Taoist Ritual In Chinese Society And History
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| Author | : John Lagerwey |
| Publisher | : |
| Total Pages | : 392 |
| Release | : 1987 |
| Genre | : History |
| ISBN | : |
This is the first comprehensive English-language introduction to Taoist ritual both for the scholar and the general reader. In this splendid account, Taoism is presented as a system of religious symbol and action deeply rooted in centuries of Chinese social life. In vivid detail, Lagerwey describes the intricacies of Taoist rituals as performed by a single Taoist priest in present-day Taiwan. With the methodology of a literary critic, he explains what the Taoist priests have done, and continue to do, as intercessors acting to protect their communities, and what these beliefs and practices mean to the followers.
| Author | : Stephen Little |
| Publisher | : Univ of California Press |
| Total Pages | : 422 |
| Release | : 2000-01-01 |
| Genre | : Art |
| ISBN | : 9780520227859 |
A celebration of Taoist art traces the influence of philosophy on the visual arts in China.
| Author | : Christine Mollier |
| Publisher | : University of Hawaii Press |
| Total Pages | : 258 |
| Release | : 2008-01-01 |
| Genre | : Religion |
| ISBN | : 0824831691 |
Reveals dimensions of the interaction between Buddhism and Taoism in medieval China. This book demonstrates the competition and complementarity of the two great Chinese religions in their quest to address personal and collective fears of diverse ills, including sorcery, famine, and untimely death.
| Author | : Arthur P. Wolf |
| Publisher | : |
| Total Pages | : 377 |
| Release | : 1999-05 |
| Genre | : Religion |
| ISBN | : 9780804738026 |
This volume examines aspects of religion and ritual in China. Various topics are covered including the sociology of Chinese religion, religion and ritual in Lukang, religious organization in the history of a Taiwanese town, and village alliance temples in Hong Kong.
| Author | : Michael R. Saso |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2000 |
| Genre | : Religion |
| ISBN | : 9780967794808 |
| Author | : Robert Ford Campany |
| Publisher | : Univ of California Press |
| Total Pages | : 1296 |
| Release | : 2002-04-08 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780520230347 |
"This book marks a new milestone in the study of Chinese religious history. Only a scholar as intelligent and dedicated as Campany would dare tackle and so eloquently translate one of the most important and difficult works of early Chinese religious history."—Paul Katz, author of Images of the Immortal: The Cult of Lu Dongbin at the Palace of Eternal Joy "This is a pathbreaking work of lasting significance to the field of Chinese religious history. The scholarship is solid and current, drawing upon the best research from America, Europe, China, and Japan. The translation is accurate, clear, and elegant, based upon an innovative analysis of surviving sources."—Terry Kleeman, author of Great Perfection: Religion and Ethnicity in a Chinese Millennial Kingdom "A competent translation of Ge Hong's hagiographies, with close attention paid to sources and editions, would already have constituted a major contribution to the field of Taoist studies. But Campany provides as well a survey of religious practices in Ge Hong's writings and a reading of the hagiographies which enables us to see the social practices that lie behind them. Together, these two works-in-one constitute the best available portrait of religion and society in early fourth-century China."—John Lagerwey, author of Taoist Ritual in Chinese Society and History "Campany's annotated translation of Ge Hong's (283-343) classic, the first in English, admirably captures the book's rich evocation of the religious culture of Southern China in the fourth century. Ge Hong here offers a series of case studies of what he regarded as the historical and exemplary evidence for the existence of immortals. This translation of Traditions of Divine Transcendents conveys a lively and multifaceted vision of the Taoist conception of physical immortality. The book's emphasis on practices related to the cult of the immortals and the hope for transcendence squarely places its subject in the religious life of traditional Chinese society."—Franciscus Verellen, co-editor of The Taoist Canon: A Historical Guide
| Author | : John Lagerwey |
| Publisher | : Chinese University Press |
| Total Pages | : 562 |
| Release | : 2004 |
| Genre | : China |
| ISBN | : 9789629961237 |
These volumes contain a selection of twenty-one essays presented in a conference convened jointly by the Ecole francaise d'Extreme-Orient and the Centre for the Study of Religion and Chinese Society of the Chinese University of Hong Kong, on "Religion and Chinese Society: The Transformation of a Field and Its Implications for the Study of Chinese Culture." The collection provides as wide a coverage as possible of recent research in the history of Chinese religion and seeks to draw some tentative conclusions about the implications for the study of Chinese religion and society in general.
| Author | : Avron Boretz |
| Publisher | : University of Hawaii Press |
| Total Pages | : 289 |
| Release | : 2010-10-31 |
| Genre | : History |
| ISBN | : 0824860713 |
Demon warrior puppets, sword-wielding Taoist priests, spirit mediums lacerating their bodies with spikes and blades—these are among the most dramatic images in Chinese religion. Usually linked to the propitiation of plague gods and the worship of popular military deities, such ritual practices have an obvious but previously unexamined kinship with the traditional Chinese martial arts. The long and durable history of martial arts iconography and ritual in Chinese religion suggests something far deeper than mere historical coincidence. Avron Boretz argues that martial arts gestures and movements are so deeply embedded in the ritual repertoire in part because they iconify masculine qualities of violence, aggressivity, and physical prowess, the implicit core of Chinese patriliny and patriarchy. At the same time, for actors and audience alike, martial arts gestures evoke the mythos of the jianghu, a shadowy, often violent realm of vagabonds, outlaws, and masters of martial and magic arts. Through the direct bodily practice of martial arts movement and creative rendering of jianghu narratives, martial ritual practitioners are able to identify and represent themselves, however briefly and incompletely, as men of prowess, a reward otherwise denied those confined to the lower limits of this deeply patriarchal society. Based on fieldwork in China and Taiwan spanning nearly two decades, Gods, Ghosts, and Gangsters offers a thorough and original account of violent ritual and ritual violence in Chinese religion and society. Close-up, sensitive portrayals and the voices of ritual actors themselves—mostly working-class men, many of them members of sworn brotherhoods and gangs—convincingly link martial ritual practice to the lives and desires of men on the margins of Chinese society. This work is a significant contribution to the study of Chinese ritual and religion, the history and sociology of Chinese underworld, the history and anthropology of the martial arts, and the anthropology of masculinity.
| Author | : John Lagerwey |
| Publisher | : Hong Kong University Press |
| Total Pages | : 248 |
| Release | : 2010-12-01 |
| Genre | : History |
| ISBN | : 9888028049 |
Over the last 40 years, our vision of Chinese culture and history has been transformed by the discovery of the role of religion in Chinese state-making and in local society. The Daoist religion, in particular, long despised as "superstitious," has recovered its place as "the native higher religion." But while the Chinese state tried from the fifth century on to construct an orthodoxy based on Confucianism, Daoism, and Buddhism, local society everywhere carved out for itself its own geomantically defined space and organized itself around local festivals in honor of gods of its own choosing-gods who were often invented and then represented by illiterate mediums. Looking at China from the point of view of elite or popular culture therefore produces very different results.--John Lagerwey has done extensive fieldwork on local society and its festivals. This book represents a first attempt to use this new research to integrate top-down and bottom-up views of Chinese society, culture, and history. It should be of interest to a wide range of China specialists, students of religion and popular culture, as well as participants in the ongoing interdisciplinary dialogue between historians and anthropologists.--John Lagerwey is professor of Daoist history at the ?cole Pratique des Hautes ?tudes and of Chinese studies at the Chinese University of Hong Kong. He is author of Taoist Ritual in Chinese Society and History and editor of the 30-volume "Traditional Hakka Society Series" as well as the recently published four-volume set Early Chinese Religion.-----
| Author | : David A Palmer |
| Publisher | : Univ of California Press |
| Total Pages | : 403 |
| Release | : 2012-03 |
| Genre | : History |
| ISBN | : 0520289862 |
An interdisciplinary group of scholars explores the social history and anthropology of Daoism from the late nineteenth century to the present, focusing on the evolution of traditional forms of practice and community, as well as modern reforms and reinventions. Essays investigate ritual specialists, body cultivation and meditation traditions, monasticism, new religious movements, state-sponsored institutionalization, and transnational networks"--Publisher's Web site.
