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Library Catalog of the Metropolitan Museum of Art, New York
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 1060 |
Release | : 1960 |
Genre | : Art |
ISBN | : |
Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum
Author | : Harvard University. Fine Arts Library |
Publisher | : Macmillan Reference USA |
Total Pages | : 700 |
Release | : 1971 |
Genre | : Art |
ISBN | : |
Library Catalog
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 1062 |
Release | : 1960 |
Genre | : Art |
ISBN | : |
Catalogues
Author | : Bernard Quaritch (Firm) |
Publisher | : |
Total Pages | : 100 |
Release | : 1949 |
Genre | : Books |
ISBN | : |
Gauguin
Author | : Jean Leymarie |
Publisher | : Rizzoli International Publications |
Total Pages | : 112 |
Release | : 1989 |
Genre | : Architecture |
ISBN | : |
Paul Gauguin (1848-1903) came late to painting, after two previous careers, first as a seaman, then as a stockbrocker. A romantic, a primitive, a symbolist, a born rebel and flamboyant personality, he stands at the crossroads of modern painting, summing up in his life's work the crucial transition from Impressionism to abstraction. He had no art school training. What we did have was an idea and a dream. His genius is usually considered in terms of his painting. This book offers the rare treat of a selection of watercolors, gouaches, pastels, pen-and-ink and charcoal drawings, monotypes, zincograph and woodcuts, together with pages from "Noa Noa", Gauguin's illustrated account of his stay in Tahiti. In many ways these works are more revealing than his paintings, as they allowed the artist a spontaneity and intimacy that painting, by the very nature of his technique, could not. -- From publisher's description.
Rethinking Boucher
Author | : Melissa Lee Hyde |
Publisher | : Getty Publications |
Total Pages | : 304 |
Release | : 2006 |
Genre | : Art |
ISBN | : 9780892368259 |
"Unequivocally a modern, Francois Boucher (1703-70) defined the French artistic avant-garde throughout his career. Yet the triumph of modernist aesthetics - with its focus on the self-critical, the autonomous, and the intellectually challenging - has long discouraged art historians and other viewers from taking Boucher's playful and alluring works seriously. Rethinking Boucher revisits the cultural meanings and reception of his diverse oeuvre, inviting us to revise the interpretive cliches by which we have sought to tame this artist and his epoch."--BOOK JACKET.