Tableaux Anciens Et Modernes Etudes Esquisses Et Copies Danciens Maitres
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Tableaux anciens et modernes et copies modernes d'après des maitres anciens
| Author | : J. & A. Le Roy, frères (Brussels, Belgium) |
| Publisher | : |
| Total Pages | : |
| Release | : 1919 |
| Genre | : |
| ISBN | : |
Revolutionary Paris and the Market for Netherlandish Art
| Author | : Darius A. Spieth |
| Publisher | : BRILL |
| Total Pages | : 535 |
| Release | : 2017-11-06 |
| Genre | : Art |
| ISBN | : 9004276750 |
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Poets, Patrons, and Printers
| Author | : Cynthia J. Brown |
| Publisher | : Cornell University Press |
| Total Pages | : 519 |
| Release | : 2019-03-15 |
| Genre | : Literary Criticism |
| ISBN | : 150174254X |
Cynthia J. Brown explains why the advent of print in the late medieval period brought about changes in relationships among poets, patrons, and printers which led to a new conception of authorship. Examining such paratextual elements of manuscripts as title pages, colophons, and illustrations as well as such literary strategies as experimentation with narrative voice, Brown traces authors' attempts to underscore their narrative presence in their works and to displace patrons from their role as sponsors and protectors of the book. Her accounts of the struggles of poets, including Jean Lemaire, Jean Bouchet, Jean Molinet, and Pierre Gringore, over the design, printing, and sale of their books demonstrate how authors secured the status of literary proprietor during the transition from the culture of script and courtly patronage to that of print capitalism.
In Defiance of Painting
| Author | : Christine Poggi |
| Publisher | : Yale University Press |
| Total Pages | : 318 |
| Release | : 1992-01-01 |
| Genre | : Art |
| ISBN | : 9780300051094 |
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.
