Terence Davies Collection
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| Author | : Michael Koresky |
| Publisher | : University of Illinois Press |
| Total Pages | : 185 |
| Release | : 2014-10-15 |
| Genre | : Performing Arts |
| ISBN | : 0252096541 |
Called the most important British filmmaker of his generation, Terence Davies made his reputation with modern classics like Distant Voices, Still Lives and The Long Day Closes, personal works exploring his fractured childhood in Liverpool. His idiosyncratic and unorthodox narrative films defy easy categorization, as their seeming existence within realism and personal memory cinema is undermined by an abstractness that makes the way he lays bare personal pain come across as distant, even alien. Film critic Michael Koresky explores the unique emotional tenor of Davies's work by focusing on four paradoxes within the director's oeuvre: films that are autobiographical yet fictional; melancholy yet elating; conservative in tone and theme yet radically constructed; and obsessed with the passing of time yet frozen in time and space. Through these contradictions, the films' intricate designs reveal a cumulative, deeply personal meditation on the self. Koresky also analyzes how Davies's ongoing negotiation of--and struggle with--questions of identity related to his past and his homosexuality imbue the details and jarring juxtapositions in his films with a queer sensibility, which is too often overlooked due to the complexity of Davies's work and his unfashionable ambivalence toward his own sexual orientation.
| Author | : Wendy Everett |
| Publisher | : Manchester University Press |
| Total Pages | : 260 |
| Release | : 2004-09-04 |
| Genre | : Literary Criticism |
| ISBN | : 9780719060625 |
Terence Davies has made some of the most innovative, harrowing, and hauntingly lyrical films of the contemporary era. This study of his work combines detailed analysis of all his films with an investigation of key filmic issues of time and memory, identity and selfhood, and the nature of literary adaptation.
| Author | : Emanuel Levy |
| Publisher | : Columbia University Press |
| Total Pages | : 425 |
| Release | : 2015-08-25 |
| Genre | : Performing Arts |
| ISBN | : 0231526539 |
Through intimate encounters with the life and work of five contemporary gay male directors, this book develops a framework for interpreting what it means to make a gay film or adopt a gay point of view. For most of the twentieth century, gay characters and gay themes were both underrepresented and misrepresented in mainstream cinema. Since the 1970s, however, a new generation of openly gay directors has turned the closet inside out, bringing a poignant immediacy to modern cinema and popular culture. Combining his experienced critique with in-depth interviews, Emanuel Levy draws a clear timeline of gay filmmaking over the past four decades and its particular influences and innovations. While recognizing the "queering" of American culture that resulted from these films, Levy also takes stock of the ensuing conservative backlash and its impact on cinematic art, a trend that continues alongside a growing acceptance of homosexuality. He compares the similarities and differences between the "North American" attitudes of Todd Haynes, Gus Van Sant, and John Waters and the "European" perspectives of Pedro Almodóvar and Terence Davies, developing a truly expansive approach to gay filmmaking and auteur cinema.
| Author | : Michael Koresky |
| Publisher | : Harlequin |
| Total Pages | : 273 |
| Release | : 2021-05-04 |
| Genre | : Biography & Autobiography |
| ISBN | : 1488078351 |
An Esquire Best Book About Hollywood A USA TODAY Best Book of 2021 “A lovely and loving book.”—Will Schwalbe, New York Times bestselling author of The End of Your Life Book Club "I'm not sure I have ever read a book about movies that is as tender and open-hearted as Films of Endearment."—Mark Harris, New York Times bestselling author of Mike Nichols: A Life A poignant memoir of family, grief and resilience about a young man, his dynamic mother and the '80s movies they shared together Michael Koresky's most formative memories were simple ones. A movie rental. A mug of tea. And a few shared hours with his mother. Years later and now a successful film critic, Koresky set out on a journey with his mother to discover more about their shared cinematic past. They rewatched ten films that she first introduced to him as a child, one from every year of the '80s, each featuring women leads. Together, films as divergent as 9 to 5, Terms of Endearment, The Color Purple and Aliens form the story of an era that Koresky argues should rightly be called "The Decade of the Actress." Films of Endearment is a reappraisal of the most important and popular female-driven films of that time, a profound meditation on loss and resilience, and a celebration of the special bond between mothers and their sons.
| Author | : Wheeler W. Dixon |
| Publisher | : SIU Press |
| Total Pages | : 264 |
| Release | : 2001 |
| Genre | : Performing Arts |
| ISBN | : 9780809324170 |
Noted film scholar Wheeler Winston Dixon offers a behind-the-scenes look into the lives of both major and marginalized figures who have dynamically transformed the landscape of international cinema in the twentieth century. Fifteen interviews spanning two decades of research are collected here, with many appearing in uncut form for the first time. Dixon’s interviewees represent a wide range of cinematic professions (directors, animators, actors, writers, and producers) from several branches of cinema (artistic, avant-garde, and commercial) with Dixon providing an introduction prior to each interview. Purposeful in his selections, Dixon offers up voices from twentieth-century cinema that have never before had the chance to speak at such length and detail, as well as much more well-known figures addressing unique and obscure aspects of their respective careers. Collectively, this volume presents a treasure trove of firsthand information of keen interest to film scholars and movie buffs alike, while providing a glimpse into the future of cinema in the twenty-first century.
| Author | : Lewis Grassic Gibbon |
| Publisher | : DigiCat |
| Total Pages | : 210 |
| Release | : 2022-11-13 |
| Genre | : Fiction |
| ISBN | : |
Sunset Song is widely regarded as one of the most important Scottish novels of the 20th century. Chris Guthrie, the female protagonist, is a strong character who grows up in a dysfunctional farming family. Life is hard after her dad's death and she must take some tough decisions to save her farms under the inevitable threat of World War I . . . Lewis Grassic Gibbon was the pseudonym of James Leslie Mitchell (1901-1935), a Scottish writer famous for his contribution to the Scottish Renaissance and portrayal of strong female characters.
| Author | : Terence J. Cooke-Davies |
| Publisher | : Universal-Publishers |
| Total Pages | : 328 |
| Release | : 2001 |
| Genre | : Business & Economics |
| ISBN | : 1581121288 |
Projects are important to industry, but project performance continually disappoints stakeholder expectations. Organizations react to this performance problem in many ways, and purchase consultancy, training, methods and tools as possible solutions. There is no published evidence that any of these solutions are consistently successful in improving project performance. This thesis answers the question, "What can be done to improve project management practices, and thus project performance?" by demonstrating that a novel form of continuous action research can contribute such evidence.
| Author | : Paul C. Dinsmore |
| Publisher | : John Wiley & Sons |
| Total Pages | : 331 |
| Release | : 2005-10-24 |
| Genre | : Business & Economics |
| ISBN | : 0787981761 |
The Right Projects Done Right! reflects the advances that have been made since the concern for managing multiple projects in organizations first emerged more than a decade ago. This book includes findings and solutions that address three vital questions: Has the right portfolio of projects been chosen to ensure that company strategy is implemented successfully? Have the right projects with the right scope been selected as candidates for the portfolio? Are the projects managed well? Dinsmore and Cooke-Davies help managers answer these questions by providing them with the information they need to implement an enterprise-wide project management environment.
| Author | : William Luce |
| Publisher | : Dramatists Play Service, Inc. |
| Total Pages | : 52 |
| Release | : 2016-05-13 |
| Genre | : Performing Arts |
| ISBN | : 0822233738 |
THE STORY: In her Amherst, Massachusetts home, the reclusive nineteenth-century poet Emily Dickinson recollects her past through her work, her diaries and letters, and a few encounters with significant people in her life. William Luce’s classic play shows us both the pain and the joy of Dickinson’s secluded life.
| Author | : Pete Postlethwaite |
| Publisher | : Weidenfeld & Nicolson |
| Total Pages | : 326 |
| Release | : 2011-06-23 |
| Genre | : Biography & Autobiography |
| ISBN | : 0297864947 |
Vibrant and candid memoirs of the late, great British character actor, Pete Postlethwaite. After training as a teacher, Pete Postlethwaite started his acting career at the Liverpool Everyman Theatre where his colleagues included Bill Nighy, Jonathan Pryce, Antony Sher and Julie Walters. After routine early appearances in small parts for television programmes such as THE PROFESSIONALS, Postlethwaite's first success came with the acclaimed British film DISTANT VOICES, STILL LIVES in 1988. He then received an Academy Award nomination for his role in THE NAME OF THE FATHER in 1993. His performance as the mysterious lawyer "Kobayashi" in THE USUAL SUSPECTS is well-known, and he appeared in many successful films including ALIEN 3, BRASSED OFF, THE SHIPPING NEWS, THE CONSTANT GARDENER, as Friar Lawrence in Baz Luhrmann's ROMEO + JULIET, and in INCEPTION with Leonardo diCaprio. Pete Postlethwaite was one of the best-loved and widely admired performers on stage, TV (SHARPE, THE SINS) and in cinema. In THE ART OF DISCWORLD, Terry Pratchett said that he had always imagined Sam Vimes as 'a younger, slightly bulkier version of Pete Postlethwaite', while Steven Spielberg called him 'the best actor in the world', about which Postlethwaite said: 'I'm sure what Spielberg actually said was, "the thing about Pete is that he thinks he's the best actor in the world."' This is the story of a diverse and multi-talented actor's eventful life, told in his own candid and vibrant words.
