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| Author | : |
| Publisher | : |
| Total Pages | : 100 |
| Release | : 1958-02-10 |
| Genre | : |
| ISBN | : |
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
| Author | : Deborah Cartmell |
| Publisher | : John Wiley & Sons |
| Total Pages | : 466 |
| Release | : 2020-01-15 |
| Genre | : Performing Arts |
| ISBN | : 1119554810 |
The most comprehensive reference text of theoretical and historical discourse on the biopic film The biopic, often viewed as the most reviled of all film genres, traces its origins to the early silent era over a century ago. Receiving little critical attention, biopics are regularly dismissed as superficial, formulaic, and disrespectful of history. Film critics, literary scholars and historians tend to believe that biopics should be artistic, yet accurate, true-to-life representations of their subjects. Moviegoing audiences, however, do not seem to hold similar views; biopics continue to be popular, commercially viable films. Even the genre’s most ardent detractors will admit that these films are often very watchable, particularly due to the performance of the lead actor. It is increasingly common for stars of biographical films to garner critical praise and awards, driving a growing interest in scholarship in the genre. A Companion to the Biopic is the first global and authoritative reference on the subject. Offering theoretical, historical, thematic, and performance-based approaches, this unique volume brings together the work of top scholars to discuss the coverage of the lives of authors, politicians, royalty, criminals, and pop stars through the biopic film. Chapters explore evolving attitudes and divergent perspectives on the genre with topics such as the connections between biopics and literary melodramas, the influence financial concerns have on aesthetic, social, or moral principles, the merger of historical narratives with Hollywood biographies, stereotypes and criticisms of the biopic genre, and more. This volume: Provides a systematic, in-depth analysis of the biopic and considers how the choice of historical subject reflects contemporary issues Places emphasis on films that portray race and gender issues Explores the uneven boundaries of the genre by addressing what is and is not a biopic as well as the ways in which films simultaneously embrace and defy historical authenticity Examines the distinction between reality and ‘the real’ in biographical films Offers a chronological survey of biopics from the beginning of the 20th century A Companion to the Biopic is a valuable resource for researchers, scholars, and students of history, film studies, and English literature, as well as those in disciplines that examine interpretations of historical figures
| Author | : Marc Shell |
| Publisher | : Harvard University Press |
| Total Pages | : 335 |
| Release | : 2009-06-30 |
| Genre | : Medical |
| ISBN | : 0674043545 |
In this book, Shell, himself a victim of polio, offers an inspired analysis of the disease. Part memoir, part cultural criticism and history, part meditation on the meaning of disease, Shell's work combines the understanding of a medical researcher with the sensitivity of a literary critic. He deftly draws a detailed yet broad picture of the lived experience of a crippling disease as it makes it way into every facet of human existence.
| Author | : Thomas L. Erskine |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 439 |
| Release | : 2000-03-30 |
| Genre | : Performing Arts |
| ISBN | : 0313032033 |
Many of our favorite films began as plays—some as well known as Shakespeare's Romeo and Juliet, and some not so well known as You've Got Mail's origin, a 1937 play Parfumerie by Miklos Laszlo. Video Versions identifies nearly 300 films and their theatrical origins, providing readers with an overview of the films and highlighting similarities and differences to the source plays. Perfect for teachers, students, and anyone interested in theater and film, it is the most complete resource available for video versions of plays. Each entry provides: the original play's title, author, and year of publication; the name of the film, year of production, director and adapter; the main cast and the characters they play; running time and rating if available. Following a plot summary, a critical analysis provides the similarities and differences of the play and film, including character and plot changes, setting, missing or added scenes, special film techniques, and behind-the-scenes information such as who turned down or lost particular parts when the play was adapted to film. A short list of sources for further reading follows each entry. Information about contacting distributors—for obtaining the films—is included in the introduction and an extensive index completes the volume.
| Author | : John Minahan |
| Publisher | : iUniverse |
| Total Pages | : 530 |
| Release | : 2001-10 |
| Genre | : Biography & Autobiography |
| ISBN | : 0595200737 |
The Music of Time is a riviting life story that reads like a fine novel, giving voice to the author's sensibilities, secrets, and fears, without traces of inhibition. All the major and minor characters are here, an astonishing variety of men and women who have influenced the writer's life and work over a period of six decades. We discover precisely how he learned the craft of novel writing, his lifelong passion for music that became a catalyst for his creativity, and how an unexpected insight at Harvard would dramatically change his life. This book is the haunting self-portrait of a truly gifted American artist, still working, whose reputation is secure among the finest writers of his generation.
| Author | : Mark A. Vieira |
| Publisher | : Running Press Adult |
| Total Pages | : 924 |
| Release | : 2023-05-30 |
| Genre | : Performing Arts |
| ISBN | : 0762482389 |
In this official centennial history of the greatest studio in Hollywood, unforgettable stars, untold stories, and rare images from the Warner Bros. vault bring a century of entertainment to vivid life. The history of Warner Bros. is not just the tale of a legendary film studio and its stars, but of classic Hollywood itself, as well as a portrait of America in the last century. It’s a family story of Polish-Jewish immigrants—the brothers Warner—who took advantage of new opportunities in the burgeoning film industry at a time when four mavericks could invent ways of operating, of warding off government regulation, and of keeping audiences coming back for more during some of the nation's darkest days. Innovation was key to their early success. Four years after its founding, the studio revolutionized moviemaking by introducing sound in The Jazz Singer (1927). Stars and stories gave Warner Bros. its distinct identity as the studio where tough guys like Humphrey Bogart and strong women like Bette Davis kept people on the edge of their seats. Over the years, these acclaimed actors and countless others made magic on WB’s soundstages and were responsible for such diverse classics as Casablanca, A Streetcar Named Desire, A Star Is Born, Bonnie & Clyde, Malcolm X, Caddyshack, Purple Rain, and hundreds more. It’s the studio that put noir in film with The Maltese Falcon and other classics of the genre, where the iconic Looney Tunes were unleashed on animation, and the studio that took an unpopular stance at the start of World War II by producing anti-Nazi films. Counter-culture hits like A Clockwork Orange and The Exorcist carried the studio through the 1970s and '80s. Franchise phenomena like Harry Potter, the DC universe, and more continue to shape a cinematic vision and longevity that is unparalleled in the annals of film history. These stories and more are chronicled in this comprehensive and stunning volume. Copyright © 2023 Warner Bros. Entertainment Inc.
| Author | : Jo Parnell |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 230 |
| Release | : 2018-08-03 |
| Genre | : Social Science |
| ISBN | : 1498569072 |
This book is a comprehensive study of some ways of treating the subject that demonstrate new and unusual perspectives, and provides a different approach to the popularly-held views of mothers-in-law; and that further address these works as popular culture; and as texts in their own right from within the framework of literary theory; and as works that demonstrate the ability to reach and connect with, and satisfy, both the general reader, the student, and the scholar, from all levels and walks of life.
| Author | : Dario Fazzi |
| Publisher | : Springer Nature |
| Total Pages | : 225 |
| Release | : 2020-06-29 |
| Genre | : History |
| ISBN | : 3030423158 |
"This volume fills a void in current studies of Eleanor Roosevelt. Offering a comprehensive analysis of Roosevelt as a diplomat during the Cold War era, it is particularly insightful in analyzing her position on United States race relations while at the United Nations. It provides a new look at Roosevelt’s leadership from an American perspective played out on a global stage."- Maurine H. Beasley, Professor Emerita, University of Maryland College Park, USA "My grandmother was an ardent "small-d" democrat, as well as a Democrat - but she didn't think we were very mature in our living of it! This well-written and illuminating collection of essays, focused on what ER thought it meant to be a global citizen, offers a unique perspective of her views on a host of issues. Let us hope these fresh insights can inspire young people today to construct that better world to which she dedicated much of her life." - Anna Eleanor Roosevelt This book focuses on Eleanor Roosevelt’s multifaceted agenda for the world. It highlights her advocacy of human rights, multilateral diplomacy, and transnationalism, and it emphasizes her challenge to gendered norms and racial relations. The essays of this collection describe Eleanor Roosevelt as a public intellectual, a politician, a public diplomat, and an activist. She was, undeniably, one of the protagonists of the twentieth century and a proactive interpreter of the many changes it brought about. She went through two world wars, the harshness of the Great Depression, and the emergence of nuclear confrontation, and she deciphered such crises as the product of misleading nationalism and egoism. Against them, she offered her commitment to people’s education as an example of civic engagement, which she considered necessary for the functioning of any democratic order. Such was the world Eleanor Roosevelt envisioned and tried to build – symbolically and practically – one where people, the citizens of the world, may really be at the center of international affairs.
| Author | : David Thomson |
| Publisher | : Knopf |
| Total Pages | : 1090 |
| Release | : 2010 |
| Genre | : Biography & Autobiography |
| ISBN | : 0307271749 |
Thomson (independent scholar), writing of The Biographical Dictionary of Film (aka A Biographical Dictionary of the Cinema, 1975 edition), described it as "a personal, opinionated, and obsessive biographical dictionary of the cinema." Thirty-five years and several editions later, that description still holds true of this expanded work. The new dictionary summarizes salient facts about its subjects' lives and discusses their film credits in terms of the quality of the filmmakers' work. In ambition it has competitors, including Leslie Halliwell's various editions of Halliwell's Filmgoers Companion (12th ed., 1997) and Halliwell's Who's Who in the Movies, edited by John Walker (4th ed., rev. and updated, 2006), which cover films and technical terms (categories not included in Thomson's), but whose entries are neutral and exceedingly brief. Additionally, Francophile Richard Roud's edited Cinema: A Critical Dictionary: The Major Filmmakers (2 v., 1980) is as passionate a work as Thomson's, but narrower in scope, with entries written by various experts, rather than only by Roud. Finally, the multivolume magnum opus The International Dictionary of Films and Filmmakers (4th ed., 2000, ed. by T. Pendergast and S. Pendergast; 2nd ed., ed. by N. Thomas, v. 1, CH, May'91; 1st ed., ed. by C. Lyon, v.1-2, CH, Jan'85, v.3, CH, Apr'87, v.4-5, CH, Jun'88) covers everything--films, directors, actors, writers, and production artists--with generous, measured, scholarly entries and lavish illustrations. However, it looms large and heavy, unlike the handy one-volume work by Thomson. Arguably, Thomson's work, for its scope, is the most fun, the most convenient, and the most engaging title. All libraries supporting people interested in film should buy it. It will get lots of use and provide very good value for the money. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by C. Hendershott.
| Author | : Michael Troyan |
| Publisher | : University Press of Kentucky |
| Total Pages | : 518 |
| Release | : 2010-09-12 |
| Genre | : Biography & Autobiography |
| ISBN | : 0813128420 |
" In this first-ever biography of Greer Garson, Michael Troyan sweeps away the many myths that even today veil her life. The true origins of her birth, her fairy-tale discovery in Hollywood, and her career struggles at Metro-Goldwyn-Mayer are revealed for the first time. Garson combined an everywoman quality with grace, charm, and refinement. She won the Academy Award in 1941 for her role in Mrs. Miniver , and for the next decade she reigned as the queen of MGM. Co-star Christopher Plummer remembered, ""Here was a siren who had depth, strength, dignity, and humor who could inspire great trust, suggest deep intellect and whose misty languorous eyes melted your heart away!"" Garson earned a total of seven Academy Award nominations for Best Actress, and fourteen of her films premiered at Radio City Music Hall, playing for a total of eighty-four weeks--a record never equaled by any other actress. She was a central figure in the golden age of the studios, working with legendary performers Clark Gable, Marlon Brando, Elizabeth Taylor, Errol Flynn, Joan Crawford, Robert Mitchum, Debbie Reynolds, and Walter Pidgeon. Garson's experiences offer a fascinating glimpse at the studio system in the years when stars were closely linked to a particular studio and moguls such as L.B. Mayer broke or made careers. With the benefit of exclusive access to studio production files, personal letters and diaries, and the cooperation of her family, Troyan explores the triumphs and tragedies of her personal life, a story more colorful than any role she played on screen.
