Texan Identities
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| Author | : Light Townsend Cummins |
| Publisher | : University of North Texas Press |
| Total Pages | : 289 |
| Release | : 2016-09-15 |
| Genre | : History |
| ISBN | : 1574416480 |
Texan Identities rests on the assumption that Texas has distinctive identities that define “what it means to be Texan,” and that these identities flow from myth and memory. Each contributor to this volume provides in some fashion an answer to the following questions: What does it mean to be Texan? What constitutes a Texas identity and how may such change over time? What myths, memories, and fallacies contribute to making a Texas identity, and how have these changed for Texas? Are all the myths and memories that define Texas identity true or are some of them fallacious? Is there more than one Texas identity? Many Texans do believe the story of their state’s development manifesting singular, unique attributes, which are prone to expression as stereotypical, iconic representations of what it means to be Texan. Each of the essays in this volume addresses particular events, places, and people in Texas history and how they are related to Texas identity, myth, and memory. The discussion begins with the idealized narrative and icons revolving around the Texas Revolution, most especially the Alamo. The Texas Rangers in myth and memory are also explored. Other essays expand on traditional and increasingly outdated interpretations of the Anglo-American myth of Texas by considering little known roles played by women, racial minorities, and specific stereotypes such as the cattleman.
| Author | : John D. Garrigus |
| Publisher | : Texas A&M University Press |
| Total Pages | : 165 |
| Release | : 2010-07-12 |
| Genre | : Social Science |
| ISBN | : 1603441921 |
With the recent election of the nation’s first African American president—an individual of blended Kenyan and American heritage who spent his formative years in Hawaii and Indonesia—the topic of transnational identity is reaching the forefront of the national consciousness in an unprecedented way. As our society becomes increasingly diverse and intermingled, it is increasingly imperative to understand how race and heritage impact our perceptions of and interactions with each other. Assumed Identities constitutes an important step in this direction. However, “identity is a slippery concept,” say the editors of this instructive volume. This is nowhere more true than in the melting pot of the early trans-Atlantic cultures formed in the colonial New World during the seventeenth, eighteenth, and nineteenth centuries. As the studies in this volume show, during this period in the trans-Atlantic world individuals and groups fashioned their identities but also had identities ascribed to them by surrounding societies. The historians who have contributed to this volume investigate these processes of multiple identity formation, as well as contemporary understandings of them. Originating in the 2007 Walter Prescott Webb Memorial Lectures presented at the University of Texas at Arlington, Assumed Identities: The Meanings of Race in the Atlantic World examines, among other topics, perceptions of racial identity in the Chesapeake community, in Brazil, and in Saint-Domingue (colonial-era Haiti). As the contributors demonstrate, the cultures in which these studies are sited helped define the subjects’ self-perceptions and the ways others related to them.
| Author | : Barry Shank |
| Publisher | : Wesleyan University Press |
| Total Pages | : 315 |
| Release | : 2012-01-01 |
| Genre | : Music |
| ISBN | : 0819572675 |
Music of the bars and clubs of Austin, Texas has long been recognized as defining one of a dozen or more musical "scenes" across the country. In Dissonant Identities, Barry Shank, himself a musician who played and lived in the Texas capital, studies the history of its popular music, its cultural and economic context, and also the broader ramifications of that music as a signifying practice capable of transforming identities. While his focus is primarily on progressive country and rock, Shank also writes about traditional country, blues, rock, disco, ethnic, and folk musics. Using empirical detail and an expansive theoretical framework, he shows how Austin became the site for "a productive contestation between two forces: the fierce desire to remake oneself through musical practice, and the equally powerful struggle to affirm the value of that practice in the complexly structured late-capitalist marketplace."
| Author | : Andrés Reséndez |
| Publisher | : Cambridge University Press |
| Total Pages | : 330 |
| Release | : 2005 |
| Genre | : History |
| ISBN | : 9780521543194 |
This book explores how the diverse and fiercely independent peoples of Texas and New Mexico came to think of themselves as members of one particular national community or another in the years leading up to the Mexican-American War. Hispanics, Native Americans, and Anglo Americans made agonizing and crucial identity decisions against the backdrop of two structural transformations taking place in the region during the first half of the 19th century and often pulling in opposite directions.
| Author | : Bruce A. Glasrud |
| Publisher | : University of North Texas Press |
| Total Pages | : 465 |
| Release | : 2024-10-15 |
| Genre | : History |
| ISBN | : 1574419390 |
The first systematic inquiry into the Texas Rangers did not begin until 1935 with Walter Prescott Webb’s publication The Texas Rangers. Since then numerous works have appeared on the Rangers, but no volume has been published before that covers the various historians of the Rangers and their approaches to the topic. Editors Bruce A. Glasrud and Harold J. Weiss Jr. gather essays that profile individual historians of the Texas Rangers, explore themes and issues in Ranger history, and comprise archival research, biographies, and autobiographies. Several approaches in Texas historiography have influenced the writings on the Texas Rangers and serve to organize the chapters in the volume. Traditionalists (Chuck Parsons, Stephen L. Moore, and Bob Alexander) stress the revered happenings in the nineteenth century that brought about the Lone Star state and its empire-building Ranger force. To these historical writers the Texas Rangers were part of a golden age. Revisionists (Robert M. Utley, Louis R. Sadler, and Charles H. Harris) pull back from this adulation, emphasize the importance of overlooked ethnic and racial groups, and point out misbehavior on the part of Rangers. They also want to separate fact from fiction. Some Ranger historians (Frederick Wilkins and Mike Cox) straddle both traditional and revisionist approaches in their works. The final group, Cultural Constructionalists (Gary Clayton Anderson, Américo Paredes, and Monica Muñoz Martinez), continue the work of Revisionists and focus on an interconnected past that includes theoretical approaches and the study of memory and regional identities. Several themes emerge throughout the book. One is how the Rangers changed from unorganized mounted militia, dragoons in the modern sense, to organized cavalry forces with six-shooter firepower who served as a military arm of the state and nation. A second is how the dichotomous views of the Rangers—as either patriot warriors or bloody avengers—left their imprint on Anglo and Hispanic society. This divergent examination especially derived from incidents in the US-Mexican War, the period from 1910 to 1920, and the lower Rio Grande valley in the 1960s. And yet another theme is how the Rangers first resisted and fought against, yet ultimately absorbed, all creeds and colors into their ranks over two hundred years as they evolved into police officers: Anglo, Black, Hispanic, Indian, and women Rangers.
| Author | : Cynthia A. Brandimarte |
| Publisher | : Texas A&M University Press |
| Total Pages | : 1074 |
| Release | : 2013-05-31 |
| Genre | : History |
| ISBN | : 0875655173 |
“Inside Texas: Culture, Identity and Houses, 1878–1920” is a 464 page book with 296 photos that tests and rejects the notion that Texas homes, like all things Texan, were unique and different. Over the 40 year time span covered by the book, decorating ideas nationally and in Texas went from the era of Victorianism with “all that stuff” to the spare, clean lines of the arts and crafts movement. By 1920, like Americans across the country, many Texans, especially the wealthier, were taking their decorating ideas from the new professionals – architects and designers – and their homes reflected less their own identity than the taste and eye of the decorator. In seven years of research, Brandimarte traveled the state, collecting photographs of interiors of Texas homes – rare in comparison to exterior views. The images reprinted here are arranged neither in chronological order nor according to decorating style but by identities –occupation, family, ethnicity, social group, region, culture and refinement, class and style. Brief biographical information about the homeowners is incorporated into the text. “Inside Texas” is about people and houses. It is social history, a significant contribution to scholarship, an invaluable resource for preservationist, docents, architects and designers as well as a book to be treasured by anyone who loves old houses.
| Author | : Raymond Knapp |
| Publisher | : Oxford University Press |
| Total Pages | : 265 |
| Release | : 2018-09-04 |
| Genre | : Music |
| ISBN | : 0190877804 |
Issues of identity have always been central to the American musical in all its guises. Who appears in musicals, who or what they are meant to represent, and how, over time, those representations have been understood and interpreted, provide the very basis for our engagement with the genre. In this third volume of the reissued Oxford Handbook of the American Musical, chapters focus on race, ethnicity, gender, and sexuality, regional vs. national identity, and the cultural and class significance of the musical itself. As important as the question of who appears in musicals are the questions of who watches and listens to them, and of how specific cultures of reception attend differently to the musical. Chapters thus address cultural codes inherent to the genre, in particular those found in traditional school theater programs.
| Author | : Harriett D. Romo |
| Publisher | : Texas A&M University Press |
| Total Pages | : 439 |
| Release | : 2021-08-16 |
| Genre | : Social Science |
| ISBN | : 1623499763 |
Borderlands: they stretch across national boundaries, and they create a unique space that extends beyond the international boundary. They extend north and south of what we think of as the actual “border,” encompassing even the urban areas of San Antonio, Texas, and Monterrey, Nueva León, Mexico, affirming shared identities and a sense of belonging far away from the geographical boundary. In Bridging Cultures: Reflections on the Heritage Identity of the Texas-Mexico Borderlands, editors Harriett Romo and William Dupont focus specifically on the lower reaches of the Rio Grande/Río Bravo as it exits the mountains and meanders across a coastal plain. Bringing together perspectives of architects, historians, anthropologists, sociologists, educators, political scientists, geographers, and creative writers who span and encompass the border, its four sections explore the historical and cultural background of the region; the built environment of the transnational border region and how border towns came to look as they do; shared systems of ideas, beliefs, values, knowledge, norms of behavior, and customs—the way of life we think of as Borderlands culture; and how border security, trade and militarization, and media depictions impact the inhabitants of the Borderlands. Romo and Dupont present the complexity of the Texas-Mexico Borderlands culture and historical heritage, exploring the tangible and intangible aspects of border culture, the meaning and legacy of the Borderlands, its influence on relationships and connections, and how to manage change in a region evolving dramatically over the past five centuries and into the future.
| Author | : Glen Sample Ely |
| Publisher | : Plains Histories |
| Total Pages | : 201 |
| Release | : 2011 |
| Genre | : History |
| ISBN | : 9780896727243 |
"Examines the historical debate surrounding Texas's identity: investigates whether Texas, with its heritage of slavery, segregation, and cotton production, is 'Southern' or, with its cowboys, cattle drives, mountains, and desert, is 'Western'"--Provided by publisher.
| Author | : Angela Boswell |
| Publisher | : Texas A&M University Press |
| Total Pages | : 368 |
| Release | : 2018-10-12 |
| Genre | : History |
| ISBN | : 1623497086 |
Winner, 2019 Liz Carpenter Award, sponsored by the Texas State Historical Association (TSHA) In recent decades, a small but growing number of historians have dedicated their tireless attention to analyzing the role of women in Texas history. Each contribution—and there have been many—represents a brick in the wall of new Texas history. From early Native societies to astronauts, Women in Texas History assembles those bricks into a carefully crafted structure as the first book to cover the full scope of Texas women’s history. By emphasizing the differences between race and ethnicity, Angela Boswell uses three broad themes to tie together the narrative of women in Texas history. First, the physical and geographic challenges of Texas as a place significantly affected women’s lives, from the struggles of isolated frontier farming to the opportunities and problems of increased urbanization. Second, the changing landscape of legal and political power continued to shape women’s lives and opportunities, from the ballot box to the courthouse and beyond. Finally, Boswell demonstrates the powerful influence of social and cultural forces on the identity, agency, and everyday life of women in Texas. In challenging male-dominated legal and political systems, Texan women shaped (and were shaped by) class, religion, community organizations, literary and artistic endeavors, and more. Women in Texas History is the first book to narrate the entire span of Texas women’s history and marks a major achievement in telling the full story of the Lone Star State. Historians and general readers alike will find this book an informative and enjoyable read for anyone interested in the history of Texas or the history of women.
