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| Author | : Community of Mary, Mother of the Redeemer |
| Publisher | : Lulu.com |
| Total Pages | : 128 |
| Release | : 2019-12-26 |
| Genre | : Religion |
| ISBN | : 1794811842 |
Super flumina is a journal of theological commentary and crankyness from the Community of Mary, Mother of the Redeemer. This is the First issue. It is produced by members of an intentional Christian Community in the Episcopal Church offering commentary and criticism of that Church and the Church as a whole.
| Author | : CMMR |
| Publisher | : Lulu.com |
| Total Pages | : 126 |
| Release | : 2020-02-20 |
| Genre | : Religion |
| ISBN | : 1678158674 |
The Community of Mary, Mother of the Redeemer has finally released the second issue of their journal: Super flumina: A journal of theological commentary and crankyness. This Lenten issue is all of the commentary without sacrificing any of the crankyness! Where else can you read find commentary drawing on Maximos the Confessor and Mary of Egypt, and that looks at the cosmic power of sin through the Wire, and argues that Martin Luther King, Jr. was NOT assassinated, but was martyred? All that and great pictures, too! Buy one for yourself, for your friends, and don't forget your Mom!
| Author | : Community of Mary, Mother of the Redeemer |
| Publisher | : Lulu.com |
| Total Pages | : 152 |
| Release | : 2020-04-08 |
| Genre | : Religion |
| ISBN | : 1716137705 |
The Community of Mary, Mother of the Redeemer now releases its third issue of their journal: Super flumina: A journal of theological commentary and crankyness. This Pascha (Easter) issue continues to have all of the theolgoical commentary without sacrificing any of the crankyness! We have everything in this issue from pandemic laments to Powers and Principalities to longing for Holy Communion and for each others' company, but all of it set within the context of Resurrection Hope.
| Author | : James H. Laster |
| Publisher | : Scarecrow Press |
| Total Pages | : 718 |
| Release | : 1996-06-11 |
| Genre | : Music |
| ISBN | : 1461726646 |
This second edition of Laster's Catalog combines in one volume the listings from the first catalog with the voluminous material that has appeared since 1973, more than doubling the number of citations. It is designed as an aid for the church musician and/or pastor seeking to plan unified worship services. It will also be of use to those church musicians who follow the Liturgical Calendar and plan music appropriate to the appointed lessons, as well as a source for non-church choir directors who would like to locate choral settings based on a particular passage from Scripture. Entries are arranged from Genesis through Revelation. Each main entry citation provides the biblical reference (book, chapter, and verse), as well as a reference to additional passages from Scripture used in the anthem. The composer, arranger, or editor and the title are listed as they appear on the octavo. Information on voicing, solos, and instrumental accompaniment is noted; the name of the publisher, the most recent date of publication and the octavo number appear at the end of each citation, where information on instrumental parts, other versions of the same title, and collections where the work might appear are also listed. Composer and title indexes round off the work.
| Author | : Michael Walker |
| Publisher | : Lulu.com |
| Total Pages | : 80 |
| Release | : 2016-01-29 |
| Genre | : Music |
| ISBN | : 1329866495 |
Twenty compositions from Renaissance France composed by Gregoire Brayssing first published in Paris in 1553. These pieces have been transcribed into modern tablature and notation suitable for the Renaissance four course guitar and modern guitar. Most of the compositions are also playable on the ukulele."
| Author | : EugeneCasjen Cramer |
| Publisher | : Routledge |
| Total Pages | : 347 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351547607 |
Representing nearly thirty years of research by one of the leading scholars in the field, this series of in-depth studies examines selected aspects of the music of the great Spanish composer in the late Renaissance, Tom Luis de Victoria. Presenting new insights into both the musical style and language and the compositional procedure of this contemporary of Palestrina, Lasso and Byrd, Eugene Cramer illuminates the extent to which Victoria's compositions are musically related. The book reveals that the falsobordone or fabord layed a much larger role in Victoria's music than has previously been thought. Cramer also demonstrates that Victoria's parody or imitation technique, especially in respect to his Masses of 1592, extended the parameters that are generally thought to be characteristic of works of this type. Of special interest is the discussion of thirty-eight works, including thirty-four psalm settings that are attributed to Victoria in extant manuscript sources. Extensively illustrated with over 130 musical examples, these studies will not only interest the serious student of sacred music, but also the performer, both the singer and the conductor alike.
| Author | : Blanche M. Gangwere |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 550 |
| Release | : 2004-10-30 |
| Genre | : Social Science |
| ISBN | : 0313072825 |
This annotated chronology of western music is the third in a series of outlines on the history of music in western civilization. It contains a 120-page annotated bibliography, followed by a detailed, documented outline that is divided into ten chapters. Each chapter is written in chronological order with every line being documented by means of abbreviations that refer to the annotated bibliography. There are short biographies of the theorists and detailed discussions of their works. The information on music is organized by classes of music rather than by composer. Also included are lists of manuscripts with descriptions of their contents and notations as to where they may be found. The material for the outline has been taken from primary and secondary sources along with articles from periodicals. Like the other two volumes in this series, Music History from the Late Roman through the Gothic Periods, 313-1425 and Music History During the Renaissance Period, 1425-1520, this volume will be an important research tool for anyone interested in music history.
| Author | : Blaise Pascal |
| Publisher | : Courier Dover Publications |
| Total Pages | : 321 |
| Release | : 2018-04-18 |
| Genre | : Philosophy |
| ISBN | : 0486821501 |
"I know of no religious writer more pertinent to our time." — T. S. Eliot, Introduction to Pensées "Men despise religion. They hate it and are afraid it may be true," declared Pascal in his Pensées. "The cure for this," he explained, "is first to show that religion is not contrary to reason, but worthy of reverence and respect. Next make it attractive, make good men wish it were true, and then show that it is." Motivated by the 17th-century view of the supremacy of human reason, Pascal (1623-62) had intended to write an ambitious apologia for Christianity, in which he argued the inability of reason to address metaphysical problems. His untimely death prevented his completion of the work, but the fragments published posthumously in 1670 form a vital part of religious and philosophical literature. Essential reading for students of history, philosophy, and theology, the Pensées remain among the liveliest and most eloquent defenses of Christianity ever written.
| Author | : Giovanni Varelli |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 426 |
| Release | : 2020-12-07 |
| Genre | : Philosophy |
| ISBN | : 3110717905 |
Although fragments from music manuscripts have occupied a place of considerable importance since the very early days of modern musicology, a collective, up-to-date, and comprehensive discussion of the various techniques and approaches for their study was lacking. On-line resources have also become increasingly crucial for the identification, study, and textual/musical reconstruction of fragmentary sources. Disiecta Membra Musicae. Studies in Musical Fragmentology aims at reviewing the state of the art in the study of medieval music fragments in Europe, the variety of methodologies for studying the repertory and its transmission, musical palaeography, codicology, liturgy, historical and cultural contexts, etc. This collection of essays provides an opportunity to reflect also on broader issues, such as the role of fragments in last century’s musicology, how fragmentary material shaped our conception of the written transmission of early European music, and how new fragments are being discovered in the digital age. Known fragments and new technology, new discoveries and traditional methodology alternate in this collection of essays, whose topics range from plainchant to ars nova and fifteenth- to sixteenth-century polyphony.
| Author | : Jean-Paul Montagnier |
| Publisher | : Cambridge University Press |
| Total Pages | : 359 |
| Release | : 2017-03-16 |
| Genre | : Music |
| ISBN | : 110717774X |
The first ever book-length study of the a cappella masses which appeared in France in choirbook layout during the baroque era. After tracing the publishing history of this distinctive but little-known repertoire, the author places the works in their social, liturgical and musical context.
