Dream Analysis 1

Dream Analysis 1
Author: C.G. Jung
Publisher: Routledge
Total Pages: 767
Release: 2013-10-28
Genre: Psychology
ISBN: 1134721986

Provides clarification of Jung's method of dream analysis. Based upon a previously unpublished series of dreams of one of Jung's patients.

Dream Analysis, Volume I

Dream Analysis, Volume I
Author: Carl Gustav Jung
Publisher: Princeton University Press
Total Pages: 784
Release: 1984-04-21
Genre: Body, Mind & Spirit
ISBN: 0691098964

While the basis of these seminars is a series of 30 dreams of a male patient of Jung's, the commentary ranges associatively over a broad expanse of Jung's learning and experience. A special value of the seminar is the close view it gives of Jung's method of dream analysis through amplification. The editorial aim has been to preserve the integrity of Jung's text.

The Dream in the Middle High German Epic

The Dream in the Middle High German Epic
Author: Steven R. Fischer
Publisher: Peter Lang Group Ag, International Academic Publishers
Total Pages: 196
Release: 1978
Genre: Art
ISBN:

A revison of the author's thesis, University of California, Los Angeles.

Dream and Culture

Dream and Culture
Author: Susan Parman
Publisher: Greenwood Publishing Group
Total Pages: 152
Release: 1991
Genre: History
ISBN:

Parman contends that in order to understand dreams we must first of all understand the cultural context within which they are expressed. Certainly we cannot 'interpret' a dream without some preliminary grasp of indigenous notions of psychology, cosmology, and epistemology. Readers are therefore introduced to everything from classical notions of the self through the modern schools of rationalism and psychoanalysis. This book brilliantly shows the vast shifts in Western presuppositions regarding dreams. Parman's insistence on an anthropological approach to dreams constitutes a healthy antidote to the anarchronistic tendency to foist the epistemology of contemporary psychoanalysis back onto earlier periods. Choice In this vital contribution to the study of dream phenomena, Susan Parman investigates the Western cultural structures of knowledge and meaning that relate to dreams. She explores the history of dream phenomena conceptualization from Homeric Greece to the present day. Parman employs a unique anthropological perspective to interpret historical events and ideas, using the dream as a way of describing assumptions about the mind, what it means to be human, and what humanity's place is in the universe. Parman synthesizes both scientific and humanistic approaches to the study of dreams and raises questions about the nature of scientific interpretations. By analyzing the cultural and historical context in which dreams are interpreted, she develops an anthropological approach to the study of dreams as cultural symbols. Parman's analysis is presented in terms of semiotic anthropology--the semantics (meanings), syntactics (linkages with other symbols), and pragmatics (uses) of the dream in different historical arenas in the Western intellectual tradition. Ultimately about epistemology, Dream and Culture will be an invaluable book for interdisciplinary courses on dreams and for classes in the humanities, as well as for interpreting the nature of scientific inquiry as an aspect of the Western intellectual tradition.

Crito

Crito
Author: Plato
Publisher:
Total Pages: 88
Release: 1891
Genre:
ISBN:

Music and Fantasy in the Age of Berlioz

Music and Fantasy in the Age of Berlioz
Author: Francesca Brittan
Publisher: Cambridge University Press
Total Pages: 377
Release: 2017-09-14
Genre: Music
ISBN: 1108326358

The centrality of fantasy to French literary culture has long been accepted by critics, but the sonorous dimensions of the mode and its wider implications for musical production have gone largely unexplored. In this book, Francesca Brittan invites us to listen to fantasy, attending both to literary descriptions of sound in otherworldly narratives, and to the wave of 'fantastique' musical works published in France through the middle decades of the nineteenth century, including Berlioz's 1830 Symphonie fantastique, and pieces by Liszt, Adam, Meyerbeer, and others. Following the musico-literary aesthetics of E. T. A. Hoffmann, they allowed waking and dreaming, reality and unreality to converge, yoking fairy sound to insect song, demonic noise to colonial 'babbling', and divine music to the strains of water and wind. Fantastic soundworlds disrupted France's native tradition of marvellous illusion, replacing it with a magical materialism inextricable from republican activism, theological heterodoxy, and the advent of 'radical' romanticism.