Tears Over Russia
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Author | : Lisa Brahin |
Publisher | : Simon and Schuster |
Total Pages | : 303 |
Release | : 2022-06-07 |
Genre | : Biography & Autobiography |
ISBN | : 1639361685 |
A sweeping saga of a family and community fighting for survival against the ravages of history. Set between events depicted in Fiddler on the Roof and Schindler’s List, Lisa Brahin’s Tears over Russia brings to life a piece of Jewish history that has never before been told. Between 1917 and 1921, twenty years before the Holocaust began, an estimated 100,000 to 250,000 Jews were murdered in anti-Jewish pogroms across the Ukraine. Lisa grew up transfixed by her grandmother Channa’s stories about her family being forced to flee their hometown of Stavishche, as armies and bandit groups raided village after village, killing Jewish residents. Channa described a perilous three-year journey through Russia and Romania, led at first by a gallant American who had snuck into the Ukraine to save his immediate family and ended up leading an exodus of nearly eighty to safety. With almost no published sources to validate her grandmother’s tales, Lisa embarked on her incredible journey to tell Channa’s story, forging connections with archivists around the world to find elusive documents to fill in the gaps of what happened in Stavishche. She also tapped into connections closer to home, gathering testimonies from her grandmother’s relatives, childhood friends and neighbors. The result is a moving historical family narrative that speaks to universal human themes—the resilience and hope of ordinary people surviving the ravages of history and human cruelty. With the growing passage of time, it is unlikely that we will see another family saga emerge so richly detailing this forgotten time period. Tears Over Russia eloquently proves that true life is sometimes more compelling than fiction.
Author | : Milkyway Media |
Publisher | : Milkyway Media |
Total Pages | : 73 |
Release | : 2024-05-20 |
Genre | : Travel |
ISBN | : |
Get the Summary of Lisa Brahin's Tears Over Russia in 20 minutes. Please note: This is a summary & not the original book. "Tears Over Russia" is a historical narrative that traces the life of Fay Berkova, a Jewish woman from the Kiev Guberniya region, through the tumultuous times of early 20th-century Russia. The book begins with Fay's divorce from Samuel and subsequent marriage to Carl Cutler, a wheat merchant. The Cutlers raise seven children in Skibin amidst the backdrop of the Russian Revolution, pogroms, and World War I...
Author | : Alan Dean Foster |
Publisher | : Open Road Media |
Total Pages | : 281 |
Release | : 2021-07-27 |
Genre | : Fiction |
ISBN | : 1504067762 |
A first-contact novel written from an alien perspective by the #1 New York Times–bestselling author of Star Wars: The Force Awakens and Star Trek Into Darkness. Ryo is one of the Thranx, a race of social arthropods. From his larval years to now, his life has been normal, though his love of learning and insatiable curiosity set him apart. He has settled into his work as an agriculture specialist and is premated to a lovely female. Yet Ryo still feels something is missing from his life, and when he heroically defends his colony from the Thranx’s reptilian nemesis, Ryo gets a taste of excitement that’s hard to forget. Then his premate shares a garbled message from her starship-captain cousin—one that hints at the discovery of a completely new, completely alien space-going intelligence. Even when the captain backtracks and denounces the experience as a deep-space nightmare, Ryo can’t let it go. He becomes obsessed, leaving his colony and family behind to chase rumors of a murderous alien race, horrible beyond imagining. And when he finally makes it to an isolated military outpost rumored to harbor the captured aliens, he comes face-to-face with . . . humanity. Praise for Alan Dean Foster “One of the most consistently inventive and fertile writers of science-fiction and fantasy.” —The Times (London) “Alan Dean Foster is a master of creating alien worlds.” —SFRevu.com “Foster knows how to spin a yarn.” —Starlog “Alan Dean Foster is the modern day Renaissance writer, as his abilities seem to have no genre boundaries.” —Bookbrowser
Author | : Cynthia Freeman |
Publisher | : Open Road Media |
Total Pages | : 624 |
Release | : 2013-08-27 |
Genre | : Fiction |
ISBN | : 1480435708 |
This “ambitious” New York Times bestseller tells the multigenerational saga of a Russian-Jewish family who emigrates to America and eventually Israel (Los Angeles Times Book Review). Chavala Rabinsky is sixteen when her mother dies and she becomes the caretaker of her five siblings. Beautiful and wise beyond her years, Chavala catches the eye of Dovid Landau, a poor cobbler whose dreams transform her life when he marries her. But Odessa, Russia, is a dangerous place in 1905. The Landaus flee the pogroms of their homeland for Ottoman-ruled Palestine—until escalating violence forces the family to become wanderers again. Rich in passion and scope, No Time for Tears sounds a call of love and liberation that will ring out for generations to come.
Author | : Barbara Armonas |
Publisher | : |
Total Pages | : 194 |
Release | : 2011-11 |
Genre | : Biography & Autobiography |
ISBN | : 9780983233039 |
Exile in Siberia. The story of a 20-year fight to reunite a family across the Iron Curtain.
Author | : Ingeborg E. Ryals |
Publisher | : iUniverse |
Total Pages | : 178 |
Release | : 2012-09-25 |
Genre | : Biography & Autobiography |
ISBN | : 9781475932751 |
The small village in Pomerania in northern Germany provided a peaceful haven for the childhood years of author Ingeborg E. Ryals. But in 1939 the beginning of World War II irrevocably changed her idyllic life. In this memoir Ryals shares her first hand experiences as the war began to affect every aspect of her life. At the age of fifteen, she had to dig trenches behind the front lines and spent many days hiding in fear of the Soviet Army as it invaded and pillaged her village. Diphtheria and typhoid epidemics swept the country. She survived a bout of diphtheria but lingered near death for days on end with typhoid fever. There was little food to sustain them. At the age of eighteen, she was shipped to a labor camp operated by the Russian military on an island in the Baltic Sea. Ryals also recounts her escape and her eventual marriage to an American. With photos included, The Tears of War narrates a very real story of the tragedy of war. It shows Ryals perseverance and her ability to overcome obstacles in an effort to survive.
Author | : Rose Cohen |
Publisher | : Cornell University Press |
Total Pages | : 335 |
Release | : 2014-04-11 |
Genre | : Biography & Autobiography |
ISBN | : 0801471435 |
In this appealing autobiography, Rose Cohen looks back on her family's journey from Tsarist Russia to New York City's Lower East Side. Her account of their struggles and of her own coming of age in a complex new world vividly illustrates what was, for some, the American experience. First published in 1918, Cohen's narrative conveys a powerful sense of the aspirations and frustrations of an immigrant Jewish family in an alien culture. With uncommon frankness, Cohen reports her youthful impressions of daily life in the tenements and of working conditions in garment sweatshops and domestic service. She introduces a large cast, including her co-workers, employers, mentors, family members, and friends. In simple yet moving terms, she recalls how, while confronting setbacks caused by poor health and dilemmas posed by courtship, she finds opportunities to educate herself. She also records the gradual weakening of her family's commitment to religion as they find their way from the shadow of poverty toward the mainstream of American life.
Author | : Harriet Murav |
Publisher | : Stanford University Press |
Total Pages | : 586 |
Release | : 2011-08-15 |
Genre | : Literary Criticism |
ISBN | : 080477904X |
Music from a Speeding Train explores the uniquely Jewish space created by Jewish authors working within the limitations of the Soviet cultural system. It situates Russian- and Yiddish- language authors in the same literary universe—one in which modernism, revolution, socialist realism, violence, and catastrophe join traditional Jewish texts to provide the framework for literary creativity. These writers represented, attacked, reformed, and mourned Jewish life in the pre-revolutionary shtetl as they created new forms of Jewish culture. The book emphasizes the Soviet Jewish response to World War II and the Nazi destruction of the Jews, disputing the claim that Jews in Soviet Russia did not and could not react to the killings of Jews. It reveals a largely unknown body of Jewish literature beginning as early as 1942 that responds to the mass killings. By exploring works through the early twenty-first century, the book reveals a complex, emotionally rich, and intensely vibrant Soviet Jewish culture that persisted beyond Stalinist oppression.
Author | : Dara Horn |
Publisher | : W. W. Norton & Company |
Total Pages | : 153 |
Release | : 2021-09-07 |
Genre | : Social Science |
ISBN | : 0393531570 |
Winner of the 2021 National Jewish Book Award for Contemporary Jewish Life and Practice Finalist for the 2021 Kirkus Prize in Nonfiction A New York Times Notable Book of the Year A Wall Street Journal, Chicago Public Library, Publishers Weekly, and Kirkus Reviews Best Book of the Year A startling and profound exploration of how Jewish history is exploited to comfort the living. Renowned and beloved as a prizewinning novelist, Dara Horn has also been publishing penetrating essays since she was a teenager. Often asked by major publications to write on subjects related to Jewish culture—and increasingly in response to a recent wave of deadly antisemitic attacks—Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present. Horn draws upon her travels, her research, and also her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study—to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish past—making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity. Now including a reading group guide.
Author | : Alexander Dent |
Publisher | : Duke University Press |
Total Pages | : 314 |
Release | : 2009-10-05 |
Genre | : Social Science |
ISBN | : 0822391090 |
River of Tears is the first ethnography of Brazilian country music, one of the most popular genres in Brazil yet least-known outside it. Beginning in the mid-1980s, commercial musical duos practicing música sertaneja reached beyond their home in Brazil’s central-southern region to become national bestsellers. Rodeo events revolving around country music came to rival soccer matches in attendance. A revival of folkloric rural music called música caipira, heralded as música sertaneja’s ancestor, also took shape. And all the while, large numbers of Brazilians in the central-south were moving to cities, using music to support the claim that their Brazil was first and foremost a rural nation. Since 1998, Alexander Sebastian Dent has analyzed rural music in the state of São Paulo, interviewing and spending time with listeners, musicians, songwriters, journalists, record-company owners, and radio hosts. Dent not only describes the production and reception of this music, he also explains why the genre experienced such tremendous growth as Brazil transitioned from an era of dictatorship to a period of intense neoliberal reform. Dent argues that rural genres reflect a widespread anxiety that change has been too radical and has come too fast. In defining their music as rural, Brazil’s country musicians—whose work circulates largely in cities—are criticizing an increasingly inescapable urban life characterized by suppressed emotions and an inattentiveness to the past. Their performances evoke a river of tears flowing through a landscape of loss—of love, of life in the countryside, and of man’s connections to the natural world.