Surinamese Music In The Netherlands And Suriname
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| Author | : Marcel Weltak |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 222 |
| Release | : 2021-07-29 |
| Genre | : Music |
| ISBN | : 1496834917 |
Contributions by Herman Dijo, J. Ketwaru, Guilly Koster, Lou Lichtveld, Pondo O’Bryan, and Marcel Weltak When Marcel Weltak’s Surinamese Music in the Netherlands and Suriname was published in Dutch in 1990, it was the first book to provide an overview of the music styles originating from the land that had recently gained its independence from the Netherlands. Up until the 1990s, little had been published that observed the music of the country. Weltak’s book was the first to examine both the instruments and the way in which they are played as well as the melodic and rhythmic components of music produced by the country’s ethnically diverse populations, including people of Amerindian, African, Indian, Indonesian/Javanese, and Chinese descent. Since the book’s first appearance, a new generation of musicians of Surinamese descent has carried on making music, and some of their elders referred to in the original edition have passed away. The catalog of recordings that have become available has also expanded, particularly in the areas of hip-hop, rap, jazz, R&B, and new fusions such as kaskawi. This edition, in English for the first time, includes a new opening chapter by Marcel Weltak giving a historical sketch of Suriname’s relationship to the Netherlands. It includes updates on the popular music of second- and third-generation musicians of Surinamese descent in the Netherlands, and Weltak's own subsequent and vital research into the Amerindian and maroon music of the interior. The new introduction is followed by the integral text of the original edition. New appendices have been added to this edition that include a bibliography and updated discography; a listing of films, videos, and DVDs on or about Surinamese music or musicians; and concise, alphabetically arranged notes on musical instruments and styles as well as brief biographies of those authors who contributed texts.
| Author | : Marcel Weltak |
| Publisher | : |
| Total Pages | : 102 |
| Release | : 2016 |
| Genre | : Musicians |
| ISBN | : 9789062659364 |
Veertig biografische schetsen van Surinaamse artiesten en groepen.
| Author | : Jan Brokken |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 283 |
| Release | : 2015-01-12 |
| Genre | : History |
| ISBN | : 162674369X |
The Music of the Netherlands Antilles: Why Eleven Antilleans Knelt before Chopin's Heart is not your usual musical scholarship. In October 1999, eleven Antilleans attended the service held to commemorate the 150th anniversary of Frédéric Chopin's death. This service, held in the Warsaw church where the composer's heart is kept in an urn, was an opportunity for these Antilleans to express their debt of gratitude to Chopin, whose influence is central to Antillean music history. Press coverage of this event caused Dutch novelist and author Jan Brokken (b. 1949) to start writing this book, based on notes he took while living on Curaçao from 1993 to 2002. Anyone hoping to discover an overlooked chapter of Caribbean music and music history will be amply rewarded with this Dutch-Caribbean perspective on the pan-Caribbean process of creolization. On Curaçao, the history and legacy of slavery shaped culture and music, affecting all the New World. Brokken's portraits of prominent Dutch Antillean composers are interspersed with cultural and music history. He puts the Dutch Caribbean's contributions into a broader context by also examining the nineteenth-century works by pianist Louis Moreau Gottschalk from New Orleans and Manuel Saumell from Cuba. Brokken explores the African component of Dutch-Antillean music—examining the history of the rhythm and music known as tambú as well as American jazz pianist Chick Corea's fascination with the tumba rhythm from Curaçao. The book ends with a discussion of how recent Dutch-Caribbean adaptations of European dance forms have shifted from a classical approach to contemporary forms of Latin jazz.
| Author | : Rosemarijn Höfte |
| Publisher | : BRILL |
| Total Pages | : 383 |
| Release | : 2022-07-04 |
| Genre | : History |
| ISBN | : 9004475346 |
Suriname is a fascinating yet also little known Caribbean country. Fascinating because a unique variety of lifestyles and group identities has characterized this country from its early beginnings as a European plantation colony, but even more so since the influx of contract laborers from British India and Java in the nineteenth century. Little known because even when attention was focused on the country, particularly following a military coup d'état in 1980, this awareness has contributed little to a better understanding of the country's complex developments. In fact, the media have not unveiled but rather covered the essentials of the evolving Suriname society. Combining a broad thematic approach with a focus on long-term developments in Suriname, 20th Century Suriname consists of fourteen chapters that discuss the main trends with respect to major areas of research. Topics such as Surinamese politics and economics, as well as its social, religious, and cultural aspects are covered by the best contemporary specialists on Suriname in the United States, the Netherlands, and Suriname. This volume provides an accessible introduction to Suriname for a general audience, including graduate and undergraduate students, and an authoritative 'state of the art review' for Suriname specialists.
| Author | : Janet Sturman |
| Publisher | : SAGE Publications |
| Total Pages | : 2730 |
| Release | : 2019-02-26 |
| Genre | : Music |
| ISBN | : 1483317749 |
The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 365 |
| Release | : 2013-10-04 |
| Genre | : Music |
| ISBN | : 9004258590 |
Over time Dutch and Indonesian musicians have inspired each other and they continue to do so. Recollecting Resonances offers a way of studying these musical encounters and a mutual heritage one today still can listen to.
| Author | : Margarita Cervantes-Rodriguez |
| Publisher | : Temple University Press |
| Total Pages | : 270 |
| Release | : 2008-12-20 |
| Genre | : History |
| ISBN | : 1592139566 |
A novel and interdisciplinary volume on the dynamics of migration with comparative case studies of the Caribbean experience.
| Author | : Gert Oostindie |
| Publisher | : Amsterdam University Press |
| Total Pages | : 290 |
| Release | : 2011 |
| Genre | : Political Science |
| ISBN | : 9089643532 |
"The Netherlands is home to one million citizens with roots in the former colonies Indonesia, Suriname and the Antilles. Entitlement to Dutch citizenship, pre-migration acculturation in Dutch language and culture as well as a strong rhetorical argument ('We are here because you were there') were strong assets of the first generation. This 'postcolonial bonus' indeed facilitated their integration. In the process, the initial distance to mainstream Dutch culture diminished. Postwar Dutch society went through serious transformations. Its once lily white population now includes two million non-Western migrants and the past decade witnessed heated debates about multiculturalism. The most important debates about the postcolonial migrant communities centeracknowledgmentgement and the inclusion of colonialism and its legacies in the national memorial culture. This resulted in state-sponsored gestures, ranging from financial compensation to monuments. The ensemble of such gestures reflect a guilt-ridden and inconsistent attempt to 'do justice' to the colonial past and to Dutch citizens with colonial roots. Postcolonial Netherlands is the first scholarly monograph to address these themes in an internationally comparative framework. Upon its publication in the Netherlands (2010) the book elicited much praise, but also serious objections to some of the author's theses, such as his prediction about the diminishing relevance of postcolonial roots"--Publisher's description.
| Author | : Philomena Essed |
| Publisher | : Rodopi |
| Total Pages | : 410 |
| Release | : 2014-03-01 |
| Genre | : History |
| ISBN | : 9401210098 |
Dutch Racism is the first comprehensive study of its kind. The approach is unique, not comparative but relational, in unraveling the legacy of racism in the Netherlands and the (former) colonies. Authors contribute to identifying the complex ways in which racism operates in and beyond the national borders, shaped by European and global influences, and intersecting with other systems of domination. Contrary to common sense beliefs it appears that old-fashioned biological notions of “race” never disappeared. At the same time the Netherlands echoes, if not leads, a wider European trend, where offensive statements about Muslims are an everyday phenomenon. Dutch Racism challenges readers to question what happens when the moral rejection of racism looses ground. The volume captures the layered nature of Dutch racism through a plurality of registers, methods, and disciplinary approaches: from sociology and history to literary analysis, art history and psychoanalysis, all different elements competing for relevance, truth value, and explanatory power. This range of voices and visions offers illuminating insights in the two closely related questions that organize this book: what factors contribute to the complexity of Dutch racism? And why is the concept of racism so intensely contested? The volume will speak to audiences across the humanities and social sciences and can be used as textbook in undergraduate as well as graduate courses. Philomena Essed is professor of Critical Race, Gender and Leadership studies, Antioch University (USA), PhD in Leadership and Change Program. Her books and edited volumes include Everyday Racism; Understanding Everyday Racism, Race Critical Theories; A Companion to Gender Studies (“outstanding” 2005 CHOICE award); and, Clones, Fakes and Posthumans: Cultures of Replication. Isabel Hoving is diversity officer at the Leiden University and affiliated with the Department of Film and Literary Studies of Leiden University. Her books include In Praise of New Travellers, Veranderingen van het alledaagse, and several other volumes on migration, Caribbean literatures, African literature and art. In addition to her academic work, she is an awarded youth writer.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 432 |
| Release | : 2018-02-27 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9004363394 |
This book deals with creolization and pidginization of language, culture and identity and makes use of interdisciplinary approaches developed in the study of the latter. Creolization and pidginization are conceptualized and investigated as specific social processes in the course of which new common languages, socio-cultural practices and identifications are developed under distinct social and political conditions and in different historical and local contexts of diversity. The contributions show that creolization and pidginization are important strategies to deal with identity and difference in a world in which diversity is closely linked with inequalities that relate to specific group memberships, colonial legacies and social norms and values.
