Synchromism and American Color Abstraction, 1910-1925
Author | : Gail Levin |
Publisher | : George Braziller |
Total Pages | : 152 |
Release | : 1978 |
Genre | : Art |
ISBN | : |
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Author | : Gail Levin |
Publisher | : George Braziller |
Total Pages | : 152 |
Release | : 1978 |
Genre | : Art |
ISBN | : |
Author | : Gail Levin |
Publisher | : George Braziller |
Total Pages | : 152 |
Release | : 1978 |
Genre | : Art |
ISBN | : |
Author | : Leah Dickerman |
Publisher | : The Museum of Modern Art |
Total Pages | : 378 |
Release | : 2012 |
Genre | : Art |
ISBN | : 0870708287 |
This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).
Author | : Abraham Davidson |
Publisher | : HarperCollins Publishers |
Total Pages | : 348 |
Release | : 1982-09 |
Genre | : Architecture |
ISBN | : 9780064301206 |
Author | : John Gage |
Publisher | : Univ of California Press |
Total Pages | : 344 |
Release | : 1999 |
Genre | : Aesthetics |
ISBN | : 0520222253 |
An encyclopaedic work on color in Western art and culture from the Middle Ages to Post-Modernism.
Author | : Kathleen A. Foster |
Publisher | : Yale University Press |
Total Pages | : 497 |
Release | : 2017-01-01 |
Genre | : Art |
ISBN | : 030022589X |
The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.
Author | : Ezra Pound |
Publisher | : New Directions Publishing |
Total Pages | : 364 |
Release | : 1980 |
Genre | : Art |
ISBN | : 9780811207720 |
Gathers all the poet's art criticism from various sources, as well as his articles explaining the new approach of vortography, the English avantgarde movement.
Author | : Erika Doss |
Publisher | : OUP Oxford |
Total Pages | : 288 |
Release | : 2002-04-26 |
Genre | : Art |
ISBN | : 0191587745 |
Jackson Pollock, Georgia O'Keeffe, Andy Warhol, Julian Schnabel, and Laurie Anderson are just some of the major American artists of the twentieth century. From the 1893 Chicago World's Fair to the 2000 Whitney Biennial, a rapid succession of art movements and different styles reflected the extreme changes in American culture and society, as well as America's position within the international art world. This exciting new look at twentieth century American art explores the relationships between American art, museums, and audiences in the century that came to be called the 'American century'. Extending beyond New York, it covers the emergence of Feminist art in Los Angeles in the 1970s; the Black art movement; the expansion of galleries and art schools; and the highly political public controversies surrounding arts funding. All the key movements are fully discussed, including early American Modernism, the New Negro movement, Regionalism, Abstract Expressionism, Pop Art, and Neo-Expressionism.