Catalogue

Catalogue
Author: Bernard Quaritch (Firm)
Publisher:
Total Pages: 1028
Release: 1907
Genre: Antiquarian booksellers
ISBN:

Sale

Sale
Author: American Art Association, Anderson Galleries (Firm)
Publisher:
Total Pages: 1662
Release: 1922
Genre:
ISBN:

Sale Catalogues

Sale Catalogues
Author: American Art Association, Anderson Galleries (Firm)
Publisher:
Total Pages: 1302
Release: 1922
Genre:
ISBN:

Sale

Sale
Author: Anderson Galleries, Inc
Publisher:
Total Pages: 852
Release: 1909
Genre: Art
ISBN:

Library Catalog

Library Catalog
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
Total Pages: 1038
Release: 1960
Genre: Art
ISBN:

Nineteenth- and Twentieth-century Paintings

Nineteenth- and Twentieth-century Paintings
Author: Richard R. Brettell
Publisher: Metropolitan Museum of Art
Total Pages: 482
Release: 2009
Genre: Painting, Modern
ISBN: 1588393496

Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.

Modern Art on Display

Modern Art on Display
Author: K. Porter Aichele
Publisher: Rowman & Littlefield
Total Pages: 307
Release: 2016-05-19
Genre: Art
ISBN: 1611496179

Modern Art on Display: The Legacies of Six Collectors is structured as a sequence of case studies that pair collectors of modern art with artists they particularly favored: Duncan Phillips and Augustus Vincent Tack; Albert Barnes and Chaim Soutine; Albert Eugene Gallatin and Juan Gris; Lillie Bliss and Paul Cézanne; Etta Cone and Henri Matisse; G. David Thompson and Paul Klee. The case studies are linked by a thematic focus on the integral relationship between the collectors’ acquired knowledge about the work they amassed and their innovative display models. This focus brings a new perspective to the history of collecting and interpreting modern art in America for nearly half a century (1915-1960). By examining the books the collectors themselves read and analyzing archival photographs of their displays, the author makes a case for the historical significance of how the collectors presented the art they acquired before their collections were institutionalized.

Mapping Degas

Mapping Degas
Author: Roberta Crisci-Richardson
Publisher: Cambridge Scholars Publishing
Total Pages: 390
Release: 2015-06-18
Genre: Art
ISBN: 1443879339

The New Art History and the Impressionist canon seem to have successfully claimed Edgar Degas as a misogynist, rabid nationalist and misanthrope whose art was both masterly and experimental. By analysing Degas’s approach to space and his self-fashioning attitude towards identity within the ambiguities of the political and artistic culture of nineteenth-century France, this book questions the characterisation of Degas as a right-wing Frenchman and artist, and will change the way in which Degas is thought about today.