examples.

Lies My Teacher Told Me

Lies My Teacher Told Me
Author: James W. Loewen
Publisher: The New Press
Total Pages: 466
Release: 2008
Genre: History
ISBN: 1595583262

Criticizes the way history is presented in current textbooks, and suggests a more accurate approach to teaching American history.

Baroque Counterpoint

Baroque Counterpoint
Author: Christoph Neidhofer
Publisher: State University of New York Press
Total Pages: 624
Release: 2024-01-01
Genre: Music
ISBN: 143849324X

This book teaches Baroque compositional techniques through writing and improvisation exercises and analysis of repertoire examples. It provides readers with a historical outlook by focusing largely on principles taught in treatises from the period 1680–1780. This expanded edition includes new sections with keyboard exercises that provide training in Partimento performance as it was practiced at the time, helping students master Baroque style from the inside. While the focus of the book is on fugue, it also treats chorale preludes, stylized dances, inventions, and trio sonatas. The volume is divided into two parts—basic and advanced— which could be taught in a two-semester sequence. There are various options to introduce material from Part II into Part I for a one-semester course.