Subheritage
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Fundamentals of Stream Processing
Author | : Henrique C. M. Andrade |
Publisher | : Cambridge University Press |
Total Pages | : 559 |
Release | : 2014-02-13 |
Genre | : Technology & Engineering |
ISBN | : 1107434009 |
Stream processing is a novel distributed computing paradigm that supports the gathering, processing and analysis of high-volume, heterogeneous, continuous data streams, to extract insights and actionable results in real time. This comprehensive, hands-on guide combining the fundamental building blocks and emerging research in stream processing is ideal for application designers, system builders, analytic developers, as well as students and researchers in the field. This book introduces the key components of the stream computing paradigm, including the distributed system infrastructure, the programming model, design patterns and streaming analytics. The explanation of the underlying theoretical principles, illustrative examples and implementations using the IBM InfoSphere Streams SPL language and real-world case studies provide students and practitioners with a comprehensive understanding of such applications and the middleware that supports them.
Professional Builder & Apartment Business
Author | : |
Publisher | : |
Total Pages | : 186 |
Release | : 1976 |
Genre | : Apartment houses |
ISBN | : |
Issues for Jan. 1973-May 1977 include section: Industrialized building.
Mergent ... Company Archives Supplement
Author | : |
Publisher | : |
Total Pages | : 904 |
Release | : 2005 |
Genre | : Bankruptcy |
ISBN | : |
Contains the final statistical record of companies which merged, were acquired, went bankrupt or otherwise disappeared as private companies.
Mergent Company Archives Manual
Author | : |
Publisher | : |
Total Pages | : 932 |
Release | : 2005 |
Genre | : Consolidation and merger of corporations |
ISBN | : |
"Subheritage"
Author | : Francisco Javier Fresneda |
Publisher | : |
Total Pages | : 228 |
Release | : 2019 |
Genre | : |
ISBN | : |
This Dissertation attends to examine the significance of the key notions empire, mimesis and infrastructure through the study of selected historical materials and concepts distilled from my artistic practice. In the former case, the historical deploys a narrative upon the aesthetic and material dimensions of monumental heritage in the Austro Hungarian Empire and the Mexican Second Empire. As for the artistic side, it produces its own diagram, whose material existence allows to weave theoretical and practice-based concepts throughout the entire work. In this sense, my approach attempts to treat selected narrative sources as materials rather than themes or periods, relating them by means of transitions, conceptual ramifications and the consequences of systematic critique. In this Dissertation there is no central character nor period, for its main aim is to articulate, through a theoretical pipetting, the interrelations between my artistic practice and the use of historical materials. The notion of mimesis is posited as a medium whose uniformity problematizes the representation of imperial colonialism, establishing a conceptual framework so as to understand it less as an instrument than a medium tending toward isotropy. This hallucinatory dimension of mimesis is explored further by examining the interplay between identity and representation according to its ideological scope, where distinct figures (the subaltern, the minority, the melancholic) led to fundamental relationships between allegory and death. Understood in material terms, such interplay can be translated according to tensions between the city and the urban, the classical and the baroque, the allegory and the metaphor. The imperial city of Vienna serves as the locus for the materialization of the dilemma between identity and representation, the place where the existence of monuments build the sense of the antique as by-product of the modern. The notion of Empathy proves crucial here as it relates the psychological meaning of architecture and of the modern, but only insofar as it conceals its own hallucinatory dimension, one that articulates the unevenness between manual and intellectual labor. During the Mexican Second Empire, the translation of mimesis into the material becomes radicalized with the implementation of infrastructures such as roads and railways which are indebted to the ruins of bygone empires. Finally, the empathy toward monuments acquires a messianic dimension, one that is tracing the promise of an imminent rupture with the imperial sense of time.