Swamp Thing 1985 1996 61
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Author | : Joe Casey |
Publisher | : Marvel Entertainment |
Total Pages | : 417 |
Release | : 2018-01-10 |
Genre | : Comics & Graphic Novels |
ISBN | : 1302502123 |
Collects Cable (1993) #59-70, Annual '99; X-Man #45-47. Cable stars in power-packed adventures from an explosive era! The Askanisons world is rocked when he battles Jack Truman, the highly trained S.H.I.E.L.D. operative known as Agent 18! When the Nemesis Contract is opened, Cable will face the wrath of Zzzax, the fury of Nick Fury and the portent of Project Deathlok! Then, when Stryfe strikes, Nathan must unite with his blood brother Nate Grey the headstrong young refugee from the Age of Apocalypse known as X-Man to stop him! But Cable will need help from the Avengers when the end times draw near, courtesy of the Harbinger of Apocalypse! Plus: Rachel Summers the once and future Phoenix makes her return! With the Prophecy of the Twelve looming on the horizon, will Cable embrace his Apocalyptic destiny?
Author | : Johnny Lauck |
Publisher | : |
Total Pages | : 522 |
Release | : 1996 |
Genre | : Comic books, strips, etc |
ISBN | : |
Author | : Alan Moore |
Publisher | : Titan Publishing Company |
Total Pages | : 205 |
Release | : 2012 |
Genre | : Graphic novels |
ISBN | : 9781848562424 |
Graphic Novel. This first volume, collecting issues 20-27 of THE SAGA OF THE SWAMP THING, also features a foreword by famed horror author Ramsey Campbell and a new introduction by Swamp Thing co-creator and original series editor Len Wein.
Author | : Alan Moore |
Publisher | : DC Comics |
Total Pages | : 26 |
Release | : 2011-03-02 |
Genre | : Comics & Graphic Novels |
ISBN | : |
What does it take to grow a Swamp Thing? Find out in 'Growth Patterns,' as the being regrows himself one day—and leaf—at a time! John Constantine makes his comic book debut as an evil peers into the DC Universe.
Author | : Len Wein |
Publisher | : |
Total Pages | : 270 |
Release | : 1986 |
Genre | : Comic books, strips, etc |
ISBN | : |
Author | : Comics Buyers Guide |
Publisher | : |
Total Pages | : 108 |
Release | : 1995-10 |
Genre | : Antiques & Collectibles |
ISBN | : 9780873414067 |
Author | : Michael Atkinson |
Publisher | : Hal Leonard Corporation |
Total Pages | : 232 |
Release | : 1999 |
Genre | : Performing Arts |
ISBN | : 9780879102852 |
(Limelight). Looking back on a century that witnessed the emergence of motion pictures to become, almost immediately, a dominant cultural force in our lives, this penetrating and provocative book argues that "movies (like cathedrals) cannot help but display the subconscious impulses oftheir society." From D.W. Griffith to the Marx Brothers to film noir, "what are conceived and consumed as innocent pop movies ... are in fact manifestations of wild horror, superstitious ignorance, fatalistic dread and bigoted savagery."
Author | : United States. Congress |
Publisher | : |
Total Pages | : 1324 |
Release | : 1968 |
Genre | : Law |
ISBN | : |
Author | : M. Keith Booker |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 2803 |
Release | : 2014-10-28 |
Genre | : Social Science |
ISBN | : |
Focusing especially on American comic books and graphic novels from the 1930s to the present, this massive four-volume work provides a colorful yet authoritative source on the entire history of the comics medium. Comics and graphic novels have recently become big business, serving as the inspiration for blockbuster Hollywood movies such as the Iron Man series of films and the hit television drama The Walking Dead. But comics have been popular throughout the 20th century despite the significant effects of the restrictions of the Comics Code in place from the 1950s through 1970s, which prohibited the depiction of zombies and use of the word "horror," among many other rules. Comics through Time: A History of Icons, Idols, and Ideas provides students and general readers a one-stop resource for researching topics, genres, works, and artists of comic books, comic strips, and graphic novels. The comprehensive and broad coverage of this set is organized chronologically by volume. Volume 1 covers 1960 and earlier; Volume 2 covers 1960–1980; Volume 3 covers 1980–1995; and Volume 4 covers 1995 to the present. The chronological divisions give readers a sense of the evolution of comics within the larger contexts of American culture and history. The alphabetically arranged entries in each volume address topics such as comics publishing, characters, imprints, genres, themes, titles, artists, writers, and more. While special attention is paid to American comics, the entries also include coverage of British, Japanese, and European comics that have influenced illustrated storytelling of the United States or are of special interest to American readers.
Author | : Isabelle Licari-Guillaume |
Publisher | : Taylor & Francis |
Total Pages | : 165 |
Release | : 2022-08-30 |
Genre | : Literary Criticism |
ISBN | : 100064085X |
This book explores the so-called "British Invasion" of DC Comics’ Vertigo imprint, which played an important role in redefining the mainstream comics industry in the US during the early 1990s. Focusing on British creators within Vertigo, this study traces the evolution of the line from its creation in 1993 to its demise in 2019. Through an approach grounded in cultural history, the book disentangles the imprint’s complex roots, showing how editors channelled the potential of its British writers at a time of deep-seated economic and cultural change within the comics industry, and promoted a sense of cohesion across titles that defied categories. The author also delves into lesser-known aspects of the Invasion, exploring less-canonical periods and creators that are often eclipsed by Vertigo’s early star writers. An innovative contribution on a key element of comic book history, this volume will appeal both to researchers of Vertigo scholarship and to fans of the imprint. It will also be an essential read for those interested in transatlantic collaborations and exchanges in the entertainment industry, processes of cultural legitimation and cultural hierarchies, and to anyone working on the representation of national and social identities.