Summary of the History and Development of Mediaeval and Modern European Music
Author | : Charles Hubert Hastings Parry |
Publisher | : |
Total Pages | : 176 |
Release | : 1905 |
Genre | : Music |
ISBN | : |
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Author | : Charles Hubert Hastings Parry |
Publisher | : |
Total Pages | : 176 |
Release | : 1905 |
Genre | : Music |
ISBN | : |
Author | : Sir Charles Herbert Hastings Parry |
Publisher | : |
Total Pages | : 123 |
Release | : 1983 |
Genre | : |
ISBN | : |
Author | : Charles Hubert Hastings Parry |
Publisher | : |
Total Pages | : 115 |
Release | : 1894 |
Genre | : |
ISBN | : |
Author | : C. Hubert H. (Charles Hubert Hast Parry |
Publisher | : Wentworth Press |
Total Pages | : 158 |
Release | : 2016-08-28 |
Genre | : History |
ISBN | : 9781373163486 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : C Hubert H 1848-1918 Parry |
Publisher | : Palala Press |
Total Pages | : 130 |
Release | : 2016-05-25 |
Genre | : |
ISBN | : 9781359775696 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Charles Hubert Hastings Parry |
Publisher | : |
Total Pages | : 143 |
Release | : 1904 |
Genre | : Music |
ISBN | : |
Author | : Mark Everist |
Publisher | : Cambridge University Press |
Total Pages | : |
Release | : 2018-08-09 |
Genre | : Music |
ISBN | : 1108577075 |
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.