Supply Chain Cinema
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| Author | : Kay Dickinson |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 191 |
| Release | : 2024-02-08 |
| Genre | : Performing Arts |
| ISBN | : 183902464X |
Why are big budget films typically made across an array of seemingly dissociated sites? Supply Chain Cinema shows how the production journeys of such films exemplify the principles of the supply chain, whose core imperative is to nimbly and opportunistically manufacturing wherever is most amenable and efficient. Through extensive on-site investigations and in-depth interviews with film professionals, Kay Dickinson delivers nuanced insight into working practices in the UK and the UAE. Among the sites she examines is Warner Bros' permanent base at Leavesden Studios near London. From tax breaks designed to attract foreign projects to infrastructures, logistical support and expertise offered, she considers why Hollywood giants elect to make more of their films in Britain than in the USA. Dickinson goes on to show how the UK's ambitions to enlarge its creative economies has opened up a host of competitive advantages with British higher education increasingly fashioned to conform to the needs of border-hopping enterprise, thus generating a workforce keenly adapted to the demands of blockbuster moviemaking.
| Author | : Matthew Hockenberry |
| Publisher | : Duke University Press |
| Total Pages | : 164 |
| Release | : 2021-08-02 |
| Genre | : Social Science |
| ISBN | : 1478013036 |
The contributors to Assembly Codes examine how media and logistics set the conditions for the circulation of information and culture. They document how logistics—the techniques of organizing and coordinating the movement of materials, bodies, and information—has substantially impacted the production, distribution, and consumption of media. At the same time, physical media, such as paperwork, along with media technologies ranging from phone systems to software are central to the operations of logistics. The contributors interrogate topics ranging from the logistics of film production and the construction of internet infrastructure to the environmental impact of the creation, distribution, and sale of vinyl records. They also reveal how logistical technologies have generated new aesthetic and performative practices. In charting the specific points of contact, dependence, and friction between media and logistics, Assembly Codes demonstrates that media and logistics are co-constitutive and that one cannot be understood apart from the other. Contributors Ebony Coletu, Kay Dickinson, Stefano Harney, Matthew Hockenberry, Tung-Hui Hu, Shannon Mattern, Fred Moten, Michael Palm, Ned Rossiter, Nicole Starosielski, Liam Cole Young, Susan Zieger
| Author | : Linda Stradling |
| Publisher | : A&C Black |
| Total Pages | : 194 |
| Release | : 2010-06-15 |
| Genre | : Performing Arts |
| ISBN | : 1408121808 |
A complete on-the-job reference tool written by an experienced insider.
| Author | : Jeffrey M. Zacks |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 361 |
| Release | : 2015 |
| Genre | : Performing Arts |
| ISBN | : 0199982872 |
How is it that a patch of flickering light on a wall can produce experiences that engage our imaginations and can feel totally real? From the vertigo of a skydive to the emotional charge of an unexpected victory or defeat, movies give us some of our most vivid experiences and most lasting memories. They reshape our emotions and worldviews--but why? In Flicker, Jeff Zacks delves into the history of cinema and the latest research to explain what happens between your ears when you sit down in the theatre and the lights go out. Some of the questions Flicker answers: Why do we flinch when Rocky takes a punch in Sylvester Stallone's movies, duck when the jet careens towards the tower in Airplane, and tap our toes to the dance numbers in Chicago or Moulin Rouge? Why do so many of us cry at the movies? What's the difference between remembering what happened in a movie and what happened in real life--and can we always tell the difference? To answer these questions and more, Flicker gives us an engaging, fast-paced look at what happens in your head when you watch a movie.
| Author | : Adam P. Davies |
| Publisher | : Netribution |
| Total Pages | : 247 |
| Release | : 2007 |
| Genre | : Business & Economics |
| ISBN | : 0955014328 |
This is a complete guide to film finance around the world, from first web short film to mainstream international multi-million dollar co-production.
| Author | : Kay Dickinson |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 191 |
| Release | : 2024-02-08 |
| Genre | : Performing Arts |
| ISBN | : 1839024631 |
Why are big budget films typically made across an array of seemingly dissociated sites? Supply Chain Cinema shows how the production journeys of such films exemplify the principles of the supply chain, whose core imperative is to nimbly and opportunistically manufacturing wherever is most amenable and efficient. Through extensive on-site investigations and in-depth interviews with film professionals, Kay Dickinson delivers nuanced insight into working practices in the UK and the UAE. Among the sites she examines is Warner Bros' permanent base at Leavesden Studios near London. From tax breaks designed to attract foreign projects to infrastructures, logistical support and expertise offered, she considers why Hollywood giants elect to make more of their films in Britain than in the USA. Dickinson goes on to show how the UK's ambitions to enlarge its creative economies has opened up a host of competitive advantages with British higher education increasingly fashioned to conform to the needs of border-hopping enterprise, thus generating a workforce keenly adapted to the demands of blockbuster moviemaking.
| Author | : Tobias Nielsén |
| Publisher | : |
| Total Pages | : 72 |
| Release | : 2004 |
| Genre | : Art and society |
| ISBN | : 9789197491921 |
| Author | : |
| Publisher | : |
| Total Pages | : 562 |
| Release | : 2008 |
| Genre | : Cinematography |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 754 |
| Release | : 2005 |
| Genre | : Computer service industry |
| ISBN | : |
| Author | : Charles C. Moul |
| Publisher | : Cambridge University Press |
| Total Pages | : 224 |
| Release | : 2005-03-14 |
| Genre | : Business & Economics |
| ISBN | : 9780521843843 |
This short handbook collects essays on all aspects of the motion picture industry by leading authorities in political economy, economics, accounting, finance, and marketing. In addition to bringing the reader an up-to-date perspective on what is known and what has been accomplished, it includes both new findings on a variety of topics and directions for additional research. Topics include estimation of theatrical and ancillary demand, profitability studies, the resolution of evident paradoxes in studio executive behavior, the interaction of the industry and government, the impacts of the most recent changes in accounting standards, and the role and importance of participation contracts. New results include findings on the true nature of the seasonality of theatrical demand, the predictive power of surveys based upon trailers, the impact of the Academy Awards, the efectiveness of prior history measures to gauge cast members and directors, and the substitutability of movies across different genres.
