Talk About Cinema
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Author | : Jean-Baptiste Thoret |
Publisher | : Flammarion-Pere Castor |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Performing Arts |
ISBN | : 9782080200969 |
From classicism to comedy, Kubrick to the Coen Brothers, this practical and instructive guide offers a straightforward approach to film in an accessible format: a perfect read for novices and experts alike. A fresh, engaging, and beautifully illustrated volume, Talk About Cinema is the ideal companion for those looking to gain a deeper understanding of cinema today. The main genres of contemporary cinema are clearly defined and exemplified, and chapters on major dates, turning points, and "firsts" since the turn of the twentieth century allow the reader to contextualize different cinematic movements. From Postmodernism and Expressionism to Teen Movies, Westerns, and Science Fiction, all the major trends and styles of recent times are explored and provide a detailed picture of the contemporary cinematic landscape. The portraits of thirty eminent contemporary filmmakers offer valuable insight into the creative and stylistic processes of some of the greatest names in world cinema, while a chapter on twenty seminal works from the last century details those films that have proved inspirational in shaping cinema as we know it today, such as The Twilight Zone, Scarface, and Night of the Living Dead. Hundreds of screenshots and original photographs of legendary actors and directors on set and on screen provide snapshots of their glamorous world, and an easy-to-use glossary ensures that the reader is never overwhelmed by jargon. If you want to understand and discuss film-related topics, Talk About Cinema effortlessly synthesizes a wealth of pertinent facts and ideas into a fun, didactic, and readable volume.
Author | : Paul Schrader |
Publisher | : Univ of California Press |
Total Pages | : 292 |
Release | : 2018-05-18 |
Genre | : Performing Arts |
ISBN | : 0520969146 |
With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors—Yasujiro Ozu, Robert Bresson, and Carl Dreyer—and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader’s theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.
Author | : Tony Bill |
Publisher | : Workman Publishing Company |
Total Pages | : 224 |
Release | : 2009-01-08 |
Genre | : Performing Arts |
ISBN | : 0761156305 |
“Movie Speak won’t guarantee you a job, but having a knowledge of the industry terms will fool everyone into thinking you own the place.” — Steven Spielberg “Finally a book that celebrates the process—the dynamic web of people, technique, and artistry—underneath every foot of celluloid.” —Jodie Foster Uncover the secret language of movie-making in a handbook for film buffs and language-lovers, as well as anyone who aspires to break into the business, with hundreds of essential terms, explained. Opening a window into the fascinatingly technical, odd, colorful, and mysterious working language of movies, Oscar-winning producer, actor, and director Tony Bill sheds light on the hugely complex process of making a film, as well as on the hierarchies between the cast and crew and the on-set etiquette of any movie production. From why the Assistant Director calls “wrap” to the real reason Hollywood stars began wearing sunglasses, Movie Speak offers tricks of the trade learned over decades in Hollywood—to help you crack the code of the movie business.
Author | : Prof. Deborah A. Starr |
Publisher | : Univ of California Press |
Total Pages | : 252 |
Release | : 2020-09-22 |
Genre | : Social Science |
ISBN | : 0520976126 |
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. In this book, Deborah A. Starr recuperates the work of Togo Mizrahi, a pioneer of Egyptian cinema. Mizrahi, an Egyptian Jew with Italian nationality, established himself as a prolific director of popular comedies and musicals in the 1930s and 1940s. As a studio owner and producer, Mizrahi promoted the idea that developing a local cinema industry was a project of national importance. Togo Mizrahi and the Making of Egyptian Cinema integrates film analysis with film history to tease out the cultural and political implications of Mizrahi’s work. His movies, Starr argues, subvert dominant notions of race, gender, and nationality through their playful—and queer—use of masquerade and mistaken identity. Taken together, Mizrahi’s films offer a hopeful vision of a pluralist Egypt. By reevaluating Mizrahi’s contributions to Egyptian culture, Starr challenges readers to reconsider the debates over who is Egyptian and what constitutes national cinema.
Author | : Frank Partnoy |
Publisher | : PublicAffairs |
Total Pages | : 495 |
Release | : 2009-09-08 |
Genre | : Business & Economics |
ISBN | : 1586488678 |
As the global financial crisis unfolds people everywhere are seeking to understand how markets devolved to this perilous, volatile state. In this dazzling and meticulously researched work of financial history, first published in 2003, and now thoroughly revised and updated, law professor and financial expert Frank Partnoy tells the story of how "classical" Wall Street securities like stocks and bonds were quietly eclipsed by ever more "quantum" products like derivatives. He documents how, starting in the mid-1980s, each new level of financial risk and complexity obscured the sickness of corporate America, and how Wall Street's evolving paradigm moved farther and farther beyond the understanding -- and regulation -- of ordinary investors and government overseers, leading inevitably to disaster.
Author | : Stephen Lowenstein |
Publisher | : Pantheon |
Total Pages | : 498 |
Release | : 2000 |
Genre | : Performing Arts |
ISBN | : |
Nobody forgets their first time--and film directors are no exception. In these vivid and revealing interviews, a collection of filmmakers as diverse as the Coen brothers and Ken Loach, Ang Lee and Kevin Smith, Anthony Minghella and Gary Oldman, Neil Jordan and Mira Nair talk in extraordinary detail and with amazing candor about making their first films. Each chapter focuses on a director's celebrated debut--be it "Angel or "Blood Simple, "Clerks or "Diner, "Muriel's Wedding or "Truly, Madly, Deeply--and tells the inside story: from writing the script to raising the money, from casting the actors to assembling the crew, from shooting to editing, from selling the movie to screening it. Along the way, every aspect of the movie industry is explored: from dealing with agents and moguls for the first time to pitching your movie as a debutante director, from languishing in development hell to confronting test audiences from hell. The questions have been posed by Stephen Lowenstein, a young director with two acclaimed short films to his credit. Remembering the struggle to launch their careers, the directors have opened up about their first films and themselves to an unprecedented degree. Each chapter is not only a memoir of a particular movie, but also an emotional journey in which the director relives the pain and elation, the comedy and tragedy, of making a first feature. For anyone who wants to direct movies, these tales of triumph and disaster, of sleepless nights and nail-biting days, will be enthralling and terrifying in equal measure. For all other film fans, the interviews provide fascinating and entertaining insights into filmmakers who have become household names.
Author | : Nathaniel Dorsky |
Publisher | : Tuumba Press |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Devotion |
ISBN | : 9781931157124 |
Literary Nonfiction. Cinema Studies. Revised 3rd Edition. Devotional Cinema offers an exploration into the language of film, reprised from a lecture on religion and cinema delivered at Princeton University. The new edition includes additions and changes related to the author's understanding of Carl Theodor Dreyer's The Passion of Joan of Arc as well as other smaller clarifications. Dorsky has been making and exhibiting films within the avant-garde tradition since 1964.
Author | : Michael Caine |
Publisher | : Hal Leonard Corporation |
Total Pages | : 153 |
Release | : 2000-02-01 |
Genre | : Performing Arts |
ISBN | : 1476842752 |
(Applause Books). A master actor who's appeared in an enormous number of films, starring with everyone from Nicholson to Kermit the Frog, Michael Caine is uniquely qualified to provide his view of making movies. This revised and expanded edition features great photos, with chapters on: Preparation, In Front of the Camera Before You Shoot, The Take, Characters, Directors, On Being a Star, and much more. "Remarkable material ... A treasure ... I'm not going to be looking at performances quite the same way ... FASCINATING!" Gene Siskel
Author | : Jonathan Rosenbaum |
Publisher | : Chicago Review Press |
Total Pages | : 242 |
Release | : 2002-07-01 |
Genre | : Social Science |
ISBN | : 1556529937 |
Is the cinema, as writers from David Denby to Susan Sontag have claimed, really dead? Contrary to what we have been led to believe, films are better than ever—we just can't see the good ones. Movie Wars cogently explains how movies are packaged, distributed, and promoted, and how, at every stage of the process, the potential moviegoer is treated with contempt. Using examples ranging from the New York Times's coverage of the Cannes film festival to the anticommercial practices of Orson Welles, Movie Wars details the workings of the powerful forces that are in the process of ruining our precious cinematic culture and heritage, and the counterforces that have begun to fight back.
Author | : A. O. Scott |
Publisher | : Penguin |
Total Pages | : 306 |
Release | : 2017-02-07 |
Genre | : Literary Criticism |
ISBN | : 0143109979 |
The New York Times film critic shows why we need criticism now more than ever Few could explain, let alone seek out, a career in criticism. Yet what A.O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and warm humor, Scott shows that while individual critics--himself included--can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative, and urgent activities of modern existence. Using his own film criticism as a starting point--everything from his infamous dismissal of the international blockbuster The Avengers to his intense affection for Pixar's animated Ratatouille--Scott expands outward, easily guiding readers through the complexities of Rilke and Shelley, the origins of Chuck Berry and the Rolling Stones, the power of Marina Abramovich and 'Ode on a Grecian Urn.' Drawing on the long tradition of criticism from Aristotle to Susan Sontag, Scott shows that real criticism was and always will be the breath of fresh air that allows true creativity to thrive. "The time for criticism is always now," Scott explains, "because the imperative to think clearly, to insist on the necessary balance of reason and passion, never goes away."