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| Author | : Eric Bogosian |
| Publisher | : Theatre Communications Group |
| Total Pages | : 81 |
| Release | : 2012-09-15 |
| Genre | : Drama |
| ISBN | : 1559367458 |
“Your fear, your own lives, have become your entertainment.”—Talk Radio “More timely today than it was twenty years ago . . . Radio crackles with intensity.”—Joe Dziemianowicz, New York Daily News “The most lacerating portrait of a human meltdown this side of a Francis Bacon painting. . . . This revival, like the original production, allows its star to grab an audience by the lapels and shake it into submission.”—Ben Brantley, The New York Times Eric Bogosian’s Talk Radio—his breakthrough 1987 Public Theater hit that was made into a film by Oliver Stone—has been revived in a “mesmerizing” (Newsday) production on Broadway, with Liev Schreiber playing the role of the late-night shock jock that Bogosian himself originated. The drama is set in the studio of Cleveland’s WTLK Radio over the course of Barry Champlain’s two-hour broadcast, being scrutinized that night by producers with an interest in taking the show national, and fueled as always by coffee, cocaine, and Jack Daniel’s. Barry’s jousts with his unseen callers—ranging from a white supremacist to a woman obsessed with her garbage disposal—are peppered with insights into his character from his ex-deejay pal and his sometime girlfriend/producer, and punctuated with a transformative visit from an embodied voice. Eric Bogosian is a writer and actor who over the last twenty years has authored five full-length plays and created six full-length solos for himself, including subUrbia; Sex, Drugs, Rock & Roll; Pounding Nails in the Floor with My Forehead;and Drinking in America. He is the recipient of three OBIE Awards and a Drama Desk Award, and has toured throughout the United States and Europe.
| Author | : Wallace Shawn |
| Publisher | : Theatre Communications Group |
| Total Pages | : 70 |
| Release | : 2017-03-21 |
| Genre | : Drama |
| ISBN | : 1559368608 |
"Wallace Shawn is up to his old tricks again: pricking the conscience of right-on, left-leaning theatergoers. No one does that better than this impish, idiosyncratic polymath, who, at seventy-two, still comes across as precocious—probably because we resent him flagging our complacent complicity in all the world's ills."—Variety "The play stops, but has no ending. It is for us to try to answer its bleak questions, to see what it might mean to be undeluded."—The Guardian Gathering around a table at the Talk House, an old haunt, a group of friends and theatre artists reunite after ten years to reminisce and catch-up on each other's lives. At first, the conversation is fairly run-of-the-mill: current TV shows and where their careers have taken them. Eventually, the discussion's tone takes a turn when they mention supplementing their incomes through the government-led program to enlist unemployed artists for drone strikes and carrying out violent attacks on foreign land. As is typical of Shawn's plays, the premise at once amuses and unsettles, forcing the viewer to wonder whether being too idle makes all of us complicit in the world's ongoing destruction. Wallace Shawn is a noted actor and writer. His often politically-charged and controversial plays include The Fever, Aunt Dan and Lemon, Marie and Bruce, and The Designated Mourner. With Andre´ Gregory, he co-wrote My Dinner with Andre´, in which he also starred. He adapted the classic Ibsen play A Master Builder for film.
| Author | : Stephen Karam |
| Publisher | : Theatre Communications Group |
| Total Pages | : 126 |
| Release | : 2017-07-24 |
| Genre | : Drama |
| ISBN | : 1559368659 |
“You might think a play that grapples with serious modern social issues—homophobia, teenage alienation, the limits of online privacy—would have no room for a warbling Abraham Lincoln doing an interpretive dance. But then you might not expect to encounter a piece of theater as ingenious and cannily plotted as Stephen Karam’s Speech & Debate. It is a suspenseful tale that fuses keen-eyed civic critique with riotous and even campy humor.” – Celia Wren, Washington Post “Hilarious...Speech & Debate’s real accomplishment is its picture of the borderland between late adolescence and adulthood, where grown-up ideas and ambition coexist with childish will and bravado...We never feel we’re being educated, just immensely entertained.” – Caryn James, New York Times “A provocative play...A lot of shows about teens ring inauthentic. Not this one.” – Chris Jones, Chicago Tribune “Stephen Karam’s savvy comedy is bristling with vitality, wicked humor, terrific dialogue, and a direct pipeline into the zeitgeist of contemporary youth.” – David Rooney, Variety In this unconventional dark comedy, three misfit high school students in Salem, Oregon form a unique debate club, complete with a musical version of The Crucible, an unusual podcast, and a plot to take down their corrupt drama teacher. With his signature wit, Karam traces the cohort’s attempts to fend off the menace of encroaching adulthood with caustic humor and subversive antics. Stephen Karam’s plays include The Humans (Tony Award and Pulitzer Prize finalist), Sons of the Prophet (Pulitzer Prize finalist), and Speech & Debate. His adaptation of The Cherry Orchard premiered on Broadway for the Roundabout Theatre Company.
| Author | : Eric Bogosian |
| Publisher | : Theatre Communications Group |
| Total Pages | : 164 |
| Release | : 2012-12-15 |
| Genre | : Drama |
| ISBN | : 1559367393 |
"What Lenny Bruce was to the 1950s, Bob Dylan to the 1960s, Woody Allen to the 1970s--that's what Eric Bogosian is to this frightening moment of drift in our history."--Frank Rich, The New York Times
| Author | : Will Eno |
| Publisher | : Theatre Communications Group |
| Total Pages | : 97 |
| Release | : 2012-10-25 |
| Genre | : Drama |
| ISBN | : 1559367652 |
"Will Eno is an original, a maverick wordsmith whose weird, wry dramas gurgle with the grim humor and pain of life."—Guardian A moving and funny new play exploring the universe of a small American town. As a friendship develops between longtime resident John Dodge and new arrival Mary Swanson, the lives of the inhabitants of Middletown intersect in strange and poignant ways in a journey that takes them from the local library to outer space and points between.
| Author | : Eric Bogosian |
| Publisher | : Theatre Communications Group |
| Total Pages | : 346 |
| Release | : 2014-05-27 |
| Genre | : Drama |
| ISBN | : 1559364645 |
Complete and collected monologues by legendary playwright and performer Eric Bogosian.
| Author | : Sarah Ruhl |
| Publisher | : Theatre Communications Group |
| Total Pages | : 159 |
| Release | : 2024-05-14 |
| Genre | : Drama |
| ISBN | : 1559369469 |
A wry, innovative reckoning with the legacy of the Salem witch trials from one of America’s foremost playwrights. Becky Nurse is an outspoken, sharp-witted tour guide at the Salem Museum of Witchcraft who’s just trying to get by in post-Obama America. She’s also the descendant of Rebecca Nurse, who was infamously executed for witchcraft in 1692—but things have changed for women since then…haven’t they? After losing her job for calling out The Crucible in front of schoolkids, Becky visits a local witch for help. One spell leads to another, and then everything really goes off the rails. A darkly comic play about a woman coming to terms with her family’s legacy and finding her voice in the “lock her up” era. Becky Nurse of Salem received its world premiere at Berkeley Rep in December 2019, in a production directed by Anne Kauffman. The play will receive its New York premiere at Lincoln Center Theater in the fall of 2022.
| Author | : Eric Bogosian |
| Publisher | : Theatre Communications Group |
| Total Pages | : 105 |
| Release | : 2012-09-15 |
| Genre | : Drama |
| ISBN | : 155936744X |
“Chekhov high on speed and Twinkies. A Work as ferocious as Mr. Bogosian’s own one-man shows.” -- David Richards, New York Times “A scarifying dissection of youthful disillusion that manages to be both appalling and appealing.” -- Newsweek “Bogosian’s script retains the playwright-performer’s trademark vitriol and hammer wit.” -- TimeOut New York This updated version of Eric Bogosian’s theatrical tour de force, set in a convenience store parking lot, riveted audiences in its Off-Broadway premiere. His rewrites – for a world with cell phones, hip-hop and war-time cultural tensions – render the piece “an American anyplace where everything, yet nothing , has changed.” -- Celia McGee, New York Times One of America’s premier performers and most innovative and provocative artists, Eric Bogosian’s plays and solo work include suburbia (Lincoln Center Theater, 1994; adapted to film by director Richard Linklater, 1996); Sex, Drugs, Rock & Roll, Pounding Nails in the Floor with My Forehead; Griller; Humpty Dumpty; 1+1; Skunkweed; Wake Up and Smell the Coffee; Drinking in America; Notes from Underground and Talk Radio (Pulitzer Prize finalist; New York Shakespeare Festival, 1987; Broadway, 2007; adapted to film by director Oliver Stone, 1988). He has starred in a wide variety of film, TV and stage roles. Most recently, he created the character of Captain Danny Ross on the long-running series Law & Order: Criminal Intent. In 2014, TCG published 100 (monologues), a collection that commemorates thirty years of Bogosian’s solo-performance career.
| Author | : Lynn Nottage |
| Publisher | : Theatre Communications Group |
| Total Pages | : 145 |
| Release | : 2009-09-01 |
| Genre | : Drama |
| ISBN | : 155936629X |
Winner of the 2009 Pulitzer Prize for Drama “A powerhouse drama. . . . Lynn Nottage’s beautiful, hideous and unpretentiously important play [is] a shattering, intimate journey into faraway news reports.”—Linda Winer, Newsday “An intense and gripping new drama . . . the kind of new play we desperately need: well-informed and unafraid of the world’s brutalities. Nottage is one of our finest playwrights, a smart, empathetic and daring storyteller who tells a story an audience won’t expect.”—David Cote, Time Out New York A rain forest bar and brothel in the brutally war-torn Congo is the setting for Lynn Nottage’s extraordinary new play. The establishment’s shrewd matriarch, Mama Nadi, keeps peace between customers from both sides of the civil war, as government soldiers and rebel forces alike choose from her inventory of women, many already “ruined” by rape and torture when they were pressed into prostitution. Inspired by interviews she conducted in Africa with Congo refugees, Nottage has crafted an engrossing and uncommonly human story with humor and song served alongside its postcolonial and feminist politics in the rich theatrical tradition of Bertolt Brecht’s Mother Courage. Lynn Nottage’s plays include Crumbs from the Table of Joy, Fabulation, and Intimate Apparel, winner of the American Theatre Critics’ Steinberg New Play Award and the Francesca Primus Prize. Her plays have been widely produced, with Intimate Apparel receiving more productions than any other play in America during the 2005-2006 season.
| Author | : Quiara Alegría Hudes |
| Publisher | : Theatre Communications Group |
| Total Pages | : 70 |
| Release | : 2017-07-10 |
| Genre | : Drama |
| ISBN | : 1559368772 |
“How many plays make us long for grace? Water by the Spoonful by Quiara Hudes is such a rare play; it is a yearning, funny, deeply sad and deeply lyrical piece, a worthy companion to Hudes’s Elliot, A Soldier’s Fugue. The play infects us with the urge to find connection within our families and communities and remains with us long after we’ve left the theater.” –Paula Vogel, Pulitzer Prize-winning author of How I Learned to Drive “Hudes’s writing is controlled and graceful. Each of the play’s 15 short scenes is perfectly balanced, the language both lyrical and lucid.” –Richard Zoglin, Time “For a drama peopled by characters who have traveled a long way in the dark, Water by the Spoonful gives off a shimmering, sustaining warmth. Ms. Hudes writes with such empathy and vibrant humor about people helping one another to face down their demons that regeneration and renewal always seem to be just around the corner.” –Charles Isherwood, New York Times Winner of the 2012 Pulitzer Prize for Drama, Water by the Spoonful is “a rich, brilliant montage of American urban life that is as dazzling to watch as it is difficult to look away from” (Associated Press). Somewhere in Philadelphia, Elliot has returned from Iraq and is struggling to find his place in the world. Somewhere in a chat room, recovering addicts forge an unbreakable bond of support and love. The boundaries of family and community are stretched across continents and cyberspace as birth families splinter and online families collide. Water by the Spoonful is a heartfelt and poetic meditation on lives on the brink of redemption and self-discovery during a time of heightened uncertainty, “as startling and innovative and human on the page as on the stage” (Junot Díaz, Pulitzer Prize-Winning author). Hudes’s cycle of three plays began with Elliot, A Soldier’s Fugue (Pulitzer Prize finalist) and concludes with The Happiest Song Plays Last. Quiara Alegría Hudes is the author of the Pulitzer Prize-winning Water by the Spoonful, the Tony Award-winning musical In the Heights and the Pulitzer Prize finalist Elliot, A Soldier’s Fugue. Her other works include Barrio Grrrl!, a children’s musical; 26 Miles; Yemaya’s Belly and The Happiest Song Plays Last, the third piece in her acclaimed trilogy. Hudes is on the board of Philadelphia Young Playwrights, which produced her first play in the tenth grade. She now lives in New York with her husband and children.
