Television Dramatic Dialogue
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Author | : Kay Richardson |
Publisher | : Oxford University Press |
Total Pages | : 266 |
Release | : 2010-04-07 |
Genre | : Language Arts & Disciplines |
ISBN | : 019970595X |
When we watch and listen to actors speaking lines that have been written by someone else-a common experience if we watch any television at all-the illusion of "people talking" is strong. These characters are people like us, but they are also different, products of a dramatic imagination, and the talk they exchange is not quite like ours. Television Dramatic Dialogue examines, from an applied sociolinguistic perspective, and with reference to television, the particular kind of "artificial" talk that we know as dialogue: onscreen/on-mike talk delivered by characters as part of dramatic storytelling in a range of fictional and nonfictional TV genres. As well as trying to identify the place which this kind of language occupies in sociolinguistic space, Richardson seeks to understand the conditions of its production by screenwriters and the conditions of its reception by audiences, offering two case studies, one British (Life on Mars) and one American (House).
Author | : Monika Bednarek |
Publisher | : Cambridge University Press |
Total Pages | : 321 |
Release | : 2018-10-04 |
Genre | : Language Arts & Disciplines |
ISBN | : 1108472222 |
Explores contemporary US television dialogue - the on-screen language that viewers worldwide encounter as they watch popular television series.
Author | : Paulo Quaglio |
Publisher | : John Benjamins Publishing |
Total Pages | : 182 |
Release | : 2009 |
Genre | : Language Arts & Disciplines |
ISBN | : 9027223106 |
This book explores a virtually untapped, yet fascinating research area: television dialogue. It reports on a study comparing the language of the American situation comedy "Friends" to natural conversation. Transcripts of the television show and the American English conversation portion of the "Longman Grammar Corpus" provide the data for this corpus-based investigation, which combines Douglas Biber s multidimensional methodology with a frequency-based analysis of close to 100 linguistic features. As a natural offshoot of the research design, this study offers a comprehensive description of the most common linguistic features characterizing natural conversation. Illustrated with numerous dialogue extracts from "Friends" and conversation, topics such as vague, emotional, and informal language are discussed. This book will be an important resource not only for researchers and students specializing in discourse analysis, register variation, and corpus linguistics, but also anyone interested in conversational language and television dialogue."
Author | : Monika Bednarek |
Publisher | : Routledge |
Total Pages | : 88 |
Release | : 2019-01-22 |
Genre | : Art |
ISBN | : 0429639341 |
As entertaining as it is enlightening, Creating Dialogue for TV: Screenwriters Talk Television presents interviews with five Hollywood professionals who talk about all things related to dialogue – from naturalistic style to the building of characters to swearing and dialect. Screenwriters/showrunners David Mandel (Curb Your Enthusiasm, Veep), Jane Espenson (Buffy, Battlestar Galactica, Once Upon a Time), Robert Berens (Supernatural), Sheila Lawrence (Gilmore Girls, Ugly Betty, The Marvelous Mrs Maisel), and Doris Egan (Tru Calling, House, Reign) field a linguist’s inquiries about the craft of writing dialogue. This book is for anyone who has ever wondered what creative processes and attitudes lie behind the words they encounter when tuning into their favourite television show. It provides direct insights into Hollywood writers’ knowledge and opinions of how language is used in television narratives, and in doing so shows how language awareness, attitudes and the craft of using words are utilised to create popular TV series. The book will appeal to students and teachers in screenwriting, creative writing and linguistics as well as lay readers.
Author | : Lewis Turco |
Publisher | : University of New Mexico Press |
Total Pages | : 245 |
Release | : 2020-09-01 |
Genre | : Language Arts & Disciplines |
ISBN | : 0826361919 |
The Book of Dialogue is an invaluable resource for writers and students of narrative seeking to master the art of effective dialogue. The book will teach you how to use dialogue to lay the groundwork for events in a story, to balance dialogue with other story elements, to dramatize events through dialogue, and to strategically break up dialogue with other vital elements of your story in order to capture and hold a reader’s or viewer’s interest in the overall arc of the narrative. Writers will find Turco’s classic an essential reference for crafting dialogue. Using dialogue to teach dialogue, Turco’s chapters focus on narration, diction, speech, and genre dialogue. Through the Socratic dialogue method—invented by Plato in his dialogues outlining the teachings of Socrates—Turco provides an effective tool to teach effective discourse. He notes, “Plato wrote lies in order to tell the truth. That’s what a fiction writer does and has always done.” Now it’s your turn.
Author | : Loren-Paul Caplin |
Publisher | : Routledge |
Total Pages | : 174 |
Release | : 2020-10-01 |
Genre | : Performing Arts |
ISBN | : 1000203190 |
Writing Compelling Dialogue for Film and TV is a practical guide that provides you, the screenwriter, with a clear set of exercises, tools, and methods to raise your ability to hear and discern conversation at a more complex level, in turn allowing you to create better, more nuanced, complex and compelling dialogue. The process of understanding dialogue writing begins with increasing writers’ awareness of what they hear. This book provides writers with an assortment of dialogue and language tools, techniques, and exercises and teaches them how to perceive and understand the function, intent and thematic/psychological elements that dialogue can convey about character, tone, and story. Text, subtext, voice, conflict, exposition, rhythm and style are among the many aspects covered. This book reminds us of the sheer joy of great dialogue and will change and enhance the way writers hear, listen to, and write dialogue, and along the way aid the writers’ confidence in their own voice allowing them to become more proficient writers of dialogue. Written by veteran screenwriter, playwright, and screenwriting professor Loren-Paul Caplin, Writing Compelling Dialogue is an invaluable writing tool for any aspiring screenwriter who wants to improve their ability to write dialogue for film and television, as well as students, professionals, and educators.
Author | : Annemarie Lopez |
Publisher | : Blake Education |
Total Pages | : 152 |
Release | : 2000 |
Genre | : Language Arts & Disciplines |
ISBN | : 9781865095370 |
"The Targeting Media series breaks down each media form into its components and provides sample texts, information on the structure and feature of each text type and structured teaching units. Each text type is given comprehensive coverage with a clear descriptive overview followed by interesting lessons for students in middle high school."--P. [4].
Author | : Monika Bednarek |
Publisher | : Bloomsbury Publishing |
Total Pages | : 294 |
Release | : 2010-09-02 |
Genre | : Language Arts & Disciplines |
ISBN | : 1441105271 |
With cases studies used throughout to help illustrate the more general points, this is an analysis of the most important characteristics of television dialogue, with a focus on fictional television. The book illustrates how we can fruitfully and systematically analyse the language of television.
Author | : Jennifer O'Meara |
Publisher | : Edinburgh University Press |
Total Pages | : 342 |
Release | : 2018-01-09 |
Genre | : Performing Arts |
ISBN | : 1474420648 |
Examines the politics of female ship in relation to contemporary documentary practices
Author | : Kutter Callaway |
Publisher | : Baker Academic |
Total Pages | : 425 |
Release | : 2016-11-15 |
Genre | : Religion |
ISBN | : 1493405853 |
Helping Christians Understand the Power and Meaning of TV Since its inception, television has captured the cultural imagination. Outside of work and sleep, it is now the primary preoccupation of most Americans. Individuals consume upward of five hours of TV daily, even more when taking into account viewing done online and on mobile devices. TV is so ingrained in the fabric of everyday life that it can't help but function as one of the primary means through which we make sense of our lives and the world. This book shows that television--as a technology, a narrative art form, a commodity, and a portal for our ritual lives--confronts viewers theologically. Whether its content is explicitly spiritual or not, TV routinely invites (and sometimes demands) theological reflection. This book articulates something of the presence and activity of God in the golden age of TV and forges an appropriate response to an ever-changing cultural form. It constructs a theology of television that allows for both celebration and critique, helping Christians more fully understand and appreciate the power and meaning of TV. A supplemental website provides additional resources, conversations, and close readings of TV programs.