Symphony No. 3, Op. 28
Author | : Louis Vierne |
Publisher | : Alfred Music |
Total Pages | : 40 |
Release | : |
Genre | : Music |
ISBN | : 9781457488955 |
An Organ solo by Louis Vierne.
Download Symphony No 3 Op 28 full books in PDF, epub, and Kindle. Read online free Symphony No 3 Op 28 ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Louis Vierne |
Publisher | : Alfred Music |
Total Pages | : 40 |
Release | : |
Genre | : Music |
ISBN | : 9781457488955 |
An Organ solo by Louis Vierne.
Author | : Carl Schachter |
Publisher | : Oxford University Press |
Total Pages | : 313 |
Release | : 2016 |
Genre | : Music |
ISBN | : 0190227397 |
Carl Schachter is the world's leading practitioner of Schenkerian theory and analysis. His articles and books have been broadly influential, and are seen by many as models of musical insight and lucid prose. Yet, perhaps his greatest impact has been felt in the classroom. At the Mannes College of Music, the Juilliard School of Music, Queens College and the Graduate Center of the City University of New York, and at special pedagogical events around the world, he has taught generations of musical performers, composers, historians, and theorists over the course of his long career. In Fall 2012, Schachter taught a doctoral seminar at the CUNY Graduate Center in which he talked about the music and the musical issues that have concerned him most deeply; the course was in essence a summation of his extensive and renowned teaching. In The Art of Tonal Analysis, winner of the Society for Music Theory's 2017 Citation of Special Merit, music theorist Joseph Straus presents edited transcripts of those lectures. Accompanied by abundant music examples, including analytical examples transcribed from the classroom blackboard, Straus's own visualizations of material that Schachter presented aurally at the piano, and Schachter's own extended Schenkerian graphs and sketches, this book offers a vivid account of Schachter's masterful pedagogy and his deep insight into the central works of the tonal canon. In making the lectures of one of the world's most extraordinary musicians and musical thinkers available to a wide audience, The Art of Tonal Analysis is an invaluable resource for students and scholars of music.
Author | : Joel Lester |
Publisher | : Pendragon Press |
Total Pages | : 300 |
Release | : 1986 |
Genre | : Juvenile Nonfiction |
ISBN | : 9780809312825 |
The primary focus of this book is accent which Lester argues is one of the major aspects of rhythm. The central question is not whether a note or event (rest point in time) is accented but how it is accented. This change of focus allows for the first time a thorough investigation into the factors that give rise to accent the relative importance of these factors in creating accentuation the way accents are perceived the way meter arises and the limits of metric organization on higher levels of structure.
Author | : Louis Vierne |
Publisher | : |
Total Pages | : 44 |
Release | : 1991 |
Genre | : Symphonies (Organ) |
ISBN | : |
Author | : David Wyn Jones |
Publisher | : Cambridge University Press |
Total Pages | : 120 |
Release | : 1995-11-23 |
Genre | : Music |
ISBN | : 9780521456845 |
A clear piece of musical criticism analysing the formal aspects of Beethoven's 6th symphony. Reviewed as very readable.
Author | : Jason Yust |
Publisher | : Oxford University Press |
Total Pages | : 464 |
Release | : 2018-05-15 |
Genre | : Music |
ISBN | : 0190696508 |
Organized Time is the first attempt to unite theories of harmony, rhythm and meter, and form under a common idea of structured time. Building off of recent advances in music theory in essential subfields-rhythmic theory, tonal structure, and the theory of musical form--author Jason Yust demonstrates that tonal music exhibits similar hierarchical organization in each of these dimensions. Yust develops a network model for temporal structure with an application of mathematical graph theory, which leads ultimately to musical applications of a multi-dimensional polytope called the associahedron. A wealth of analytical examples includes not only the familiar tonal canon-J.S. Bach, Mozart, Schumann--but also lesser known masters of the musical Enlightenment such as C.P.E. and J.C. Bach, Boccherini, and Johann Gottlieb Graun. Yust's approach has wide-ranging ramifications across music theory, enabling new approaches to musical closure, hypermeter, formal function, syncopation, and rhythmic dissonance, as well as historical observations about the development of sonata form and the innovations of Haydn and Beethoven. Making a forceful argument for the independence of musical modalities and for a multivalent approach to music analysis, Organized Time establishes the aesthetic importance of structural disjunction, the conflict of structure in different modalities, in numerous analytical contexts.
Author | : R. Larry Todd |
Publisher | : Routledge |
Total Pages | : 359 |
Release | : 2013-10-28 |
Genre | : Music |
ISBN | : 1135866694 |
When R. Larry Todd’s biography, Mendelssohn: A Life in Music, appeared in 2003, it won acclaim from several critics as a definitive biography. In researching Mendelssohn’s life over the last two and a half decades, Todd uncovered much new information about the composer and his music, his family and his peers, and his complex reception history. Now, as we approach the 2009 bicentenary of Mendelssohn’s birth, the author has chosen and compiled fifteen essays written between 1980 and 2005, including five previously unpublished, that examine several aspects of the composer whom Goethe and Heine likened to a second Mozart. Mendelssohn Essays explores Mendelssohn’s precocity, his musical impressions of British culture, the role of the visual in his music, his compositional response to Bach’s St. Matthew Passion, and incomplete drafts from his musical estate of three instrumental works. In addition, a group of three essays focuses on the music of Mendelssohn’s sister Fanny Hensel, perhaps the most gifted woman composer of the century, and a significant, complex figure in the formation of the Mendelssohnian style.