Teach Yourself Writing Crime Fiction
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Author | : Lesley Grant-Adamson |
Publisher | : Hodder Education |
Total Pages | : 164 |
Release | : 1996 |
Genre | : Authorship |
ISBN | : 9780340648162 |
This is an invaluable resource for anyone planning to write any type of crime fiction, from whodunnits to thrillers. It is full of exercises to get the reader writing and includes a range of quotations and tips from a whole host of established names.
Author | : Lesley Grant-Adamson |
Publisher | : Teach Yourself |
Total Pages | : 0 |
Release | : 2003 |
Genre | : Detective and mystery stories |
ISBN | : 9780071421300 |
"What makes a good crime story and how do I write one?"Teach Yourself Crime Fictionanswers these questions for aspiring writers. It analyzes the elements of crime fiction, including classic detective fiction, comic crime fiction, the feminist sleuth, and more. And it leads readers through the process of crafting a piece, showing them how to recognize a good idea for a novel, set a scene, shape characters, develop a plot, research background, use literary techniques and maintain a style, and dig out when they get stuck. It also includes advice on how to sell a novel.
Author | : Sarah Williams |
Publisher | : Robinson |
Total Pages | : 155 |
Release | : 2015-03-05 |
Genre | : Language Arts & Disciplines |
ISBN | : 1845285905 |
This book provides a comprehensive overview of all the different kinds of crime fiction, with examples from successful contemporary writers in each of the different genres, and clear explanations and exercises to help the beginning writer hone their craft, and discover the kind of crime fiction, the plots, the themes, the language, that work best for them.
Author | : Rosemary Rowe |
Publisher | : Teach Yourself |
Total Pages | : 0 |
Release | : 2014-10-31 |
Genre | : Language Arts & Disciplines |
ISBN | : 9781473601369 |
LEARN HOW TO WRITE GRIPPING CRIME FICTION. Do you have an idea for a gripping crime novel? Would you like to know how to plot your book flawlessly? Do you want to create beautifully crafted characters and nail biting twists? This book is designed for anyone who wants to write an unputdownable crime novel. Whatever your subgenre, whether Scandi-crime or detective 'cosies', this book is full of inspirational advice, acute insights and practical exercises. The first part of the book establishes the rules of writing crime fiction - from convincing characters to the role of research. The book then covers the practical craft of writing and editing, before explaining in detail how to secure a contract and/or self-publish your work. A comprehensive guide for anyone who wants to be the next Val McDermid or Ian Rankin. ABOUT THE SERIES The Teach Yourself Creative Writing series helps aspiring authors tell their story. Covering a range of genres from science fiction and romantic novels, to illustrated children's books and comedy, this series is packed with advice, exercises and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community at tyjustwrite, for budding authors and successful writers to connect and share.
Author | : Pseudonymous Bosch |
Publisher | : Little, Brown Books for Young Readers |
Total Pages | : 285 |
Release | : 2013-04-02 |
Genre | : Juvenile Fiction |
ISBN | : 0316207837 |
This imaginative companion to the New York Times bestselling Secret Series teases, prompts, and leads readers through the steps of writing a story. Bosch's signature rip-roaring voice delivers an engaging narrative (for the reader to help complete!) and interactive puzzles and games. Readers get the chance to create their own story while enjoying a satisfying mystery as well. Here's a note from our fearless "author":I feared this might happen. I knew reading was a dangerous business, but now it's not safe for writers either! You see, the author of this book is missing. Well, maybe not "missing." A certain author whom I won't name (okay, me) has abandoned his book and has left his readers hanging out to dry. This is a crime, I admit, but there it is. Most of this book, well, I just haven't written it. And I'm not going to, either. Why? Oh, I have my reasons. Big. Grown up. Author. Reasons. Unfortunately, I can't reveal them yet. Let's just say a life is at stake (mine) and leave it at that. So will you do it? Pretty please? You'll do it? Thank you! But please hurry! Time is of the essence and you can't wait any longer. You must WRITE THIS BOOK!
Author | : Jennifer Kitses |
Publisher | : Grand Central Publishing |
Total Pages | : 236 |
Release | : 2017-06-13 |
Genre | : Fiction |
ISBN | : 1455598496 |
Richard Russo meets Tom Perrotta in this gripping, suspenseful, and gorgeous debut novel about family secrets come to light; "a tinderbox waiting to explode" (Matthew Thomas, New York Times Bestselling author of We Are Not Ourselves. On a day of rising tension, Tom, a news editor, will confront the consequences of an indiscretion that he has tried desperately to hide and that now threatens to undo his family. Helen, a graphic designer who works from home, will be drawn into an escalating conflict with two street-smart teenage girls. Told hour-by-hour over the course of a single day, a husband and wife try to outrun long-buried secrets, sending their lives into chaos.
Author | : Carla Hoch |
Publisher | : Penguin |
Total Pages | : 241 |
Release | : 2019-06-11 |
Genre | : Language Arts & Disciplines |
ISBN | : 1440300739 |
Whether a side-street skirmish or an all-out war, fight scenes bring action to the pages of every kind of fiction. But a poorly done or unbelievable fight scene can ruin a great book in an instant. In Fight Write you'll learn practical tips, terminology, and the science behind crafting realistic fight scenes for your fiction. Broken up into "Rounds," trained fighter and writer Carla Hoch guides you through the many factors you'll need to consider when developing battles and brawls. • In Round 1, you will consider how the Who, When, Where, and Why questions affect what type of fight scene you want to craft. • Round 2 delves into the human factors of biology (think fight or flight and adrenaline) and psychology (aggression and response to injuring or killing another person). • Round 3 explores different fighting styles that are appropriate for different situations: How would a character fight from a prone position versus being attacked in the street? What is the vocabulary used to describe these styles? • Round 4 considers weaponry and will guide you to select the best weapon for your characters, including nontraditional weapons of opportunity, while also thinking about the nitty-gritty details of using them. • In Round 5, you'll learn how to accurately describe realistic injuries sustained from the fights and certain weapons, and what kind of injuries will kill a character or render them unable to fight further. By taking into account where your character is in the world, when in history the fight is happening, what the character's motivation for fighting is, and much more, you'll be able write fight scenes unique to your plot and characters, all while satisfying your reader's discerning eye.
Author | : Edgar Allan Poe |
Publisher | : SAMPI Books |
Total Pages | : 20 |
Release | : 2024-01-24 |
Genre | : Fiction |
ISBN | : 6585934016 |
"The Rue Morgue Murders" is a pioneering tale in the mystery genre, in which detective Auguste Dupin uses his acute observation and logic to solve a brutal double murder in Paris, revealing a surprising and unusual outcome.
Author | : Виктор Шкловский |
Publisher | : Dalkey Archive Press |
Total Pages | : 244 |
Release | : 1991 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780916583644 |
"Viktor Shklovsky's 1925 book Theory of Prose might have become the most important work of literary criticism in the twentieth century had not two obstacles barred its way: the crackdown by the Soviet dictatorship on Shklovsky and other Russian Formalists in the 1930s, and the unavailability of an English translation. Now translated in its entirety for the first time, Theory of Prose not only anticipates structuralism and post-structuralism, but poses questions about the nature of fiction that are as provocative today as they were in the 1920s. Arguing that writers structure their material according to artistic principles rather than from attempts to imitate "reality," Shklovsky uses Cervantes, Tolstoi, Sterne, Dickens, Bely, and Rozanov to give us a new way of thinking about fiction and, in his most impassioned moments, about the world. Benjamin Sher's lucid translation will allow Shklovsky's Theory of Prose to fulfill its destiny as a major theoretical work of the twentieth century." from back cover.
Author | : John Truby |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 405 |
Release | : 2008-10-14 |
Genre | : Performing Arts |
ISBN | : 1429923709 |
John Truby is one of the most respected and sought-after story consultants in the film industry, and his students have gone on to pen some of Hollywood's most successful films, including Sleepless in Seattle, Scream, and Shrek. The Anatomy of Story is his long-awaited first book, and it shares all of his secrets for writing a compelling script. Based on the lessons in his award-winning class, Great Screenwriting, The Anatomy of Story draws on a broad range of philosophy and mythology, offering fresh techniques and insightful anecdotes alongside Truby's own unique approach for how to build an effective, multifaceted narrative. Truby's method for constructing a story is at once insightful and practical, focusing on the hero's moral and emotional growth. As a result, writers will dig deep within and explore their own values and worldviews in order to create an effective story. Writers will come away with an extremely precise set of tools to work with—specific, useful techniques to make the audience care about their characters, and that make their characters grow in meaningful ways. They will construct a surprising plot that is unique to their particular concept, and they will learn how to express a moral vision that can genuinely move an audience. The foundations of story that Truby lays out are so fundamental they are applicable—and essential—to all writers, from novelists and short-story writers to journalists, memoirists, and writers of narrative non-fiction.