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| Author | : Elisa Decker |
| Publisher | : |
| Total Pages | : |
| Release | : 2019-08-25 |
| Genre | : |
| ISBN | : 9780464246466 |
Thirty-one artists explore the transcendent experiencethrough painting, sculpture, collage, and photography.Catalog of a group exhibition organized and curated by Elisa Decker in 2018.
| Author | : Marion Arnold |
| Publisher | : Routledge |
| Total Pages | : 255 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351574124 |
The essays collected here investigate art made by women in South Africa between 1910, the year of Union, and 1994, the year of the first democratic election. During this period, complex political circumstances and the impact of modernism in South Africa affected the production of images and objects. The essays explore the ways in which the socio-political circumstances associated with twentieth-century modernity had a paradoxical impact on women. If some were empowered, others were disadvantaged: while some were able to further their social and cultural development and expression, the advancement of others was impeded. The contributors study the lives and achievements of women - named and un-named, black and white, and from different cultural groups and social contexts - and consider objects and images that are historically associated with both 'art' and 'craft'. In all the essays, gender theory is related to South African circumstances. The volume explores gender theory in relation to twentieth-century visual culture and discusses economic conditions and regional geographies as well as notions of identity. It investigates the influence of educational and cultural institutions, the role of theory on art practice, debates about material culture, the power of nationalist ideologies and the role of feminist theories in a changing country. A wide range of visual images and objects provide the touchstone for debate and analysis - paintings, sculptures, photography, baskets, tapestries, embroideries and ceramics - so that the book is richly visual and celebrates the diversity of South African art made by women.
| Author | : Sarah Nuttall |
| Publisher | : Duke University Press |
| Total Pages | : 760 |
| Release | : 2024-09-13 |
| Genre | : Performing Arts |
| ISBN | : 1478059419 |
Penny Siopis is internationally acclaimed for her pathbreaking paintings and installations. Your History with Me is a comprehensive study of her short films, which have put her at the front ranks of contemporary artist-filmmakers. Siopis uses found footage to create short video essays that function as densely encrypted accounts of historical time and memory that touch on the cryptic and visceral elements of gender and power. The critics, scholars, curators, artists, and filmmakers in this volume examine her films in relation to subjects ranging from the history of Greeks in South Africa, trauma and cultural memory, and her relationship with the French New Wave to her feminist-inflected articulations of form and content and how her films comment on apartheid. They also highlight her global South perspective to articulate a mode of filmmaking highly responsive to histories of violence, displacement, and migration as well as pleasure, joy, and renewal. The essays, which are paired with vivid stills from Siopis’s films throughout, collectively widen the understanding of Siopis’s oeuvre. Opening new vocabularies of thought for engaging with her films, this volume outlines how her work remakes the possibilities of film as a mode of experimentation and intervention. Contributors. John Akomfrah, Sinazo Chiya, Mark Gevisser, Pumla Dineo Gqola, Katerina Gregos, Brenda Hollweg, William Kentridge, Achille Mbembe, Sarah Nuttall, Griselda Pollock, Laura Rascaroli, Zineb Sedira, Penny Siopis, Hedley Twidle, Zoé Whitley
| Author | : Will Atkin |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 249 |
| Release | : 2023-08-10 |
| Genre | : Art |
| ISBN | : 1350227498 |
Often regarded as an artistic movement of interwar Paris, Surrealism comprised an international community of artists, writers, and intellectuals who have aspired to change the conditions of life itself over the course of the past century. Consisting of a wide range of dedicated case studies from the 1920s to the 1970s, this book highlights the international dimensions of the Surrealist Movement, and the radical chains of thought that linked its followers across the globe: from France to Romania, and from Canada to the former Czechoslovakia. From very early on, the surrealists approached magic as a means of bypassing, discrediting, and combatting rationalism, capitalism, and other institutionalized systems and values that they saw to be constraining influences upon modern life. Surrealist Sorcery maps out how this interest in magic developed into a major area of surrealist research that led not only to theoretical but also practical explorations of the subject. Taking an international perspective, Atkin surveys this important quality of the movement and how it's remained an important element in the surrealist project and its ongoing legacy.
| Author | : Eric F. Clarke |
| Publisher | : Oxford University Press |
| Total Pages | : 385 |
| Release | : 2017-11-15 |
| Genre | : Music |
| ISBN | : 0199355932 |
Creative practice in music, particularly in traditional concert culture, is commonly understood in terms of a rather stark division of labour between composer and performer. But this overlooks the distributed and interactive nature of the creative processes on which so much contemporary music depends. The incorporation of two features-improvisation and collaboration-into much contemporary music suggests that the received view of the relationship between composition and performance requires reassessment. Improvisation and collaborative working practices blur the composition/performance divide and, in doing so, provide important new perspectives on the forms of distributed creativity that play a central part in much contemporary music. Distributed Creativity: Collaboration and Improvisation in Contemporary Music explores the different ways in which collaboration and improvisation enable and constrain creative processes. Thirteen chapters and twelve shorter Interventions offer a range of perspectives on distributed creativity in music, on composer/performer collaborations and on contemporary improvisation practices. The chapters provide substantial discussions of a variety of conceptual frameworks and particular projects, while the Interventions present more informal contributions from a variety of practitioners (performers, composers, improvisers), giving insights into the pleasures and perils of working creatively in collaborative and improvised ways.
| Author | : Wellcome Historical Medical Museum |
| Publisher | : |
| Total Pages | : 96 |
| Release | : 1952 |
| Genre | : Medicine, Primitive |
| ISBN | : |
| Author | : Bernd-Christian Otto |
| Publisher | : Routledge |
| Total Pages | : 296 |
| Release | : 2014-09-11 |
| Genre | : Religion |
| ISBN | : 1317545044 |
Magic has been an important term in Western history and continues to be an essential topic in the modern academic study of religion, anthropology, sociology, and cultural history. Defining Magic is the first volume to assemble key texts that aim at determining the nature of magic, establish its boundaries and key features, and explain its working. The reader brings together seminal writings from antiquity to today. The texts have been selected on the strength of their success in defining magic as a category, their impact on future scholarship, and their originality. The writings are divided into chronological sections and each essay is separately introduced for student readers. Together, these texts - from Philosophy, Theology, Religious Studies, and Anthropology - reveal the breadth of critical approaches and responses to defining what is magic. CONTRIBUTORS: Aquinas, Augustine, Helena Petrovna Blavatsky, Dennis Diderot, Emile Durkheim, Edward Evans-Pritchard, James Frazer, Susan Greenwood, Robin Horton, Edmund Leach, Gerardus van der Leeuw, Christopher Lehrich, Bronislaw Malinowski, Marcel Mauss, Agrippa von Nettesheim, Plato, Pliny, Plotin, Isidore of Sevilla, Jesper Sorensen, Kimberley Stratton, Randall Styers, Edward Tylor
| Author | : Sarah Mlynowski |
| Publisher | : Scholastic Inc. |
| Total Pages | : 133 |
| Release | : 2016-12-27 |
| Genre | : Juvenile Fiction |
| ISBN | : 0545800552 |
The Upside-Down Magic kids are back in another topsy-turvy adventure in the next installment of this New York Times bestselling series, now a Disney Channel Original Movie! Some people in school are afraid of the kids in the Upside-Down Magic class. Others just call them flops. But Nory and her friends in Upside-down Magic won't let that stop them. Not with a school-wide talent show coming up! Except... Nory's afraid her fluxing magic will go wonky and upset her father. Pepper is worried that her abilities as a Fierce will make all the animals in the show run wild. Bax has some extreme new magic skills, but they can also be extremely embarrassing. And Elliott suspects there's a Sparkie spy who's looking to uncover UDM's talent-show secrets-and to use those secrets against them. In order to take the stage and make some magic, the Upside-Down Magic kids are going to have to band together... and find the right combination of talents to steal the show!
