Sunspots And The Sun King
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| Author | : Ellen McClure |
| Publisher | : University of Illinois Press |
| Total Pages | : 223 |
| Release | : 2023-09-07 |
| Genre | : History |
| ISBN | : 0252056930 |
Mediation, monarchy, and Louis XIV's attempts to legitimize his reign In order to assert his divine right, Louis XIV missed no opportunity to identify himself as God’s representative on earth. However, in Sunspots and the Sun King Ellen McClure explores the contradictions inherent in attempting to reconcile the logical and mystical aspects of divine right monarchy. McClure analyzes texts devoted to definitions of sovereignty, presents a meticulous reading of Louis XIV’s memoirs to the crown prince, and offers a novel analysis of diplomats and ambassadors as the mediators who preserved and transmitted the king’s authority. McClure asserts that these discussions, ranging from treatises to theater, expose incommensurable models of authority and representation permeating almost every aspect of seventeenth-century French culture.
| Author | : Richard Cohen |
| Publisher | : Simon and Schuster |
| Total Pages | : 659 |
| Release | : 2011-08-04 |
| Genre | : History |
| ISBN | : 0857209809 |
The Sun is so powerful, so much bigger than us, that it is a terrifying subject. Yet though we depend on it, we take it for granted. Amazingly the first book of its kind, CHASING THE SUNis a cultural and scientific history of our relationship with the star that gives us life. Richard Cohen, applying the same mix of wide-ranging reference and intimate detail that won outstanding reviews for By the Sword, travels from the ancient Greek astronomers to modern-day solar scientists, from Stonehenge to Antarctica (site of the solar eclipse of 2003, when penguins were said to sing), Mexico's Aztecs to the Norwegian city of Tromso, where for two months of the year there is no Sun at all. He introduces us to the crucial 'sunspot cycle' in modern economics, the religious dances of Indian tribesmen, the histories of sundials and calendars, the plight of migrating birds, the latest theories of global warming, and Galileo recording his discoveries in code, for fear of persecution. And throughout, there is the rich Sun literature -- from the writings of Homer through Dante and Nietzsche to Keats, Shelley and beyond. Blindingly impressive and hugely readable, this is a tour de force of narrative non-fiction.
| Author | : John Condren |
| Publisher | : Taylor & Francis |
| Total Pages | : 303 |
| Release | : 2024-07-31 |
| Genre | : History |
| ISBN | : 1040041663 |
In recent generations, the study of dynastic politics and diplomatic history has undergone a revival. This field provides invaluable context for understanding international relations and focuses on aspects of cultural exchange and intellectual currents far more than previously. The “age of Louis XIV” has not been immune from this resurrection of interest in foreign policy and the conduct of diplomacy. This book is the first serious full-length study of Louis XIV’s diplomatic relations with the small states of northern Italy, specifically the duchies of Parma, Modena, and Mantua-Monferrato. Louis’s desire to be seen as a peacemaker (despite his obvious bellicosity) extended to Italy, where he asserted the French crown’s potential as a broker of peace between rival dynasties. But his evident self-interest, and the need to preserve France’s perceived traditional alliance with the House of Savoy, undermined these efforts. He also failed to defend the interests of the dukes of Parma and Modena in their quarrels with the Holy See. After apparent successes in the Franco-Dutch War, Louis believed that he could undermine Spanish influence over the princes of Italy. But his attempts to do so antagonised both the Austrian and Spanish Habsburgs and the Lombardy dukes themselves, resulting in renewed war. Louis XIV and the Peace of Europe analyses diplomatic culture at Versailles and at the small Italian courts, and assesses examples of artistic exchange. It will be valuable reading for undergraduates, graduate students, and historians of the field, as well as for those interested in Louis XIV and Italian culture more generally.
| Author | : Michael Marder |
| Publisher | : Rowman & Littlefield Publishers |
| Total Pages | : 200 |
| Release | : 2020-11-09 |
| Genre | : Political Science |
| ISBN | : 153814333X |
From books and heretics burnt on the pyres of the Inquisition to self-immolations at protest rallies, from the burning of fossil fuels to inflammatory speech, from the imagery of revolutionary sparks ready to ignite the spirits of the oppressed to car bombings and “scorched earth” policy, fire proves to be an indispensable element of the political. Pyropolitics in the World Ablaze builds upon the scintillating, by turns horrifying and hopeful, images and realities of flames, hearths, sparks, immolations, melting pots, incinerations, and burning in political thought and practices. Relying on classical political theory, theology, philosophy, literature and cinema, as well as an analysis of current events, Michael Marder argues that geo-politics, or the politics of the Earth, has always had an unstable, at once shadowy and blinding, underside—pyro-politics, or the politics of fire. If this obscure double of geopolitics is increasingly dictating the rules of the game today, then it is crucial to learn to speak its language, to discern its manifestations and to project where our world ablaze is heading. This new edition includes recent examples of the uses and accusations of ‘incendiary speech’ both by Donald Trump and by European populist right and exploration of threats of global warming that have now reached a turning point in our collective relation to the dangers and promises of fire .
| Author | : Maurice Cotterell |
| Publisher | : Simon and Schuster |
| Total Pages | : 403 |
| Release | : 2006-04-18 |
| Genre | : Body, Mind & Spirit |
| ISBN | : 159143887X |
Reveals how the super-science of the sun and the higher orders of spirituality are concealed and contained in the Holy Grail • Connects the discovery of 4,000-year-old Celtic mummies in China with the transmission of this ancient knowledge • Documents the truth of the Holy Grail’s connection with King Arthur and Joseph of Arimathea • Confirms the pedigree of the Grail using secret information from the Mayan Pyramid of Inscriptions in Mexico and the Gateway of the Sun in Peru Using the same knowledge that enabled him to break the codes of the Mayas, Peruvians, Egyptians, and Chinese, Maurice Cotterell now follows the migration of the Celts 4,000 years ago from Asia, across Europe, to Ireland. His account of this epic journey together with his knowledge of the secret codes of the Celts help him to identify and locate the Holy Grail, the actual cup used by Christ and his disciples at the Last Supper. The author explains the true story of the Grail: how it contains the secret super-science of the sun and the higher orders of spirituality; how it was carried to England by Joseph of Arimathea; how in A.D. 453 it was found by King Arthur, who engraved it with the same esoteric information found on the Pyramid of Inscriptions in Palenque, Mexico, and the Gateway of the Sun at Tiahuanaco in ancient Peru. His discoveries reveal that the Grail does actually radiate light, in accordance with the Arthurian legends, proving that the so-called legends are actually based on fact. The author goes on to show how the holy cup was passed for safekeeping to the monks of Lindisfarne, who copied the secrets of the Grail into the Lindisfarne Gospels and the Book of Kells. Fleeing from Viking raids, the monks carried their treasures to Ireland, explaining how the cup found its way to the Dublin Museum--where it rests today.
| Author | : Michael Marder |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 197 |
| Release | : 2014-12-12 |
| Genre | : Political Science |
| ISBN | : 1783480300 |
From the books and heretics burnt on the pyres of the Inquisition to self-immolations at protest rallies, from the massive burning of oil on the global scale to inflammatory speech, from the imagery of revolutionary sparks ready to ignite the spirits of the oppressed to car bombings in the Middle East, fire proves to be an indispensable element of the political. To account for this elemental source of heat and light, Pyropolitics delineates a semantico-discursive field, replete with the literal and metaphorical mentions and uses of fires, flames, sparks, immolations, incinerations, and burning in political theory and practices. Relying on classical political theory, literature, theology, contemporary philosophy, and an analysis of current events, Michael Marder argues that geo-politics, or the politics of the Earth, has always had an unstable, at once shadowy and blinding, underside—pyropolitics, or the politics of fire. If this obscure double of geopolitics is, increasingly, dictating the rules of the game today, then it is crucial to learn to speak its language, to discern its manifestations, and to project where our world ablaze is heading.
| Author | : Olivia Bloechl |
| Publisher | : University of Chicago Press |
| Total Pages | : 301 |
| Release | : 2018-03-01 |
| Genre | : History |
| ISBN | : 022652289X |
From its origins in the 1670s through the French Revolution, serious opera in France was associated with the power of the absolute monarchy, and its ties to the crown remain at the heart of our understanding of this opera tradition (especially its foremost genre, the tragédie en musique). In Opera and the Political Imaginary in Old Regime France, however, Olivia Bloechl reveals another layer of French opera’s political theater. The make-believe worlds on stage, she shows, involved not just fantasies of sovereign rule but also aspects of government. Plot conflicts over public conduct, morality, security, and law thus appear side-by-side with tableaus hailing glorious majesty. What’s more, opera’s creators dispersed sovereign-like dignity and powers well beyond the genre’s larger-than-life rulers and gods, to its lovers, magicians, and artists. This speaks to the genre’s distinctive combination of a theological political vocabulary with a concern for mundane human capacities, which is explored here for the first time. By looking at the political relations among opera characters and choruses in recurring scenes of mourning, confession, punishment, and pardoning, we can glimpse a collective political experience underlying, and sometimes working against, ancienrégime absolutism. Through this lens, French opera of the period emerges as a deeply conservative, yet also more politically nuanced, genre than previously thought.
| Author | : Stuart Clark |
| Publisher | : Princeton University Press |
| Total Pages | : 224 |
| Release | : 2009-04-12 |
| Genre | : History |
| ISBN | : 0691141266 |
Recounts the story behind English astronomer Richard Carrington's observations of a mysterious explosion on the surface of the sun and how his understanding that the sun's magnetism directly influences the Earth helped usher in the modern era of astronomy.
| Author | : Ellen R. Welch |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 309 |
| Release | : 2017-03-16 |
| Genre | : History |
| ISBN | : 081229386X |
The seventeenth-century French diplomat François de Callières once wrote that "an ambassador resembles in some way an actor exposed on the stage to the eyes of the public in order to play great roles." The comparison of the diplomat to an actor became commonplace as the practice of diplomacy took hold in early modern Europe. More than an abstract metaphor, it reflected the rich culture of spectacular entertainment that was a backdrop to emissaries' day-to-day lives. Royal courts routinely honored visiting diplomats or celebrated treaty negotiations by staging grandiose performances incorporating dance, music, theater, poetry, and pageantry. These entertainments—allegorical ballets, masquerade balls, chivalric tournaments, operas, and comedies—often addressed pertinent themes such as war, peace, and international unity in their subject matter. In both practice and content, the extravagant exhibitions were fully intertwined with the culture of diplomacy. But exactly what kind of diplomatic work did these spectacles perform? Ellen R. Welch contends that the theatrical and performing arts had a profound influence on the development of modern diplomatic practices in early modern Europe. Using France as a case study, Welch explores the interconnected histories of international relations and the theatrical and performing arts. Her book argues that theater served not merely as a decorative accompaniment to negotiations, but rather underpinned the practices of embodied representation, performance, and spectatorship that constituted the culture of diplomacy in this period. Through its examination of the early modern precursors to today's cultural diplomacy initiatives, her book investigates the various ways in which performance structures international politics still.
| Author | : Stuart Clark |
| Publisher | : Princeton University Press |
| Total Pages | : 224 |
| Release | : 2019-12-31 |
| Genre | : Science |
| ISBN | : 0691207089 |
In September of 1859, the entire Earth was engulfed in a gigantic cloud of seething gas, and a blood-red aurora erupted across the planet from the poles to the tropics. Around the world, telegraph systems crashed, machines burst into flames, and electric shocks rendered operators unconscious. Compasses and other sensitive instruments reeled as if struck by a massive magnetic fist. For the first time, people began to suspect that the Earth was not isolated from the rest of the universe. However, nobody knew what could have released such strange forces upon the Earth--nobody, that is, except the amateur English astronomer Richard Carrington. In this riveting account, Stuart Clark tells for the first time the full story behind Carrington's observations of a mysterious explosion on the surface of the Sun and how his brilliant insight--that the Sun's magnetism directly influences the Earth--helped to usher in the modern era of astronomy. Clark vividly brings to life the scientists who roundly rejected the significance of Carrington's discovery of solar flares, as well as those who took up his struggle to prove the notion that the Earth could be touched by influences from space. Clark also reveals new details about the sordid scandal that destroyed Carrington's reputation and led him from the highest echelons of science to the very lowest reaches of love, villainy, and revenge. The Sun Kings transports us back to Victorian England, into the very heart of the great nineteenth-century scientific controversy about the Sun's hidden influence over our planet.
