Symphony No 5 Op 67
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Author | : Carolyn Sloan |
Publisher | : Workman Publishing |
Total Pages | : 35 |
Release | : 2015-10-27 |
Genre | : Juvenile Nonfiction |
ISBN | : 0761176470 |
Using one of the most famous works in classical music—Beethoven’s Fifth Symphony—here is the perfect way to introduce a young child to the world of classical music. This charming and interactive picture book with its panel of 19 sound buttons is like a ticket to a concert hall, taking readers on a journey from the exciting first moment when the musicians begin tuning up to the end of the first movement (attention newcomers: don’t clap yet!). At each step of the way, readers learn the basics of classical music and the orchestra: What is a conductor? What is a symphony? Who was Beethoven? The different aspects of music: melody, harmony, tempo, theme. And the families of instruments—strings, woodwinds, brass, and percussion. But the best part is that every critical idea is illustrated in gorgeous sound. The sound panel allows readers to hear the different parts of the symphony and voices of the music—the famous beginning of the Fifth, what a clarinet sounds like, the difference between a violin and a viola, what a melody is, and what harmony is. Kids will want to match their voices to the A note that tunes the orchestra, dance to the rhythmic passages—and, of course, sing along to da-da-da-daah!
Author | : Ludwig van Beethoven |
Publisher | : Alfred Music |
Total Pages | : 148 |
Release | : |
Genre | : Music |
ISBN | : 9781457468230 |
A symphony for full orchestra, composed by Ludwig van Beethoven.
Author | : Colin Matthews |
Publisher | : Boosey & Hawkes Incorporated |
Total Pages | : 0 |
Release | : 2004-06 |
Genre | : Music |
ISBN | : 9781476899718 |
Concert Band Music Levels 5-6
Author | : Brendan Slocumb |
Publisher | : Anchor |
Total Pages | : 353 |
Release | : 2022-02-01 |
Genre | : Fiction |
ISBN | : 059331543X |
GOOD MORNING AMERICA BOOK CLUB PICK! • Ray McMillian is a Black classical musician on the rise—undeterred by the pressure and prejudice of the classical music world—when a shocking theft sends him on a desperate quest to recover his great-great-grandfather’s heirloom violin on the eve of the most prestigious musical competition in the world. “I loved The Violin Conspiracy for exactly the same reasons I loved The Queen’s Gambit: a surprising, beautifully rendered underdog hero I cared about deeply and a fascinating, cutthroat world I knew nothing about—in this case, classical music.” —Chris Bohjalian, #1 New York Times bestselling author of The Flight Attendant and Hour of the Witch Growing up Black in rural North Carolina, Ray McMillian’s life is already mapped out. But Ray has a gift and a dream—he’s determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can’t afford a violin suitable to his talents; not even the racism inherent in the world of classical music. When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition—the Olympics of classical music—the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself—and the world—that no matter the outcome, there has always been a truly great musician within him.
Author | : Martin Geck |
Publisher | : University of Chicago Press |
Total Pages | : 206 |
Release | : 2017-05 |
Genre | : Music |
ISBN | : 022645388X |
In the years spanning from 1800 to 1824, Ludwig van Beethoven completed nine symphonies, now considered among the greatest masterpieces of Western music. Yet despite the fact that this time period, located in the wake of the Enlightenment and at the peak of romanticism, was one of rich intellectual exploration and social change, the influence of such threads of thought on Beethoven’s work has until now remained hidden beneath the surface of the notes. Beethoven’s Symphonies presents a fresh look at the great composer’s approach and the ideas that moved him, offering a lively account of the major themes unifying his radically diverse output. Martin Geck opens the book with an enthralling series of cultural, political, and musical motifs that run throughout the symphonies. A leading theme is Beethoven’s intense intellectual and emotional engagement with the figure of Napoleon, an engagement that survived even Beethoven’s disappointment with Napoleon’s decision to be crowned emperor in 1804. Geck also delves into the unique ways in which Beethoven approached beginnings and finales in his symphonies, as well as his innovative use of particular instruments. He then turns to the individual symphonies, tracing elements—a pitch, a chord, a musical theme—that offer a new way of thinking about each work and will make even the most devoted fans of Beethoven admire the symphonies anew. Offering refreshingly inventive readings of the work of one of history’s greatest composers, this book shapes a fascinating picture of the symphonies as a cohesive oeuvre and of Beethoven as a master symphonist.
Author | : N. Alan Clark |
Publisher | : |
Total Pages | : 316 |
Release | : 2015-12-21 |
Genre | : Education |
ISBN | : 9781940771335 |
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!
Author | : Andrea Dow |
Publisher | : |
Total Pages | : 34 |
Release | : 2018-04-30 |
Genre | : |
ISBN | : 9781718608610 |
(Classical Pop Piano Solos). These pop-infused piano solos inspired by the music of Beethoven will energize the next generation of piano players. Early intermediate students will immediately fall in love with pop renditions of: *Sonatina in G Major *Für Elise *Moonlight Sonata *Rondo A Capriccio *Symphony No. 5, Op. 67 *Piano Sonata No. 8, Op. 13 and *Symphony No. 9, Op. 125.
Author | : Ludwig van Beethoven |
Publisher | : |
Total Pages | : 150 |
Release | : 1932 |
Genre | : Symphonies |
ISBN | : |
Author | : Wayne M. Senner |
Publisher | : U of Nebraska Press |
Total Pages | : 316 |
Release | : 1999-01-01 |
Genre | : Music |
ISBN | : 9780803212510 |
The volumes in The Critical Reception of Beethoven's Compositions by His German Contemporaries bring to light contemporary perceptions of Beethoven's music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven's music to theoretical and critical ideas of the eighteenth and nineteenth centuries. These documents, most of which appear in English for the first time, have been compiled from German-language periodicals published between 1783 and 1830. They present a wide spectrum of insights into the perceptions that Beethoven's contemporaries had of his monumental music. This is the second in a projected four-volume series. It begins with Opus 55, the Eroica, and ends with Opus 72, Fidelio.
Author | : Nancy November |
Publisher | : Cambridge University Press |
Total Pages | : 277 |
Release | : 2021-06-10 |
Genre | : Music |
ISBN | : 1108923879 |
Early nineteenth-century composers, publishers and writers evolved influential ideals of Beethoven's symphonies as untouchable masterpieces. Meanwhile, many and various arrangements of symphonies, principally for amateur performers, supported diverse and 'hands-on' cultivation of the same works. Now mostly forgotten, these arrangements served a vital function in nineteenth-century musical life, extending works' meanings and reach, especially to women in the home. This book places domestic music-making back into the history of the classical symphony. It investigates a largely untapped wealth of early nineteenth-century arrangements of symphonies by Beethoven - for piano, string quartet, mixed quintet and other ensembles. The study focuses on three key agents in the nineteenth-century culture of musical arrangement: arrangers, publishers and performers. It investigates significant functions of those musical arrangements in the era: sociability, reception and canon formation. The volume also explores how conceptions of Beethoven's symphonies, and their arrangement, changed across the era with changing conception of musical works.