Big Bucks: The Explosion of the Art Market in the 21st Century

Big Bucks: The Explosion of the Art Market in the 21st Century
Author: Ms Georgina Adam
Publisher: Ashgate Publishing, Ltd.
Total Pages: 251
Release: 2014-08-28
Genre: Art
ISBN: 1848221584

This highly readable and timely book explores the transformation of the modern and contemporary art market in the 21st century from a niche trade to a globalised operation worth an estimated $50 billion a year. Drawing on her personal experience, the author describes in fascinating detail the contributions made by a range of actors and institutions to these recent developments. The author's engaging style makes this informative text ideal for collectors, students, and anyone interested in learning more about the evolution of the unprecedented market for art which exists today.

Teaching Fashion Studies

Teaching Fashion Studies
Author: Holly M. Kent
Publisher: Bloomsbury Publishing
Total Pages: 313
Release: 2018-08-23
Genre: Design
ISBN: 135002290X

Teaching Fashion Studies is the definitive resource for instructors of fashion studies at the undergraduate level and beyond. The first of its kind, it offers extensive, practical support for both seasoned instructors and those at the start of an academic career, in addition to interdisciplinary educators looking to integrate fashion into their classes. Informed by the latest research in the field and written by an international team of experts, Teaching Fashion Studies equips educators with a diverse collection of exercises, assignments, and pedagogical reflections on teaching fashion across disciplines. Each chapter offers an assignment, with guidance on how to effectively implement it in the classroom, as well as reflections on pedagogical strategies and student learning outcomes. Facilitating the integration of practice and theory in the classroom, topics include: the business of fashion; the media and popular culture; ethics and sustainability; globalization; history; identity; trend forecasting; and fashion design.

The Gulf

The Gulf
Author: Andrew Ross
Publisher: OR Books
Total Pages: 406
Release: 2015-10-29
Genre: Political Science
ISBN: 1682190056

On Saadiyat Island, just off the coast of Abu Dhabi, branches of iconic cultural institutions, including the Louvre, the Guggenheim, the British Museum and New York University, are taking shape to the designs of starchitects such as Frank Gehry, Jean Nouvel, Zaha Hadid, and Norman Foster. In this way, the United Arab Emirates (UAE) seeks to burnish its reputation as a sophisticated destination for wealthy visitors and residents. Beneath the glossy veneer of the Saadiyat real estate plan, however, lies a tawdry reality. Those laboring on the construction sites are migrant workers who arrive from poor countries heavily indebted as a result of recruitment and transit fees. Once in the UAE the sponsoring employer takes their passports, houses them in sub-standard labor camps, pays much less than they were promised, and enforces a punishing work regimen. If they protest publicly, they risk arrest, beatings, and deportation. For five years, the Gulf Labor Coalition, a cosmopolitan group of artists and writers, has been pressuring Saadiyat’s Western cultural brands to ensure worker protections. Gulf Labor has coordinated a boycott of the Guggenheim Abu Dhabi and pioneered innovative direct action that has involved several spectacular museum occupations. As part of a year-long initiative, an array of artists, writers, and activists submitted a work, a text, or an action. Contextualized by essays that trace how Gulf Labor has evolved, their contributions are reproduced in this book. The result is a compelling chronicle of a campaign at the forefront of a new wave of world-wide cultural activism. Written contributions by: Haig Aivazian, Mounira Al Solh, Ayreen Anastas, Kadambari Baxi, Doris Bittar, Jordan Carver, Paula Chakravartty, Nitasha Dhillon, Rene Gabri, Mariam Ghani, the Global Ultra Luxury Faction (G.U.L.F.), Hans Haacke, Guy Mannes-Abbott, Naeem Mohaiemen, Walid Raad, Andrew Ross, Gregory Sholette and Mabel Wilson. Artwork contributions by: Hend Al Mansour, Ayreen Anastas and Rene Gabri, Todd Ayoung and Jelena Stojanovic, Mieke Bal and Michelle Williams Gamaker, Zanny Begg and Oliver Ressler, Emily Verla Bovino, CAMP, Collective of Artists, Carole Condé and Karl Beveridge, Sam Durant, Claire Fontaine, Andrea Fraser, Mariam Ghani, Paul Graham, G.U.L.F., Gulf Labor West, Hans Haacke, Rawi Hage, Pablo Helguera, Thomas Hirschhorn, Aaron Hughes and Sarah Farahat, The Illuminator, John Jurayj, Janet Koenig, Silvia Kolbowski, Lynn Love and Ann Sappenfield,Guy Mannes-Abbott, Mazatl, Pat McElnea, Jasa Mrevlje, Marina Naprushkina, Jenny Polak, Walid Raad, Georges Rabbath, Jayce Salloum, Rasha Salti, Dread Scott, Gregory Sholette and Matthew Greco, Andreas Siekmann and Alice Creischer, Nida Sinnokrot, Situ Studio, Suha Traboulsi and Jaret Vadera.

An Anthropology of Contemporary Art

An Anthropology of Contemporary Art
Author: Thomas Fillitz
Publisher: Routledge
Total Pages: 240
Release: 2020-05-15
Genre: Social Science
ISBN: 100018112X

Drawing on the exciting developments that have occurred in the anthropology of art over the last twenty years, this study uses ethnographic methods to explore shifts in the art market and global contemporary art. Recognizing that the huge diversity of global phenomena requires research on the ground, An Anthropology of Contemporary Art examines the local art markets, biennials, networks of collectors, curators, artists, patrons, auction houses, and museums that constitute the global art world.Divided into four parts – Picture and Medium; World Art Studies and Global Art; Art Markets, Maecenas and Collectors; Participatory Art and Collaboration – chapters go beyond the standard emphasis on Europe and North America to present first-hand fieldwork from a wide range of areas, including Brazil, Turkey, and Asia and the Pacific.With contributions from distinguished anthropologists such as Philippe Descola and Roger Sansi Roca, this book provides a fresh approach to key topics in the discipline. A model for demonstrating how contemporary art can be studied ethnographically, this is a vital read for students in anthropology of art, visual anthropology, visual culture, and related fields.

China's Art Market since 1978

China's Art Market since 1978
Author: Li Ma
Publisher: Springer Nature
Total Pages: 247
Release: 2023-11-01
Genre: History
ISBN: 303134605X

This book examines the rising global prominence of China’s art market throughout the twentieth and twenty-first centuries. To understand the far-reaching impact of Chinese art on global consumption, this book traces the shift from regional markets to global markets. It asks how the Chinese art market re-emerged from its politicized past, innovated within the private economy boom, remained resilient despite the global financial crisis, and flourished on the global stage despite the COVID-19 pandemic. Ultimately, it argues that cultural entrepreneurship enabled Chinese art professionals to reinvent their space and to participate in the global artworld.

Selling Contemporary Art

Selling Contemporary Art
Author: Edward Winkleman
Publisher: Simon and Schuster
Total Pages: 325
Release: 2015-09-01
Genre: Art
ISBN: 1621534731

A sophisticated examination of today’s contemporary art market from an art dealer’s point of view, this new book focuses on recent changes in the quickly evolving market. With an emphasis on how the market responded to the global recession that began in 2008, gallery owner Edward Winkleman moves from an examination of the factors beyond the individual dealer’s command to those that the dealer can control. Sections cover: The rise of the art fair The rise of the mega gallery New online competition Models of post–brick-and-mortar art dealing Art dealers as art fair organizers Collaboration in a new era Coverage is also given to the specifics of contracts contemporary art dealers may need, including an examination of a variety of contracts for representation, consignment, and new forms of contemporary art. Exhibiting a wide range of interviews with international experts including dealers, collectors, art fair directors, journalists, and online art entrepreneurs, Selling Contemporary Art is a must-read for gallery owners, dealers, and artists affected by the rapid innovations in the art-dealing industry. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

Cosmopolitan Canvases

Cosmopolitan Canvases
Author: Olav Velthuis
Publisher: OUP Oxford
Total Pages: 314
Release: 2015-03-12
Genre: Art
ISBN: 0191027545

Since the late 1990s, contemporary art markets have emerged rapidly outside of Europe and the United States. China is r s1the world's second largest art market. In counties as diverse as Brazil, Turkey and India, modern and contemporary art has been recognized as a source of status, or a potential investment tool among the new middle classes. At art auctions in the US, London and Hong Kong, new buyers from emerging economies have driven up prices to record levels. The result of these changes has been an increase in complexity, interconnectedness, stratification and differentiation of contemporary art markets. Our understanding of them is still in its early stages and empirical research in the field of globalization of high arts is still scarce. This book brings together recent, multidisciplinary, cutting edge research on the globalization of art markets. Focusing on different regions, including China, Russia, India and Japan, as well as different institutions and organizations, the chapters in this volume study the extent to which art markets indeed become global. They show the various barriers to, and the effects of, globalization on the art market's organizational dynamics and the everyday narratives of people working within the art industry. In doing so, they recognize the coexistence of various ecologies of contemporary art exchange, and sketch the presence of resilient local networks of actors and organizations. Some chapters show Europe and the US continue to dominate, especially when taking art market rankings and the most powerful events such as Art Basel into account. However, other chapters argue that things such as art fairs are truly global events and that the 'architecture of the art market' which has originally been developed in Europe and the US from the 19th century onwards, is increasingly adopted across the world.

Art and the Global Economy

Art and the Global Economy
Author: John Zarobell
Publisher: Univ of California Press
Total Pages: 340
Release: 2017-04-18
Genre: Art
ISBN: 0520421477

Art and the Global Economy analyzes major changes in the global art world that have emerged in the last twenty years including structural shifts in the global art market; the proliferation of international art fairs, biennials and blockbuster exhibitions; and the internationalization of the scope of contemporary art. John Zarobell explores the economic and social transformations in the cultural sphere, the results of greater access to information about art, exhibitions, and markets around the world, as well as the increasing interpenetration of formerly distinct geographical domains. By considering a variety of locations—both long-standing art capitals and up-and-coming centers of the future—Art and the Global Economy facilitates a deeper understanding of how globalization affects the domain of the visual arts in the twenty-first century. With contributions by Lucia Cantero, Mariana David, Valentin Diaconov, Kai Lossgott, Grace Murray, Chhoti Rao, Emma Rogers and Michelle Wong.

The Economics of American Art

The Economics of American Art
Author: Robert Burton Ekelund
Publisher: Oxford University Press
Total Pages: 385
Release: 2017
Genre: Art
ISBN: 0190657898

The Economics of American Art analyzes the most pervasive economic issues facing the art world, applied to the whole spectrum of American art. Both practical and accessible, this book will be essential for collectors, auction houses, American art experts of all kinds, museums, gallery owners and, not least, by economists with continuing scholarly interests in these matters.

Cultural Property Crime and the Law

Cultural Property Crime and the Law
Author: Michelle D. Fabiani
Publisher: Taylor & Francis
Total Pages: 271
Release: 2024-04-23
Genre: Law
ISBN: 1040023282

This book explores innovative approaches to using and operating within and around both criminal law and civil law in the detection, investigation, and restitution of illicit cultural property. The volume brings together a wide range of authors who research and work in combatting cultural property crime. It explores the normative tensions and intersections between civil and criminal law and where they complement each other in the field. It focuses on innovative legal solutions to the unique challenges presented when facing a transnational form of crime that must consider varying structures of law and order, as well as a deep understanding of the heritage in question, both in past and the present cultures. The collection examines what both areas of law contribute to preventing cultural property crime from occurring, holding offenders responsible before the law, and returning objects to their rightful owners and/or places of origin. Combining the perspectives of academics and practitioners, the volume highlights voices from around the globe, using this range of experience to explore new ideas and applications of legal theory and practice to cases involving cultural property crimes. The book will be of interest to academics and practitioners in cultural property crime in the fields of criminology, law, archaeology, museum studies, political science, economics, and law enforcement.