Teaching the Global Middle Ages

Teaching the Global Middle Ages
Author: Geraldine Heng
Publisher: Modern Language Association
Total Pages: 263
Release: 2022-10-28
Genre: Language Arts & Disciplines
ISBN: 1603295194

While globalization is a modern phenomenon, premodern people were also interconnected in early forms of globalism, sharing merchandise, technology, languages, and stories over long distances. Looking across civilizations, this volume takes a broad view of the Middle Ages in order to foster new habits of thinking and develop a multilayered, critical sense of the past. The essays in this volume reach across disciplinary lines to bring insights from music, theater, religion, ecology, museums, and the history of disease into the literature classroom. The contributors provide guidance on texts such as the Thousand and One Nights, Sunjata, Benjamin of Tudela's Book of Travels, and the Malay Annals and on topics such as hotels, maps, and camels. They propose syllabus recommendations, present numerous digital resources, and offer engaging class activities and discussion questions. Ultimately, they provide tools that will help students evaluate popular representations of the Middle Ages and engage with the dynamics of past, present, and future world relationships.

The Global Middle Ages

The Global Middle Ages
Author: Geraldine Heng
Publisher: Cambridge University Press
Total Pages: 128
Release: 2021-12-16
Genre: History
ISBN: 1009204785

The Global Middle Ages: An Introduction discusses how, when, and why a 'global Middle Ages' was conceptualized; explains and considers the terms that are deployed in studying, teaching, and researching a Global Middle Ages; and critically reflects on the issues that arise in the establishment of this relatively new field of academic endeavor. An Introduction surveys the considerable gains to be had in developing a critical early global studies, and introduces the collaborative work of the Cambridge Elements series in the Global Middle Ages.

Toward a Global Middle Ages

Toward a Global Middle Ages
Author: Bryan C. Keene
Publisher: Getty Publications
Total Pages: 300
Release: 2019-09-03
Genre: Art
ISBN: 160606598X

This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity. Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives, and materials from Africa, Asia, Australasia, and the Americas—an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages. Featuring more than 160 color illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.

Global Medieval Contexts 500 – 1500

Global Medieval Contexts 500 – 1500
Author: Kimberly Klimek
Publisher: Routledge
Total Pages: 625
Release: 2021-06-30
Genre: History
ISBN: 1351593080

Global Medieval Contexts 500–1500: Connections and Comparisons provides a unique wide-lens introduction to world history during this period. Designed for students new to the subject, this textbook explores vital networks and relationships among geographies and cultures that shaped medieval societies. The expert author team aims to advance a global view of the period and introduce the reader to histories and narratives beyond an exclusively European context. Key Features: Divided into chronological sections, chapters are organized by four key themes: Religion, Economics, Politics, and Society. This framework enables students to connect wider ideas and debates across 500 to 1500. Individual chapters address current theoretical discussions, including issues around gender, migration, and sustainable environments. The authors’ combined teaching experience and subject specialties ensure an engaging and accessible overview for students of history, literature, and those undertaking general studies courses. Theory boxes and end-of-chapter questions provide a basis for group discussion and research. Full-color maps and images illustrate chapter content and support understanding. As a result, this text is essential reading for all those interested in learning more about the histories and cultures of the period, as well as their relevance to our own contemporary experiences and perspectives. This textbook is supported by a companion website providing core resources for students and lecturers.

A Companion to the Global Early Middle Ages

A Companion to the Global Early Middle Ages
Author: Erik Hermans
Publisher: ARC Humanities Press
Total Pages: 0
Release: 2020
Genre: HISTORY
ISBN: 9781942401759

This companion analyzes the different ways in which societies from Oceania to Europe and beyond were connected in the period 600-900 CE.

Medieval Storytelling in the Modern Era: Bringing the Global Middle Ages to the Multicultural High School Classroom

Medieval Storytelling in the Modern Era: Bringing the Global Middle Ages to the Multicultural High School Classroom
Author: Michelle Marianna Fanara
Publisher:
Total Pages: 0
Release: 2021
Genre: British & Irish literature
ISBN:

Recent studies into medieval pedagogy have shown that art and literature from this era are no longer considered to be centric to Western Europe, but rather, it extends across nations and cultures, creating a new and exciting genre of the Global Middle Ages. A reflection of this global expansion can be seen in the college classroom where educators are now teaching the Popul Vuh alongside Beowulf. Instructors can now enter a new dimension to change their courses from the traditional, 1000 year Eurocentric texts, to a global, multilingual and multicultural materials that reflect the rich ethnically diverse population of students. How can a high school course that uses a pedagogical practice of Common Core Standards use texts from this era? Let me introduce you "Medieval Storytelling in the Modern Era." This course will provide a way to explore a variety of texts and artworks from the Global Middle Ages that will excite and engage high school students by offering a unique insight into the culture, historical diversity and multilingualism found in these texts. By pairing the vast pool that Medieval Literature and Art have to offer with modern retellings by utilizing pop culture to amplify global medieval texts, these standards will be met in a myriad of different ways. Unlike with a college course, the standards themselves are specific learning outcomes, therefore they do not need to be outlined separately because they are implicit in the guidelines. With our lives being so involved in a world that is steeped in medievalism, there needs to be a high school course involving these texts.

Global Medievalism

Global Medievalism
Author: Helen Young
Publisher: Cambridge University Press
Total Pages: 147
Release: 2022-10-06
Genre: History
ISBN: 100912241X

The typical vision of the Middle Ages western popular culture represents to its global audience is deeply Eurocentric. The Lord of the Rings and Game of Thrones imagined entire medievalist worlds, but we see only a fraction of them through the stories and travels of the characters. Organised around the theme of mobility, this Element seeks to deconstruct the Eurocentric orientations of western popular medievalisms which typically position Europe as either the whole world or the centre of it, by making them visible and offering alternative perspectives. How does popular culture represent medievalist worlds as global-connected by the movement of people and objects? How do imagined mobilities allow us to create counterstories that resist Eurocentric norms? This study represents the start of what will hopefully be a fruitful and inclusive conversation of what the Middle Ages did, and should, look like.

Whose Middle Ages?

Whose Middle Ages?
Author: Andrew Albin
Publisher: Fordham University Press
Total Pages: 240
Release: 2019-10-15
Genre: History
ISBN: 0823285596

Whose Middle Ages? is an interdisciplinary collection of short, accessible essays intended for the nonspecialist reader and ideal for teaching at an undergraduate level. Each of twenty-two essays takes up an area where digging for meaning in the medieval past has brought something distorted back into the present: in our popular entertainment; in our news, our politics, and our propaganda; and in subtler ways that inform how we think about our histories, our countries, and ourselves. Each author looks to a history that has refused to remain past and uses the tools of the academy to read and re-read familiar stories, objects, symbols, and myths. Whose Middle Ages? gives nonspecialists access to the richness of our historical knowledge while debunking damaging misconceptions about the medieval past. Myths about the medieval period are especially beloved among the globally resurgent far right, from crusading emblems on the shields borne by alt-right demonstrators to the on-screen image of a purely white European populace defended from actors of color by Internet trolls. This collection attacks these myths directly by insisting that readers encounter the relics of the Middle Ages on their own terms. Each essay uses its author’s academic research as a point of entry and takes care to explain how the author knows what she or he knows and what kinds of tools, bodies of evidence, and theoretical lenses allow scholars to write with certainty about elements of the past to a level of detail that might seem unattainable. By demystifying the methods of scholarly inquiry, Whose Middle Ages? serves as an antidote not only to the far right’s errors of fact and interpretation but also to its assault on scholarship and expertise as valid means for the acquisition of knowledge.

Medievalisms in a Global Age

Medievalisms in a Global Age
Author: Robert Squillace
Publisher: Boydell & Brewer
Total Pages: 283
Release: 2024-07-09
Genre: Literary Criticism
ISBN: 1843847035

Discusses contemporary medievalism in studies ranging from Brazil to West Africa, from Manila to New York. Across the world, revivals of medieval practices, images, and tales flourish as never before. The essays collected here, informed by approaches from Global Studies and the critical discourse on the concept of a "Global Middle Ages", explore the many facets of contemporary medievalism: post-colonial responses to the enforced dissemination of Western medievalisms, attempts to retrieve pre-modern cultural traditions that were interrupted by colonialism, the tentative forging of a global "medieval" imaginary from the world's repository of magical tales and figures, and the deployment across borders of medieval imagery for political purposes. The volume is divided into two sections, dealing with "Local Spaces" and "Global Geographies". The contributions in the first consider a variety of medievalisms tied to particular places across a broad geography, but as part of a larger transnational medievalist dynamic. Those in the second focus on explicitly globalist medievalist phenomena whether concerning the projection of a particular medievalist trope across borders or the integration of "medieval" pasts from different parts of the globe in a contemporary incarnation of medievalism. A wide range of topics are addressed, from Japanese manga and Arthurian tales to The O-Trilogy of Maurice Gee, Camus, and Dungeons and Dragons.