Switzerland as Described by Great Writers
Author | : Esther Singleton |
Publisher | : |
Total Pages | : 452 |
Release | : 1908 |
Genre | : Switzerland |
ISBN | : |
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Author | : Esther Singleton |
Publisher | : |
Total Pages | : 452 |
Release | : 1908 |
Genre | : Switzerland |
ISBN | : |
Author | : Esther Singleton |
Publisher | : |
Total Pages | : 462 |
Release | : 1912 |
Genre | : Architecture |
ISBN | : |
Author | : Padraig Rooney |
Publisher | : Nicholas Brealey |
Total Pages | : 458 |
Release | : 2016-09-27 |
Genre | : Biography & Autobiography |
ISBN | : 1473645026 |
Part detective work, part treasure chest, full of history and scandal, The Gilded Chalet takes you on a grand tour of two centuries of great writing by both Swiss and foreign authors and shows how Switzerland has always been at the center of literary Europe. Two centuries after the Romantics went there to invent Gothic horror, the lure of Switzerland hasn't left us. Writers from the Fitzgeralds to Fleming, Highsmith to Hemingway, Conan Doyle to le Carré, came to escape world wars, political persecution, tuberculosis. They came for sanctuary (from oppression or the tax man), for fresh air and nude sunbathing, for scenery resembling, as Rooney puts it, 'Mother Nature on steroids.' Patricia Highsmith spent her last years in a granite home in Ticino with a fridge containing little but peanut butter and vodka. Hermann Hesse had himself buried to the neck as a cure for alcoholism. Nabokov chased butterflies and played tennis on the hotel courts. When it comes to literature, it seems all roads lead to Switzerland. Padraig Rooney peers through the chalet windows and discovers how Switzerland has influenced some of the greatest authors and characters of literature.
Author | : G.H. Grosvenor |
Publisher | : Рипол Классик |
Total Pages | : 227 |
Release | : 1918 |
Genre | : History |
ISBN | : 5877293117 |
Scenes from Every Land. Second Series. A collection of 250 illustracions picturing the people, natural phenomena, and animal life in all parts of the world. With one map and bibliography of gazetteers, atlases, and books descriptive of foreign countries and natural history.
Author | : Esther Singleton |
Publisher | : Library of Alexandria |
Total Pages | : 408 |
Release | : 1910-01-01 |
Genre | : History |
ISBN | : 1465539050 |
We were surrounded by five and twenty boatmen, each of whom exerted himself to get our custom: these were the ciceroni of the Blue Grotto. I chose one and Jadin another, for you must have a boat and a boatman to get there, the opening being so low and so narrow that one cannot enter unless in a very small boat. The sea was calm, nevertheless, even in this beautiful weather it broke with such force against the belt of rocks surrounding the island that our barks bounded as if in a tempest, and we were obliged to lie down and cling to the sides to avoid being thrown into the sea. At last, after three-quarters of an hour of navigation, during which we skirted about one-sixth of the island’s circumference, our boatmen informed us of our arrival. We looked about us, but we could not perceive the slightest suspicion of a grotto until we made out with difficulty a little black, circular point above the foaming waves: this was the orifice of the vault. The first sight of this entrance was not reässuring: you could not understand how it was possible to clear it without breaking your head against the rocks. As the question seemed important enough for discussion, I put it to my boatman, who replied that we were perfectly right in remaining seated now, but presently we must lie down to avoid the danger. We had not come so far as this to flinch. It was my turn first; my boatman advanced, rowing with precaution and indicating that, accustomed as he was to the work, he could not regard it as exempt from danger. As for me, from the position that I occupied, I could see nothing but the sky; soon I felt myself rising upon a wave, the boat slid down it rapidly, and I saw nothing but a rock that seemed for a second to weigh upon my breast. Then, suddenly, I found myself in a grotto so marvellous that I gave a cry of astonishment, and I jumped up so quickly to look about me that I nearly capsized the boat. In reality, before me, around me, above me, under me, and behind me were marvels of which no description can give an idea, and before which, the brush itself, the grand preserver of human memories, is powerless. You must imagine an immense cavern entirely of azure, just as if God had amused himself by making a pavilion with fragments of the firmament; water so limpid, so transparent, and so pure that you seemed floating upon dense air; from the ceiling stalactites hanging like inverted pyramids; in the background a golden sand mingled with submarine vegetation; along the walls which were bathed by the water there were trees of coral with irregular and dazzling branches; at the sea-entrance, a tiny point—a star—let in the half-light that illumines this fairy palace; finally, at the opposite end, a kind of stage arranged like the throne of a splendid goddess who has chosen one of the wonders of the world for her baths.