Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum

Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum
Author: Gillian Wilson
Publisher: Getty Publications
Total Pages: 289
Release: 2002-03-07
Genre: Design
ISBN: 089236632X

J. Paul Getty had a passion for the exquisitely made furniture and decorative objects of eighteenth-century France, which he began collecting in the 1930s. Gillian Wilson, curator of decorative arts since 1971, has broadened and strengthened the collection, adding Boulle furniture, mounted oriental porcelain, tapestries, clocks, ceramics, and more. In the 1980s and 1990s the Museum continued to enlarge its decorative arts holdings, creating a European sculpture department in 1984 and adding glass, maiolica, goldsmiths’ work, pietre dure, and furniture from Italy and Northern Europe. This book is a revised and expanded edition of Decorative Arts: An Illustrated Summary Catalogue of the Collection of the J. Paul Getty Museum (1993). In addition to more than forty recent acquisitions—among these four wall sconces from Versailles that once belonged to Marie Antoinette and an elaborate upholstered bed from the collection of Karl Lagerfeld—it includes the results of years of research. Designed for scholars, students, and devotees of the decorative arts, this volume provides a comprehensive look at the Getty's fine collection.

Rethinking Boucher

Rethinking Boucher
Author: Melissa Lee Hyde
Publisher: Getty Publications
Total Pages: 304
Release: 2006
Genre: Art
ISBN: 9780892368259

"Unequivocally a modern, Francois Boucher (1703-70) defined the French artistic avant-garde throughout his career. Yet the triumph of modernist aesthetics - with its focus on the self-critical, the autonomous, and the intellectually challenging - has long discouraged art historians and other viewers from taking Boucher's playful and alluring works seriously. Rethinking Boucher revisits the cultural meanings and reception of his diverse oeuvre, inviting us to revise the interpretive cliches by which we have sought to tame this artist and his epoch."--BOOK JACKET.

The Joys of Collecting

The Joys of Collecting
Author: Jean Paul Getty
Publisher: Getty Publications
Total Pages: 90
Release: 2011
Genre: Antiques & Collectibles
ISBN: 1606060872

Originally published: New York: Hawthorn Books, 1965.

The Wrightsman Collection

The Wrightsman Collection
Author: Charles B. Wrightsman
Publisher: Metropolitan Museum of Art
Total Pages: 478
Release: 1966
Genre: Art
ISBN: 0870990128

Volume Five: This catalogue of a private collection includes works by such artists as Vermeer, Rubens, Renoir, La Tour, the Tiepolos, El Greco, Canaletto, and Van Dyck. -- Metropolitan Museum of Art website.

Architectural Space in Eighteenth-Century Europe

Architectural Space in Eighteenth-Century Europe
Author: Meredith Martin
Publisher: Routledge
Total Pages: 428
Release: 2017-07-05
Genre: Art
ISBN: 1351576062

Architectural Space in Eighteenth-Century Europe: Constructing Identities and Interiors explores how a diverse, pan-European group of eighteenth-century patrons - among them bankers, bishops, bluestockings, and courtesans - used architectural space and décor to shape and express identity. Eighteenth-century European architects understood the client's instrumental role in giving form and meaning to architectural space. In a treatise published in 1745, the French architect Germain Boffrand determined that a visitor could "judge the character of the master for whom the house was built by the way in which it is planned, decorated and distributed." This interdisciplinary volume addresses two key interests of contemporary historians working in a range of disciplines: one, the broad question of identity formation, most notably as it relates to ideas of gender, class, and ethnicity; and two, the role played by different spatial environments in the production - not merely the reflection - of identity at defining historical and cultural moments. By combining contemporary critical analysis with a historically specific approach, the book's contributors situate ideas of space and the self within the visual and material remains of interiors in eighteenth-century Europe. In doing so, they offer compelling new insight not only into this historical period, but also into our own.