Dealing Art on Both Sides of the Atlantic, 1860-1940

Dealing Art on Both Sides of the Atlantic, 1860-1940
Author: Lynn Catterson
Publisher: BRILL
Total Pages: 338
Release: 2017-07-31
Genre: Art
ISBN: 9004342982

Dealing Art on Both Sides of the Atlantic, 1860-1940 aims to bring the marketplace dynamic into sharper focus with its essays which examine the many functionaries who participate in the art market network, among them, agents, scouts, intermediaries, restorers, fakers, decorators, advisers and experts. All of the essays are rooted in case studies which give voice to the various aspects of supply−from branding to marketing, from inventory to display, from restoration to pastiche to fabrication. Each is incredibly rich in their marshalling of primary sources and archival materials; in sum, they present an impressive array of new research. Contributors are: Fae Brauer, Denise M. Budd, Patrizia Cappellini, Lynn Catterson, Sebastien Chaffour, Laura D. Corey, Flaminia Gennari-Santori, Jacqueline Marie Musacchio, Joanna Smalcerz, Alexandra Provo, AnnaLea Tunesi, and Leanne Zalewski.

Sale

Sale
Author: American Art Association, Anderson Galleries (Firm)
Publisher:
Total Pages: 1662
Release: 1922
Genre:
ISBN:

Sale Catalogues

Sale Catalogues
Author: American Art Association, Anderson Galleries (Firm)
Publisher:
Total Pages: 1302
Release: 1922
Genre:
ISBN:

Sale

Sale
Author: Anderson Galleries, Inc
Publisher:
Total Pages: 470
Release: 1910
Genre: Art
ISBN:

Catalogue

Catalogue
Author: Bernard Quaritch (Firm)
Publisher:
Total Pages: 1028
Release: 1907
Genre: Antiquarian booksellers
ISBN:

French Master Drawings from the Collection of Muriel Butkin

French Master Drawings from the Collection of Muriel Butkin
Author: Carter E. Foster
Publisher: Hudson Hills
Total Pages: 170
Release: 2001
Genre: Art
ISBN: 9780940717671

Accompanying an exhibition at the Cleveland Museum of Art last fall and now at the Dahesh Museum in New York, this catalog focuses upon the French drawings in Muriel Butkin's highly specialized collection which she has promised to the Cleveland Museum. To assemble her diverse yet nicely integrated set of drawings, Butkin started buying 18th-century French drawings when they were affordable. In the mid-1970s, with the guidance of art historian Gabriel Weisberg, she expanded her collection to include 19th-century French drawings. These drawings were counter to the mainstream impressionist and postimpressionist taste of the time and focused more on academic French subject matter such as life drawings, portraits, or compositional studies. In the preface, Butkin herself reinforces her taste by saying that drawings are much more personal and spontaneous than paintings, often demonstrating the artistic process. Foster, curator of drawings at the Cleveland Museum, and other scholars present a well-researched volume that contributes new information to a very specialized field of art history. It is greatly disappointing, however, that the bulk of the reproductions are in black and white, often missing the subtly colored tones in many of the drawings. Nonetheless, this is recommended for museum and academic libraries that support graduate programs in art history. 183 b/w illustrations